Zak Smith – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2024
301 kr
Skickas inom 3-6 vardagar
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.
Inbunden, Engelska, 2026
190 kr
Skickas inom 3-6 vardagar
Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high as his fans’ admiration. Each year his works break the previous year’s auction records, with the cover for Lancer books 1967 Conan bringing $13.5 million in September 2025.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. Self-described as lazy and difficult, he often started a painting the night before it was due, completing it in mere hours, yet delivering a masterpiece—often still wet, but a masterpiece, nonetheless. He started in comics at age 16, including the infamous EC Comics, moved on to film posters, then to Tarzan and Conan pulp covers. Along the way he produced magazine covers for National Lampoon, though at odds with the editors’ “hippy politics,” made the animated film Fire & Ice with director Ralph Bakshi, and learned to paint left-handed at age 68 after the first of many strokes paralyzed his right hand. As he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him.” Using this first-hand knowledge of muscle and macho he redefined fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before, and their female counterparts as thick-thighed, heavy-buttocked, and pixie-faced, yet still, with their soft bellies and hints of cellulite, believably real. All in all, Frazetta’s art is addictive as potato chips, and now available in a compact, attractive and affordable package.
E-bok
Engelska, 2016172 kr
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Named to Kirkus Reviews'' Best Books of 2016!A Mississippi Clarion-Ledger best seller!"Miéville and Smith''s dialogue is fantastic: witty, smart, with great rhythm that doesn''t sacrifice artful turns of phrase to reach for an internal rhyme...Smith''s artwork keeps pace with the text, which the artist sets into little rectangles to contrast with the jaggedly flamboyant paintings that get increasingly manic as the girl goes on, incorporating tentacles and pterodactyls as well as piled-high foodstuffs...This should be in the hands of all kids who aren''t easily satiated by tamer picture books and who would engage with a real work of art that they can revisit over and over. None of the artwork is too gross to behold, even for the squeamish, but it does perfectly illustrate the culinary horrors the girl is trying to convey to her sister. A brilliant, original, infinitely rereadable book that can sit alongside Sendak and Dahl."--Kirkus Reviews, Starred review"Miéville lets it rip in this stomping, howling rant about a bad meal of legendary proportions . . . Punk artist Smith’s neatly framed dialogue boxes and crisp black contours have a buttoned-up look, but no: tentacles wave from inside bowls, monsters smile amid mountains of vile sausages, and a blue alien juggles cherry tomatoes. As the pages turn, the towers of bad food grow ever loftier. In the end, a simple tea strainer saves the sisters from another terrible meal. This one’s for families enamored of new words, exotic foods, and strong opinions."--Publishers Weekly"Miéville, known for his genre-defying fantasy novels for adults, makes a splash with his picture book debut. Smith’s illustrations, filled with geometric shapes and patterns, are the perfect complement to the text...This is a subversive delight."--School Library Journal"Deftly written by the exceptionally talented China Miéville and shockingly but gifted illustrated by Zak Smith, The Worst Breakfast is a unique picture book that will be enduringly popular...Very highly recommended."--Midwest Book Review"This is a child’s imagination come to life, where a good thing can be the greatest thing in existence and a minor inconvenience snowballs into the most horrendous, atrocious, appalling, not good, very bad meal you’ve ever had."--San Francisco Book Review"Imaginative and fun, The Worst Breakfast is perfect for any picky eater out there. A rhyming scheme and inventive text kept up the giggles and the pace. The text is best read aloud going along with all of the suggestions, with emphasis placed on capitalized words and pauses between syllables when they are spaced out. The illustrations are very different than what you typically see in children’s books; they are bright and fun, but edgier and begged to be looked at deeper. You can spend time on each page trying to find each food and a series of silly little monsters."--100 Pages a Day"This book is just too much fun to read by yourself...This will be a storytime mainstay for me. This would be great for a food storytime...I was reminded of Sendak...This is a fun tale that’s sure to get the kids interacting during a storytime. If you’ve got readers who enjoy gross humor – and who doesn’t? – this will build their vocabularies and make them howl with disgusted delight."--Mom Read ItPart of Akashic''s Black Sheep imprint.Two sisters sit down one morning and begin describing all of the really gross things that were in the worst breakfast they ever had, until all they can picture is a table piled sky-high with the weirdest, yuckiest, slimiest, slickest, stinkiest breakfast possible. And then they have the best breakfast ever...almost.
Inbunden, Engelska, 2022
1 793 kr
Skickas inom 3-6 vardagar
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the 12 years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips. This monograph is the most complete ever produced on the artist, done in collaboration with the Frazetta family. It won the 2023 Eisner Award for Best Archival Collection.