Australiens och Oceaniens historia

The inspiration behind the HBO series THE PACIFICHere is one of the most riveting first-person accounts to ever come out of World War 2. Robert Leckie was 21 when he enlisted in the US Marine Corps in January 1942. In Helmet for My Pillow we follow his journey, from boot camp on Parris Island, South Carolina, all the way to the raging battles in the Pacific, where some of the war's fiercest fighting took place. Recounting his service with the 1st Marine Division and the brutal action on Guadalcanal, New Britain and Peleliu, Leckie spares no detail of the horrors and sacrifice of war, painting an unsentimental portrait of how real warriors are made, fight, and all too often die in the defence of their country.From the live-for-today rowdiness of Marines on leave to the terrors of jungle warfare against an enemy determined to fight to the last man, Leckie describes what it's really like when victory can only be measured inch by bloody inch. Unparalleled in its immediacy and accuracy, Helmet for My Pillow tells the gripping true story of an ordinary soldier fighting in extraordinary conditions. This is a book that brings you as close to the mud, the blood, and the experience of war as it is safe to come.'Helmet for My Pillow is a grand and epic prose poem. Robert Leckie's theme is the purely human experience of war in the Pacific, written in the graceful imagery of a human being who - somehow - survived' Tom Hanks

The inspiration behind the HBO series THE PACIFICThis was a brutish, primitive hatred, as characteristic of the horror of war in the Pacific as the palm trees and the islands...Landing on the beach at Peleliu in 1944 as a twenty-year-old new recruit to the US Marines, Eugene Sledge can only try desperately to survive. At Peleliu and Okinawa - two of the fiercest and filthiest Pacific battles of WWII - he witnesses the dehumanising brutality displayed by both sides and the animal hatred that each soldier has for his enemy.During temporary lapses in the fighting, conditions on the islands mean that the Marines often can't wash, stay dry, dig latrines, or even find time to eat. Suffering from constant fear, fatigue, and filth, the struggle of simply living in a combat zone is utterly debilitating.Yet despite horrendous conditions Sledge finds time to keep notes that he would later turn into a book. Described as one of the finest memoirs to emerge from any war, With the Old Breed tells with compassion and honesty of the cruelty, bravery and deaths of the men he fought alongside, and of his own journey from patriotic innocence to battle-scarred veteran.'Eugene Sledge became more than a legend with his memoir, With The Old Breed. He became a chronicler, a historian, a storyteller who turns the extremes of the war in the Pacific - the terror, the camaraderie, the banal and the extraordinary - into terms we mortals can grasp' Tom Hanks

An illustrated guide to the defences beset by prolonged and bloody fighting for control of the Japanese occupied Pacific islands in World War II.No two islands were alike in the systems and nature of their defensive emplacements, and local improvization and command preferences affected both materials used and defensive models. This title details the establishment, construction and effectiveness of Japanese temporary and semi-permanent crew-served weapons positions and individual and small-unit fighting positions.Integrated obstacles and minefields, camouflage and the changing defensive principles are also covered.

Every year, at the Wa Huang Gong temple in Hebei Province, China, people gather to worship the great mother, Nuwa, the oldest deity in Chinese myth, praising her for bringing them a happy life. It is a vivid demonstration of both the ancient reach and the continuing relevance of mythology in the lives of the Chinese people.Compiled from ancient and scattered texts and based on groundbreaking new research, Handbook of Chinese Mythology is the most comprehensive English-language work on the subject ever written from an exclusively Chinese perspective. This work focuses on the Han Chinese people but ranges across the full spectrum of ancient and modern China, showing how key myths endured and evolved over time. A quick reference section covers all major deities, spirits, and demigods, as well as important places (Kunlun Mountain), mythical animals and plants (the crow with three feet; Fusang tree), and related items (Xirang-a kind of mythical soil; Bu Si Yao-mythical medicine for long life). No other work captures so well what Chinese mythology means to the people who lived and continue to live their lives by it.With more than 40 illustrations and photographs, fresh translations of primary sources, and insight based on the authors' own field research, Handbook of Chinese Mythology offers an illuminating account of a fascinating corner of the world of myth.

