Yigal Bronner – författare

First Words, Last Words charts an intense "pamphlet war" that took place in sixteenth-century South India. Yigal Bronner and Lawrence McCrea explore this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics, or Mīmāṃsā, and its increasingly influential sibling discipline of Vedānta, and its proponents among the leading intellectuals and public figures of the period.Bronner and McCrea examine the nature of theoretical innovation in scholastic traditions by focusing on a specific controversy regarding scriptural interpretation and the role of sequence-what comes first and what follows later-in determining our interpretation of a scriptural passage.Vyāsatīrtha and his grand-pupil Vijayīndratīrtha, writers belonging to the camp of Dualist Vedānta, purported to uphold the radical view of their founding father, Madhva, who believed, against a long tradition of Mīmāṃsā interpreters, that the closing portion of a scriptural passage should govern the interpretation of its opening. By contrast, the Nondualist Appayya Dīkṣita ostensibly defended his tradition's preference for the opening. But, as this volume shows, the debaters gradually converged on a profoundly novel hermeneutic-cognitive theory in which sequence played little role, if any.First Words, Last Words traces both the issue of sequence and the question of innovation through an in-depth study of this debate and through a comparative survey of similar problems in Judaism, Christianity, and Islam, revealing that the disputants in this controversy often pretended to uphold traditional views, when they were in fact radically innovative.

First Words, Last Words charts an intense "pamphlet war" that took place in sixteenth-century South India. Yigal Bronner and Lawrence McCrea explore this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics, or M?m??s?, and its increasingly influential sibling discipline of Ved?nta, and its proponents among the leading intellectuals and public figures of the period. Bronner and McCrea examine the nature of theoretical innovation in scholastic traditions by focusing on a specific controversy regarding scriptural interpretation and the role of sequence-what comes first and what follows later-in determining our interpretation of a scriptural passage. Vy?sat?rtha and his grand-pupil Vijay?ndrat?rtha, writers belonging to the camp of Dualist Ved?nta, purported to uphold the radical view of their founding father, Madhva, who believed, against a long tradition of M?m??s? interpreters, that the closing portion of a scriptural passage should govern the interpretation of its opening. By contrast, the Nondualist Appayya D?k?ita ostensibly defended his tradition''s preference for the opening. But, as this volume shows, the debaters gradually converged on a profoundly novel hermeneutic-cognitive theory in which sequence played little role, if any. First Words, Last Words traces both the issue of sequence and the question of innovation through an in-depth study of this debate and through a comparative survey of similar problems in Judaism, Christianity, and Islam, revealing that the disputants in this controversy often pretended to uphold traditional views, when they were in fact radically innovative.

First Words, Last Words charts an intense "pamphlet war" that took place in sixteenth-century South India. Yigal Bronner and Lawrence McCrea explore this controversy as a case study in the dynamics of innovation in early modern India, a time of great intellectual innovation. This debate took place within the traditional discourses of Vedic Hermeneutics, or M?m??s?, and its increasingly influential sibling discipline of Ved?nta, and its proponents among the leading intellectuals and public figures of the period. Bronner and McCrea examine the nature of theoretical innovation in scholastic traditions by focusing on a specific controversy regarding scriptural interpretation and the role of sequence-what comes first and what follows later-in determining our interpretation of a scriptural passage. Vy?sat?rtha and his grand-pupil Vijay?ndrat?rtha, writers belonging to the camp of Dualist Ved?nta, purported to uphold the radical view of their founding father, Madhva, who believed, against a long tradition of M?m??s? interpreters, that the closing portion of a scriptural passage should govern the interpretation of its opening. By contrast, the Nondualist Appayya D?k?ita ostensibly defended his tradition''s preference for the opening. But, as this volume shows, the debaters gradually converged on a profoundly novel hermeneutic-cognitive theory in which sequence played little role, if any. First Words, Last Words traces both the issue of sequence and the question of innovation through an in-depth study of this debate and through a comparative survey of similar problems in Judaism, Christianity, and Islam, revealing that the disputants in this controversy often pretended to uphold traditional views, when they were in fact radically innovative.

A Lasting Vision is dedicated to the Mirror of Literature (Kavyadarsa), a Sanskrit treatise on poetics composed by Dandin in south India (c. 700 CE), and to the treatise's remarkable career throughout large parts of Asia. The Mirror was adapted and translated into several languages spoken on the southern Indian peninsula (Kannada, Tamil) and on the Island of Sri Lanka (Sinhala, Pali), as well as in the Tibetan plateau far to the north (Tibetan, Mongolian). In all these receiving cultures it became a classical text and a source of constant engagement and innovation, often well into the modern era. It also travelled to Burma and Thailand, where it held a place of honor in Buddhist monastic education and intellectual life, and likely to the islands of Java and Bali, where it contributed to the production of literature in Old Javanese. There is even reason to believe that it reached China and impacted Chinese literary culture, although far more peripherally than in other parts of Asia. It also maintained a prominent position in Sanskrit learned discourses throughout the Indian subcontinent for at least a millennium. This multi-authored volume, organized by region and language, is the first attempt to chart and explain the Mirror's amazing transregional and multilingual success: what was so unique about this work that might explain its near-continental conquest, how was it transmitted to and received in these different environments, and what happened to it whenever it was being adopted and adapted.

