William Debuys – författare

In 1992, in a remote mountain range, a team of scientists discovered the remains of an unusual animal with beautiful long horns. It turned out to be a living species new to western science -- a saola, the first large land mammal discovered in 50 years.Rare then and rarer now, no westerner had glimpsed a live saola before Pulitzer Prize finalist and nature writer William deBuys and conservation biologist William Robichaud set off to search for it in the wilds of central Laos. The team endured a punishing trek, up and down whitewater rivers and through mountainous terrain ribboned with the snare lines of armed poachers.In the tradition of Bruce Chatwin, Colin Thubron, and Peter Matthiessen, THE LAST UNICORN is deBuys's look deep into one of the world's most remote places. As in the pursuit of the unicorn, the journey ultimately becomes a quest for the essence of wildness in nature, and an encounter with beauty.

In low places consequences collect, and in all North America you cannot get much lower than the Imperial Valley of southern California, where one town, 186 feet below sea level, calls itself the Lowest Down City in the Western Hemisphere, and where the waters of the Colorado River sustain a billion-dollar agricultural industry. The consequences of that industry drain from the valley into the accidentally man-made Salton Sea, California's largest lake and a vital stopping place for migratory waterfowl. Today the Salton Sea is in desperate environmental trouble. Beginning with the Yuman-speaking tribes encountered by the Spanish in the sixteenth century, deBuys traces the exploration and development of the region through the Gold Rush of 1849, the government-sponsored surveys that followed, and the inept tinkering with the river by an assortment of irrigation and development interests that resulted in the floods that formed the Salton Sea nearly a century ago. He introduces us to a gallery of rogues and dreamers who saw a great future for this arid wilderness but could never refrain from interference with the forces of nature.

First published in 1985, William deBuys’s Enchantment and Exploitation has become a New Mexico classic. It offers a complete account of the relationship between society and environment in the Sangre de Cristo Mountains of northern New Mexico, a region unique in its rich combination of ecological and cultural diversity. Now, more than thirty years later, this revised and expanded edition provides a long-awaited assessment of the quality of the journey that New Mexican society has traveled in that time—and continues to travel.In a new final chapter deBuys examines ongoing transformations in the mountains’ natural systems—including, most notably, developments related to wildfires—with significant implications for both the land and the people who depend on it. As the climate absorbs the effects of an industrial society, deBuys argues, we can no longer expect the environmental future to be a reiteration of the environmental past.

First Impressions: A Reader's Journey to Iconic Places of the American Southwest tells the story of fifteen iconic sites across Arizona, Utah, New Mexico, and southern Colorado through the eyes of the explorers, missionaries, and travelers who were the first nonnatives to describe them. Noted borderlands historians David J. Weber and William deBuys lead readers through centuries of historical, cultural, and environmental change at sites ranging from Carlsbad Caverns, the Grand Canyon, and Mesa Verde to such living Native communities as Ácoma and Zuni. Lovers of the Southwest, both residents and visitors alike, will delight in the authors' skillful evocation of the region's sweeping landscapes, its rich Hispanic and Native heritage, and the sense of discovery that so enchanted its early explorers.

In The Walk, William deBuys writes about personal loss and the power of the landscape to nurture the recovery of hope. The book consists of three interrelated essays that move from a period of strife in the author's life to a kind of limbo and eventually to a place of peace. The setting is deBuys' small farm in New Mexico's Sangre de Cristo Mountains. Each morning, he takes the same walk through the woods, arriving, as he describes in the first essay, at a clarity that comes from looking at the same vantage point for years. The middle essay, "Geranium," takes its name from a mare deBuys had to put down, and whose remains become one with the forest. In the final essay, deBuys reflects on drought, the loss of a friend, and the resurgence of land and hope. Contemplative, compassionate, and quietly humorous, The Walk is nature writing at its finest.

New Mexico’s Sangre de Cristo mountains are a place where two cultures — Hispanic and Anglo — meet. They''re also the place where three men meet: William deBuys, a young writer; Alex Harris, a young photographer; and Jacobo Romero, an old farmer. When Harris and deBuys move to New Mexico in the 1970s, Romero is the neighbor who befriends them and becomes their teacher. With the tools of simple labor — shovel and axe, irony and humor — he shows them how to survive, even flourish, in their isolated village. A remarkable look at modern life in the mountains, River of Traps also magically evokes the now-vanished world in which Romero tended flocks on frontier ranges and absorbed the values of a society untouched by cash or Anglo America. His memories and wisdom, shared without sentimentality, permeate this absorbing story of three men and the place that forever shaped their lives.

With this haunting new collection of photographs, Joan Myers continues the decades-long journey she began in Where the Buffalo Roamed (with Lucy Lippard), documenting the changing landscape and culture of the American West. The images in this new collection are more personal, more elegiac-and all black-and-white. They bear witness to the fracturing of the American Dream, the demise of cowboy culture, and the shrinking of small towns, ranches, and farms throughout western rural America. The themes she examines are reflected in The Devil’s Highway, a powerfully evocative short story by Pulitzer finalist William deBuys, first published in 1992 in Story magazine and reproduced here for the first time. Myers and deBuys previously collaborated on Salt Dreams: Land and Water in Low-Down California, which inspired the highly acclaimed film, The Colorado.Myers has spent much of her time roaming the American West, but has also worked in India, the Canary Islands, Antarctica, Java, Sicily, Sardinia, Hawaii, and more. Her extensive photo archive is now housed at the Briscoe Center for American History on the University of Texas at Austin campus.