NEW YORK TIMES BESTSELLER • “Of all the books about the ground war in the Pacific, [this] is the closest to a masterpiece.”—The New York Review of Books“Eugene Sledge became more than a legend with his memoir, With the Old Breed. He became a chronicler, a historian, a storyteller who turns the extremes of the war in the Pacific—the terror, the camaraderie, the banal and the extraordinary—into terms we mortals can grasp.”—Tom HanksIn The Wall Street Journal, Victor Davis Hanson named With the Old Breed one of the top five books on epic twentieth-century battles after its original publication in 1981. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge’s acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation.An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone, Eugene B. Sledge became part of the war’s famous 1st Marine Division—3rd Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic.Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and changed his life. Here, too, is the story of how he learned to hate and kill—and came to love—his fellow man.“In all the literature on the Second World War, there is not a more honest, realistic or moving memoir than Eugene Sledge’s. This is the real deal, the real war: unvarnished, brutal, without a shred of sentimentality or false patriotism, a profound primer on what it actually was like to be in that war. It is a classic that will outlive all the armchair generals’ safe accounts of—not the ‘good war’—but the worst war ever.”—Ken Burns

The mutiny on HMS Bounty, in the South Pacific on 28 April 1789, is one of history's great epics - and in the hands of Peter FitzSimons it comes to life as never before.Commissioned by the Royal Navy to collect breadfruit plants from Tahiti and take them to the West Indies, the Bounty's crew found themselves in a tropical paradise. Five months later, they did not want to leave. Under the leadership of Fletcher Christian most of the crew mutinied soon after sailing from Tahiti, setting Captain William Bligh and 18 loyal crewmen adrift in a small open boat. In one of history's great feats of seamanship, Bligh navigated this tiny vessel for 3618 nautical miles to Timor.Fletcher Christian and the mutineers sailed back to Tahiti, where most remained and were later tried for mutiny. But Christian, along with eight fellow mutineers and some Tahitian men and women, sailed off into the unknown, eventually discovering the isolated Pitcairn Island - at the time not even marked on British maps - and settling there.This astonishing story is historical adventure at its very best, encompassing the mutiny, Bligh's monumental achievement in navigating to safety, and Fletcher Christian and the mutineers' own epic journey from the sensual paradise of Tahiti to the outpost of Pitcairn Island. The mutineers' descendants live on Pitcairn to this day, amid swirling stories and rumours of past sexual transgressions and present-day repercussions. Mutiny on the Bounty is a sprawling, dramatic tale of intrigue, bravery and sheer boldness, told with the accuracy of historical detail and total command of story that are Peter FitzSimons' trademarks.

This work, divided into two volumes, is the study of the history of words in the Austronesian (An) languages—their origin in Proto-Austronesian (PAn) or at later stages and how they developed into the forms that are attested in the current An languages. A study of their history entails the reconstruction of the sound system (phonology) of PAn and an exposition of the sound laws (rules) whereby the original sounds changed into those attested in the current An languages. The primary aim of this work is to examine exhaustively the forms that can be reconstructed for PAn and also for the earliest stage after the An languages began to spread southward from Taiwan. For the later stages—that is, forms that can be traced no further back than to the proto-languages of late subgroups, we do not attempt to be exhaustive but confine ourselves to only some of the forms that are traceable to those times, treating those that figure prominently in the literature on historical An linguistics or those that have special characteristics important for understanding in general how forms arose and the processes that led to change. In short, the aim of this study is not just to reconstruct protomorphemes and order the reflexes according to the entries they fit under, but rather to account for the history of each fom1 that is attested and explain what happened historically to yield the attestations.Volume 2 of the Proto-Austronesian Phonology is divided into four parts and contains a glossary, finder lists from the English translation, a bibliography, and an index.

This captivating work charts the history of Tasmania from the arrival of European maritime expeditions in the late eighteenth century, through to the modern day. By presenting the perspectives of both Indigenous Tasmanians and British settlers, author Henry Reynolds provides an original and engaging exploration of these first fraught encounters. Utilising key themes to bind his narrative, Reynolds explores how geography created a unique economic and migratory history for Tasmania, quite separate from the mainland experience. He offers an astute analysis of the island's economic and demographic reality, by noting that this facilitated the survival of a rich heritage of colonial architecture unique in Australia, and allowed the resident population to foster a powerful web of kinship. Reynolds' remarkable capacity to empathise with the characters of his chronicle makes this a powerful, engaging and moving account of Tasmania's unique position within Australian history.

