William O'Rourke – författare

In the mythical town of Winesburg, Indiana, there lives a cleaning lady who can conjure up the ghost of Billy Sunday, a lascivious holy man with an unusual fetish and a burgeoning flock, a park custodian who collects the scat left by aliens, and a night janitor learning to live with life's mysteries, including the zombies in the cafeteria. Winesburg, Indiana, is a town full of stories of plans made and destroyed, of births and unexpected deaths, of remembered pasts and unexplored presents told to the reader by as interesting a cast of characters as one is likely to find in small town America. Brought to life by a lively group of Indiana writers, Winesburg, Indiana, is a place to discover something of what it means to be alive in our hyperactive century from stories that are deeply human, sometimes melancholy, and often damned funny.

Since its founding in 1995, Notre Dame Review has become one of America's leading literary magazines. Dana Gioia, chairman of the National Endowment for the Arts, has written, "It really has become one of the most interesting journals in the country." This anthology consists of representative poetry and fiction from its first ten years of publication. Like the magazine itself, the collection includes work by well known authors—Seamus Heaney, Paul Muldoon, and Czeslaw Milosz among the poets; Marilyn Krysl, Arturo Vivante, Frances Sherwood, R. D. Skillings, and Richard Elman, among the fiction writers—while also making room for exciting work by new and emerging writers, some of whom are former Notre Dame MFA students. The anthology also includes poetry and prose by several winners of the Ernest Sandeen Prize in Poetry and the Richard Sullivan Prize in Short Fiction, works that have set standards of excellence for writers and readers around the country.Contributors to this anthology represent a wide range of styles and aesthetic orientations. The reader will find in this collection poems and stories that challenge, surprise, comfort, discomfort, and delight—each in its own unique way.Poetry and fiction from the Notre Dame Review have appeared in Best American Short Stories, Best American Poetry, the Pushcart Prize volumes, and Harper's Magazine, among many other publications.

"As I walked away with my refreshments, I felt something peculiar. It was so strange it stopped me mid-step. I was forty-five years old, and I had felt many things, but never before this particular feeling: I felt a click deep inside. The image the sensation produced in my mind was of a BB, a small round piece of copper-colored lead, falling into a socket. It was a very clear image. A BB is tiny, but the one I imagined felt infinitesimal, microscopic. Yet I felt it, a click, metal on metal—like an expensive, microscopic gear had slipped, some exquisite piece of machinery falling out of alignment. Some medieval example of craftsmanship, a gyroscope, something intricate, needing fine balance. The feeling, the event, was located in my chest, below my left breast. It was thoroughly interior, as if a signal had been sent and registered, what those giant satellite dishes are poised waiting for, a transmission from deep space." —from Chapter 1 That was October 26, 1991, in what became a singularly awful day in the life of William O'Rourke. Minutes later, at the beginning of a Notre Dame football game, he began to suffer his heart attack. O'Rourke's account of that day, and everything that followed, is personal, informative, humorous, and highly literate. With its extended description of what an MI feels like and how people around the patient react, his memoir provides a bedside view of his experience and all of the emotions—both extraordinary and quotidian—that accompanied it. What is startling is how that momentous event, the heart attack, divides life irretrievably into a "before" and "after." Gone are the assumptions of what is safe and healthy; replacing them is a newly-forged relation of mind and body, a treacherous one which breeds a physical paranoia that only lessens after months. O'Rourke vividly describes the extreme pain of the attack, the forced inactivity of recuperation, and the melancholy of embracing life anew while accepting a heightened awareness of mortality. He knows his luck in having supportive family and friends, and uses his time away from normal routine to examine his family history for likely genetic proclivities for heart disease. Through his description of his experience—from MI, to angioplasty, to cardiac catheterization to, fourteen years later, a quintuple bypass and a second round of cardio-rehabilitation—he asks us to change behaviors we can affect and pay attention to our health. It does, after all, come down to this: "Here's to life." Enriched with a medical glossary and selected bibliography, this is a helpful compendium for other recuperating patients and their families, or anyone concerned about heart disease, or interested in memoir.

