Zak Smith – författare

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.

Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high as his fans’ admiration. Each year his works break the previous year’s auction records, with the cover for Lancer books 1967 Conan bringing $13.5 million in September 2025.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. Self-described as lazy and difficult, he often started a painting the night before it was due, completing it in mere hours, yet delivering a masterpiece—often still wet, but a masterpiece, nonetheless. He started in comics  at age 16, including the infamous EC Comics, moved on to film posters, then to Tarzan and Conan pulp covers. Along the way he produced magazine covers for National Lampoon, though at odds with the editors’ “hippy politics,” made the animated film Fire & Ice with director Ralph Bakshi, and learned to paint left-handed at age 68 after the first of many strokes paralyzed his right hand. As he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him.” Using this first-hand knowledge of muscle and macho he redefined fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before, and their female counterparts as thick-thighed, heavy-buttocked, and pixie-faced, yet still, with their soft bellies and hints of cellulite, believably real. All in all, Frazetta’s art is addictive as potato chips, and now available in a compact, attractive and affordable package.

"Miéville, known for his genre-defying fantasy novels for adults, makes a splash with his picture book debut . . . a subversive delight." —School Library JournalTwo sisters sit down one morning and begin describing all of the really gross things that were in the worst breakfast they ever had, until all they can picture is a table piled sky-high with the weirdest, yuckiest, slimiest, slickest, stinkiest breakfast possible. And then they have the best breakfast ever . . . almost.A Kirkus Reviews Best Book of 2016A Mississippi Clarion-Ledger Bestseller"This is a child''s imagination come to life, where a good thing can be the greatest thing in existence and a minor inconvenience snowballs into the most horrendous, atrocious, appalling, not good, very bad meal you''ve ever had." —San Francisco Book Review"Miéville and Smith''s dialogue is fantastic: witty, smart, with great rhythm that doesn''t sacrifice artful turns of phrase to reach for an internal rhyme . . . A brilliant, original, infinitely rereadable book that can sit alongside Sendak and Dahl." —Kirkus Reviews (starred review)"Miéville lets it rip in this stomping, howling rant about a bad meal of legendary proportions." —Publishers Weekly"Imaginative and fun, The Worst Breakfast is perfect for any picky eater out there. A rhyming scheme and inventive text kept up the giggles and the pace." —100 Pages a Day"Deftly written by the exceptionally talented China Miéville and shockingly but gifted illustrated by Zak Smith, The Worst Breakfast is a unique picture book that will be enduringly popular . . . Very highly recommended." —Midwest Book Review