Ka Māno Wai is dedicated to the mo`olelo (stories) of fourteen esteemed kumu loea (expert teachers) who are knowledge keepers of cultural ways. Kamana`opono M. Crabbe, Linda Kaleo`okalani Paik, Eric Michael Enos, Claire Ku`uleilani Hughes, Sarah Patricia `Ilialoha Ayat Keahi, Jonathan Kay Kamakawiwo`ole Osorio, Lynette Ka`opuiki Paglinawan, Sharon Leina`ala Bright, Keola Kawai`ula`iliahi Chan, Charles "Sonny" Kaulukukui III, Jerry Walker, Gordon "`Umi" Kai, Melody Kapilialoha MacKenzie, and Kekuni Blaisdell are renowned authorities in specialty areas of cultural practice that draw from ancestral `ike (knowledge). They are also our mentors, colleagues, friends, and family. Their stories educate us about maintaining and enhancing our well-being through ancestral cosmography and practices such as mana(spiritual, supernatural, or divine power), mālama kūpuna (care for elders and ancestors), `āina momona (fruitful land and ocean), `ōlelo Hawai`i (Hawaiian language), ho`oponopono (conflict resolution), lā`au lapa`au (Hawaiian medicinal plants), lomilomi (massage), and lua (Hawaiian art of fighting). The trio of authors’ own dedicated cultural work in the community and their deep respect for Hawaiian worldviews and storytelling created the space for the intimate, illuminating conversations with the kumu loea that serve as the foundation of the larger mo`olelo told in this book. With appreciation for the relational aspect of Native Hawaiian culture that links people, spirituality, and the environment, beautifully nuanced photographic portraits of the kumu loea were taken in places uniquely meaningful to them. The title of this book, Ka Māno Wai: The Source of Life, has multilayered meanings: In the same manner that water sustains life, ancestral practices retain history, preserve ways of being, inform identity, and provide answers for health and social justice. This collection of life stories celebrates and perpetuates kanaka values and reveals ancestral solutions to challenges confronting present and future generations. Nourishing connections to the past—as Ka Māno Wai does—helps to build a future of wellness. All who are committed to `ike, healing, and community will find inspiration and guidance in these varied yet intertwined legacies.

“Riveting.” —The New York Times Book Review Hundreds of miles from civilization, two ships wreck on opposite ends of the same deserted island in this true story of human nature at its best—and at its worst. It is 1864, and Captain Thomas Musgrave’s schooner, the Grafton, has just wrecked on Auckland Island, a forbidding piece of land 285 miles south of New Zealand. Battered by year-round freezing rain and constant winds, it is one of the most inhospitable places on earth. To be shipwrecked there means almost certain death. Incredibly, at the same time on the opposite end of the island, another ship runs aground during a storm. Separated by only twenty miles and the island’s treacherous, impassable cliffs, the crews of the Grafton and the Invercauld face the same fate. And yet where the Invercauld’s crew turns inward on itself, fighting, starving, and even turning to cannibalism, Musgrave’s crew bands together to build a cabin and a forge—and eventually, to find a way to escape. Using the survivors’ journals and historical records, award-winning maritime historian Joan Druett brings to life this extraordinary untold story about leadership and the fine line between order and chaos.

Cal Flyn was very proud when she discovered that her ancestor, Angus McMillan, had been a pioneer of colonial Australia. However, when she dug deeper, she began to question her pride. McMillan had not only cut tracks through the bush, but played a dark role in Australia's bloody history.In 1837 Angus McMillan left the Scottish Highlands for the other side of the world. Cutting paths through the Australian frontier, he became a feted pioneer, to be forever mythologised in status and landmarks. He was also Cal Flyn’s great-great-great-uncle. Inspired by his fame, Flyn followed in his footsteps to Australia, where she would face horrifying family secrets.Blending memoir, history and travel,Thicker Than Water’ evokes the startlingly beautiful wilderness of the Highlands, the desolate bush of Victoria and the reverberations on one from the other. A tale of blood and bloodlines, it is a powerful, personal journey into dark family history, grief and guilt.

In 1897, as a white oligarchy made plans to allow the United States to annex Hawai'i, native Hawaiians organized a massive petition drive to protest. Ninety-five percent of the native population signed the petition, causing the annexation treaty to fail in the U.S. Senate. This event was unknown to many contemporary Hawaiians until Noenoe K. Silva rediscovered the petition in the process of researching this book. With few exceptions, histories of Hawai'i have been based exclusively on English-language sources. They have not taken into account the thousands of pages of newspapers, books, and letters written in the mother tongue of native Hawaiians. By rigorously analyzing many of these documents, Silva fills a crucial gap in the historical record. In so doing, she refutes the long-held idea that native Hawaiians passively accepted the erosion of their culture and loss of their nation, showing that they actively resisted political, economic, linguistic, and cultural domination. Drawing on Hawaiian-language texts, primarily newspapers produced in the nineteenth century and early twentieth, Silva demonstrates that print media was central to social communication, political organizing, and the perpetuation of Hawaiian language and culture. A powerful critique of colonial historiography, Aloha Betrayed provides a much-needed history of native Hawaiian resistance to American imperialism.

