In the course of a long career at Sotheby’s and at Cambridge University, Christopher de Hamel has probably handled more medieval manuscripts than anyone alive and his delight and enthusiasm in them run through all he writes. His many books, translated into numerous languages, include A History of Illuminated Manuscripts, Meetings with Remarkable Manuscripts (winner of the Duff Cooper Prize and the Wolfson History Prize), The Book in the Cathedral: The Last Relic of Thomas Becket and The Posthumous Papers of the Manuscripts Club. He is a Life Fellow of Corpus Christi College, Cambridge. He lives in London.

[Christopher de Hamel] combines enthusiasm with scholarly precision and a conversational style that sits surprisingly easily with the fund of knowledge he has gradually accumulated ... the joy of this book are de Hamel’s true ‘intimate companions’, the manuscripts, and his ability to evoke the thrill and wonder he feels as he encounters them, whether it’s a 12th-century copy of Boethius he finds in Wellington, probably designed for Thomas Becket, or a Bible in Auckland, which he traces back to a Cistercian monastery in north-central Poland

In the course of a long career at Sotheby’s and at Cambridge University, Christopher de Hamel has probably handled more medieval manuscripts than anyone alive and his delight and enthusiasm in them run through all he writes. His many books, translated into numerous languages, include A History of Illuminated Manuscripts, Meetings with Remarkable Manuscripts (winner of the Duff Cooper Prize and the Wolfson History Prize), The Book in the Cathedral: The Last Relic of Thomas Becket and The Posthumous Papers of the Manuscripts Club. He is a Life Fellow of Corpus Christi College, Cambridge. He lives in London.

[Christopher de Hamel] combines enthusiasm with scholarly precision and a conversational style that sits surprisingly easily with the fund of knowledge he has gradually accumulated ... the joy of this book are de Hamel’s true ‘intimate companions’, the manuscripts, and his ability to evoke the thrill and wonder he feels as he encounters them, whether it’s a 12th-century copy of Boethius he finds in Wellington, probably designed for Thomas Becket, or a Bible in Auckland, which he traces back to a Cistercian monastery in north-central Poland