A Lasting Vision is dedicated to the Mirror of Literature (Kavyadarsa), a Sanskrit treatise on poetics composed by Dandin in south India (c. 700 CE), and to the treatise''s remarkable career throughout large parts of Asia. The Mirror was adapted and translated into several languages spoken on the southern Indian peninsula (Kannada, Tamil) and on the Island of Sri Lanka (Sinhala, Pali), as well as in the Tibetan plateau far to the north (Tibetan, Mongolian). In all these receiving cultures it became a classical text and a source of constant engagement and innovation, often well into the modern era. It also travelled to Burma and Thailand, where it held a place of honor in Buddhist monastic education and intellectual life, and likely to the islands of Java and Bali, where it contributed to the production of literature in Old Javanese. There is even reason to believe that it reached China and impacted Chinese literary culture, although far more peripherally than in other parts of Asia. It also maintained a prominent position in Sanskrit learned discourses throughout the Indian subcontinent for at least a millennium. This multi-authored volume, organized by region and language, is the first attempt to chart and explain the Mirror''s amazing transregional and multilingual success: what was so unique about this work that might explain its near-continental conquest, how was it transmitted to and received in these different environments, and what happened to it whenever it was being adopted and adapted.

This volume is the first attempt to offer a panoramic historical overview of South Asian classical poetry, especially in Sanskrit. Many of the essays in this volume are the first serious studies of the great masterpieces of South Asian literature. Moreover, the book as a whole captures the millennium-long developmental logic of kavya literature by identifying a series of critical moments of breakthrough and innovation-that is, moments when the basic rules of composition and the aesthetic and poetic goals underwent dramatic change, allowing the tradition to reinvent itself. Individual sections thus focus on the beginnings of kavya literature and Kalidasa's creation of what came to be its classical form; the new poetic model that emerged from the intense competition and conversation of Bharavi and Magha in the middle of the first millennium; the extended revolutionary period in Kanauj, where Bana and his successors reconceived the meaning and practice of Sanskrit poetry; and the no less transformative period at the beginning of the second millennium, when poets of genius such as Sriharsa were active in the context of India's nascent vernacularization. The scope of the volume extends beyond Sanskrit to early modern Hindi, and beyond the subcontinent and the Himalayas to Java and Tibet, where kavya found a new home and continued to evolve. A general introduction proposes a theoretical framework for the study of this immense literary tradition in terms of its continuous self-reinvention.

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org.What are the pleasures of reading translations of South Asian literature, and what does it take to enjoy a translated text? This volume provides opportunities to explore such questions by bringing together a whole set of new translations by David Shulman, noted scholar of South Asia. The translated selections come from a variety of Indian languages, genres, and periods, from the classical to the contemporary. The translations are accompanied by short essays written to help readers engage and enjoy them. Some of these essays provide background to enhance reading of the translation, whereas others model how to expand appreciation in comparative and broader ways. Together, the translations and the accompanying essays form an essential guide for people interested in literature and art from South Asia.

This companion is the first comprehensive study of courier poetry-in which someone, usually a lonely lover, sends an unlikely messenger (a cloud, a bee, a goose, a bat, a language, the wind, a poem, and so on) to the beloved or to a close friend or patron. The volume explores works in a variety of languages, including Sanskrit, Malayalam, Tamil, Old Javanese, Hindi, Telugu, Sinhala, Marathi, Tibetan, Prakrit, and Apabhramsa. The chapters follow the historical evolution of this massive corpus, from Kalidasa's classic text to modernity. They also offer culture-specific maps, not only of South Asia but of the world beyond, from the shores of Java and Bali to the Mississippi.A unique contribution, this volume will be indispensable for students, academicians, and researchers in literature, comparative literature, literary theory, poetry studies, and Asian studies.

This companion is the first comprehensive study of courier poetry-in which someone, usually a lonely lover, sends an unlikely messenger (a cloud, a bee, a goose, a bat, a language, the wind, a poem, and so on) to the beloved or to a close friend or patron. The volume explores works in a variety of languages, including Sanskrit, Malayalam, Tamil, Old Javanese, Hindi, Telugu, Sinhala, Marathi, Tibetan, Prakrit, and Apabhramsa. The chapters follow the historical evolution of this massive corpus, from Kalidasa's classic text to modernity. They also offer culture-specific maps, not only of South Asia but of the world beyond, from the shores of Java and Bali to the Mississippi.A unique contribution, this volume will be indispensable for students, academicians, and researchers in literature, comparative literature, literary theory, poetry studies, and Asian studies.