In 1815, the Russian vessel Rurik set off on a three-year voyage through the Pacific and Arctic oceans in a quest to find the world's most elusive geographic feature, the Northwest Passage. Financed by a wealthy Russian count and commanded by a fame-seeking captain, the vessel carried four extraordinary observers of the natural world, including an Indigenous navigator from the Caroline Islands named Kadu. The Rurik failed in its mission, yet, as award-winning Pacific historian David Igler masterfully demonstrates, the crew's pursuit of "natural history" throughout the voyage and during its decades-long afterlife embodied a search for knowledge through science, artistic representation, and oral tradition. Failure to achieve a great discovery was common in the great age of scientific voyaging, but explorers, natural philosophers, and traveling artists grew adept at turning their explorations into documented achievements by claiming, publishing, and promoting a range of significant findings. No expedition did this more successfully than the crew of the Rurik. Much of their produced knowledge derived directly from the Indigenous communities they encountered in the Pacific. The men aboard the ship conveyed their discoveries through various mediums. Artist Ludwig Choris documented the experience in the first lithographic compendium of a Pacific expedition. Navigator Kadu informed his Marshall Islander elders and peers of the wonders and dangers he encountered. Naturalists Adelbert von Chamisso and Johann Eschscholtz produced an astonishing range of scientific studies for both scholarly and public audiences. Meanwhile, Captain Otto von Kotzebue defended his failure to locate the Northern Passage by claiming other geographic findings. Featuring rare color images created during the voyage, All Species of Knowledge reveals the intimate and daily practice of shipboard natural history, the role expeditions played in enlightening societies around the world, and the multiple meanings of failure and discovery in the pursuit of knowledge.

Since the end of the Second World War, this audacious operation has remained little known amongst the public or military in the United Kingdom. It was an incredible endeavour executed by British and Australian service personnel. The deepest surface waterborne penetration behind enemy occupied lines undertaken by special forces of WW2. This hand-picked band of men would achieve what some thought to be impossible, a major strike at the very heart of the Japanese in their newly acquired Empire in South East Asia. This story ranks and deserves the same acknowledgment as exploits such as the Dambusters or Cockleshell Heroes. In the words of British Generals and US Admirals and Commanders, it achieved what everyone thought was impossible, without loss and with the minimum expenditure of resources. A terrible twist in the tail is that by not using the success of the mission as a propaganda victory as had been intended by Jaywick's commanders, a terrible price was paid by local Singaporeans who were scapegoated by the Japanese Secret Police. This is perhaps the reason that Operation Jaywick was never hailed with the success it truly deserved. The highly effective delivery of Operation Jaywick gave a green light to an even more ambitious endeavour from which no British or Australian personnel would survive, many being executed, beheaded by their Japanese captors. The Tiger's Revenge is the story told by the son of a Special Operations Executive crew member who was the only British survivor of Operation Jaywick.

1973: The incredible true story of the Blythe Star disaster, which left ten men, shipwrecked and alone, on the wild Southern Ocean off Tasmania. Almost two weeks later they were found on a remote trail on a southern peninsula, and their story would stun the nation ... and leave a powerful legacy in its wake.When the coastal freighter MV Blythe Star left Hobart on a routine trip, Mick Doleman was an 18-year-old deckhand working alongside nine other crewmen, all accustomed to the dangers of the sea. But nothing could prepare them for what happened less than 24 hours later.In the early morning, the Blythe Star started listing, and swiftly sank. Miraculously, all the crewmen escaped, only to be crammed into a tiny life raft at the mercy of the ocean. The ship's sinking sparked the largest sea and air search at the time, but the crew remained lost – and soon they were given up for dead. Twelve days later, three ravaged and starving men, including Mick, found help on a remote logging trail in heavy bush on the Tasman Peninsula. Their story was shocking, and set the country alight with questions about their plight. How had they disappeared without trace? How had they survived the un-survivable? This is an extraordinary story of human endurance in one of the most challenging environments on earth, written by Piia Wirsu, the producer and narrator of 'From the Dead', the award-winning season of the ABC podcast Expanse, with Mick Doleman, now the only surviving crewmember of the Blythe Star, who became a global influence in maritime safety.

A brilliant memoir from the bestselling author of Meetings With Remarkable ManuscriptsChristopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home.The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth.This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

John Hersey (1914–93) was a correspondent for Time and Life magazines when in 1942 he was sent to cover Guadalcanal, the largest of the Solomon Islands in the Western Pacific. While there, Hersey observed a small battle upon which Into the Valley is based. While the battle itself was not of great significance, Hersey gives insightful details concerning the jungle environment, recounts conversations among the men before, during, and after battle, and describes how the wounded were evacuated as well as other works of daily heroism.