"During the first three months of 1972 a trial took place in the middle district of Pennsylvania: THE UNITED STATES OF AMERICA versus Eqbal Ahmad, Philip Berrigan, Elizabeth McAlister, Neil McLaughlin, Anthony Scoblick, Mary Cain Scoblick, Joseph Wenderoth. The defendants stood accused of conspiring to raid federal offices, to bomb government property, and to kidnap presidential advisor Henry Kissinger. Six of those seven individuals are, or were, Roman Catholic clergy—priests and nuns. Members of the new 'Catholic Left.'" —from the introduction When The Harrisburg 7 and the New Catholic Left was originally published in 1972, it remained on The New York Times Book Review "New and Recommended" list for six weeks and was selected as one of the Notable Books of the Year. Now, forty years later, William O'Rourke's book eloquently speaks to a new generation of readers interested in American history and the religious anti-war protest movements of the Vietnam era.O'Rourke brings to life the seven anti-war activists, who were vigorously prosecuted for alleged criminal plots, filling in the drama of the case, the trial, the events, the demonstrations, the panels, and the people. O'Rourke includes a new afterword that presents a sketch of the evolution of protest groups from the 1960s and 1970s, including the history of the New Catholic Left for the past four decades, claiming that "[a]fter the Harrisburg trial, the New Catholic Left became the New Catholic Right."

"During the first three months of 1972 a trial took place in the middle district of Pennsylvania: THE UNITED STATES OF AMERICA versus Eqbal Ahmad, Philip Berrigan, Elizabeth McAlister, Neil McLaughlin, Anthony Scoblick, Mary Cain Scoblick, Joseph Wenderoth. The defendants stood accused of conspiring to raid federal offices, to bomb government property, and to kidnap presidential advisor Henry Kissinger. Six of those seven individuals are, or were, Roman Catholic clergy—priests and nuns. Members of the new 'Catholic Left.'" —from the introduction When The Harrisburg 7 and the New Catholic Left was originally published in 1972, it remained on The New York Times Book Review "New and Recommended" list for six weeks and was selected as one of the Notable Books of the Year. Now, forty years later, William O'Rourke's book eloquently speaks to a new generation of readers interested in American history and the religious anti-war protest movements of the Vietnam era.O'Rourke brings to life the seven anti-war activists, who were vigorously prosecuted for alleged criminal plots, filling in the drama of the case, the trial, the events, the demonstrations, the panels, and the people. O'Rourke includes a new afterword that presents a sketch of the evolution of protest groups from the 1960s and 1970s, including the history of the New Catholic Left for the past four decades, claiming that "[a]fter the Harrisburg trial, the New Catholic Left became the New Catholic Right."

This book is O'Rourke's first volume of nonfiction since his 1972 The Harrisburg 7 and the New Catholic Left, which Garry Wills hailed as "a clinical x-ray of our society's condition." That book prompted Herbert Mitgang to name O'Rourke "one of the finest writers of his generation." Signs of the Literary Times provides new evidence for that assessment. It brings together O'Rourke's unique mixture of literary, political, and cultural criticism published periodically during the last twenty-two years. The collection ranges from autobiographical essays describing his generation's literary evolution, to articles on free speech issues, such as nude dancing and the Bush-era NEA controversies, as well as book reviews that provide a fresh and largely uncharted critical map of the period. O'Rourke is not only interested in genre bending and expansion, but in persevering during this age of academic specialization as, in his phrase, "a person of letters."In the two decades between his first work of nonfiction and this volume, O'Rourke has published three highly acclaimed novels, The Meekness of Isaac (1974), Idle Hands (1981), and Criminal Tendencies (1987). Of the last, The Virginia Quarterly Review wrote, "Of all the novelists paraded in recent years by publishers as natural successors to Graham Greene, this one comes the closest. A thoroughly entertaining literary event."Signs of the Literary Times is not so much a compendium of diverse pieces on various subjects, as it is a cogent and continuing x-ray of our society's condition.