Captain James Cook is one of the most recognisable in Australian history - an almost mythic figure who is often discussed, celebrated, reviled and debated. But who was the real James Cook?The name Captain James Cook is one of the most recognisable in Australian history - an almost mythic figure who is often discussed, celebrated, reviled and debated.But who was the real James Cook?This Yorkshire farm boy would go on to become the foremost mariner, navigator and cartographer of his era, and to personally map a third of the globe. His great voyages of discovery were incredible feats of seamanship and navigation. Leading a crew of men into uncharted territories, Cook would face the best and worst of humanity as he took himself and his crew to the edge of the known world - and beyond.With his masterful storytelling talent, Peter FitzSimons brings James Cook to life. Focusing on his most iconic expedition, the voyage of the Endeavour, where Cook first set foot on Australian and New Zealand soil, FitzSimons contrasts Cook against another figure who looms large in Australasian history: Joseph Banks, the aristocratic botanist. As they left England, Banks, a rich, famous playboy, was everything that Cook was not. The voyage tested Cook's character and would help define his legacy.Now, 240 years after James Cook's death, FitzSimons reveals what kind of man James was at heart. His strengths, his weaknesses, his passions and pursuits, failures and successes.JAMES COOK reveals the man behind the myth.

In September 1944, to prevent Japanese air interdiction against General MacArthur's planned invasion of the Southern Philippines, the Americans attacked Peleliu and Angaur in the Palau group of the Western Caroline Islands. Admiral Halsey, commanding the US Third Fleet, feared the heavily defended Palaus would be costly for his III Amphibious Corps comprising the 1st Marine Division and the 81st Infantry Division.While Angaur fell in four days, on Peleliu the Japanese resisted tenaciously using their underground fortifications on the Umurbrogel Ridge overlooking the airfield. It was only after over two months' bitter fighting that the Americans finally controlled the Island. Despite the heavy cost, the benefits of this hard fought and costly victory were doubtful. In the event, Mindanao and other Southern Philippine Islands were bypassed by MacArthur in favour of a direct assault on Leyte on 20 October. But, as the graphic images and well researched text bear witness, there is no denying the courage and determination shown by the attacking US forces.

History has portrayed Australia’s First Peoples, the Aboriginals, as hunter-gatherers who lived on an empty, uncultivated land. History is wrong.In this seminal book, Bruce Pascoe uncovers evidence that long before the arrival of white men, Aboriginal people across the continent were building dams and wells; planting, irrigating, and harvesting seeds, and then preserving the surplus and storing it in houses, sheds, or secure vessels; and creating elaborate cemeteries and manipulating the landscape. All of these behaviours were inconsistent with the hunter-gatherer tag, which turns out to have been a convenient lie that worked to justify dispossession.Using compelling evidence from the records and diaries of early Australian explorers and colonists, he reveals that Aboriginal systems of food production and land management have been blatantly understated in modern retellings of early Aboriginal history, and that a new look at Australia’s past is required — for the benefit of us all. Dark Emu, a bestseller in Australia, won both the Book of the Year Award and the Indigenous Writer’s Prize in the New South Wales Premier’s Literary Awards.

Henry Reynolds’ ground-breaking re-examination of Australian colonisation from the north down.When acclaimed historian Henry Reynolds moved from Hobart to Townsville to teach Australian history in the 1960s, he discovered the books of the period covered very little about northern Australia and First Nations peoples. After recognising the importance of local history and frontier violence, he ended up transforming Australian history in ways he could never have imagined. In Looking from the North Reynolds again turns Australian history on its axis in an exploration of colonisation north of the Tropic of Capricorn. Reynolds explores the stories of the European, Chinese, Japanese and Pacific Islander people who were vital to the settlement of the north. Along with the experience of First Nations peoples, from employment on stations and as native police, to the land rights and homelands movements. Reynolds shows how the colonisation of the north, beginning in 1861, was a very different venture to settlement in the south, and argues that it provides profoundly important lessons for the world we live in today.

Brave and controversial, this account argues that Australians’ collective obsession with the Australian and New Zealand Army Corps (ANZAC) has distorted their perception of national history. Delving into the history of ANZAC and the mythologies surrounding it, this detailed record explores topics such as the formation of Australia’s national holiday—ANZAC Day—and the way in which the spirit of ANZAC is taught in the nation's classrooms. Ultimately, this informative narrative claims that ANZAC has become a conservative political force in Australia and questions whether ANZAC’S renowned foreign battles were worth all of the bloodshed. Daring, intelligent, and thought-provoking, this is a must-read for those interested in Australian or military history.