Visar resultat för..."Dandy Press"

Talks about a 1942 smash musical hit, a favorite among audiences and film buffs.

In the 1890s, feisty Tod Sloan (1874–1933) abandoned the centuries-old jockey tradition of riding in a straight sitting position and instead crouched low on the neck of his horse. The result was not only a string of victories for young Sloan but also a revolution in horse racing. In this entertaining book, award-winning author John Dizikes recounts the remarkable story of the Indiana boy who rose from obscurity to become the most famous jockey in the United States and Great Britain at the turn of the century. Dizikes evokes the turbulent, colorful world of horse racing and gambling in which Tod Sloan rocketed to celebrity—and from which he was just as dramatically ejected.  Sloan’s innovative riding style helped to transform horse racing into the first nationally popular spectator sport, drawing huge crowds and vast amounts of betting money. But Sloan’s career was crushingly ended by those who resented and envied him. A dandy, a big spender, a man whose company women loved, Sloan related to horses in an almost magical way yet foundered in his dealings with people. This book is the biography of a diminutive man who lived in large style, and lives on in George M. Cohan’s musical Little Johnny Jones andErnest Hemingway’s short story “My Old Man.” The book is also much more—a fascinating cultural history that illuminates the history of horse racing and betting, the democratization of sport, changing conceptions of masculinity, the hypocrisy of Victorian morality, the lionizing and demonizing of celebrities, and a variety of other inviting topics.

The first biography of a composer who broke the gender barrier on BroadwayKay Swift (1897–1993) was one of the few women composers active on Broadway in the first half of the twentieth century. Best known as George Gershwin’s assistant, musical adviser, and intimate friend, Swift was in fact an accomplished musician herself, a pianist and composer whose Fine and Dandy (1930) was the first complete Broadway musical written by a woman. This fascinating book—the first biography of Swift—discusses her music and her extraordinary life.Vicki Ohl describes Swift’s work for musical theater, the ballet, Radio City Music Hall’s Rockettes, and commercial shows. She also tells how Swift served as director of light music for the 1939 World’s Fair, eloped with a cowboy from the rodeo at the fair, and abandoned her native New York for Oregon, later fashioning her experiences into an autobiographical novel, Who Could Ask for Anything More? Informed by rich material, including Swift’s unpublished memoirs and extensive interviews with her family members and friends, this book captures the essence and spirit of a remarkable woman.

Celebrating 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British manThe style of the dandy is elegant but bold—dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. Dandy Style celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.Published in association with Manchester Art GalleryExhibition Schedule:Manchester Art Gallery(October 8, 2022–May 1, 2023)

This book identifies and interprets the longstanding ideological and aesthetic dialogue between the literary imaginations of Anglo-Ireland and the Anglo-American South. It offers a rich comparative examination of nineteenth- and twentieth-century Irish and American Southern plantation literatures and their respective representations of race and nation, gender and sexuality, region and landscape, and the gothic imagination. Pairing major writers from both traditions, including Maria Edgeworth, William Faulkner, Oscar Wilde, Katherine Anne Porter and Elizabeth Bowen, the book shows how this transatlantic dialogue coalesced around questions of power, supremacy, and gentility: writers in Anglo-Irish and Anglo-Southern literary traditions recognized and spoke to each other through the discourse of aristocracy. As the book demonstrates, from the early nineteenth-century onwards, Irish and Anglo-Southern writers conducted a sustained exploration into constructions of aristocracy through the figure of the dissipated, deviant gentleman (or lady): the dandy. By augmenting literary analysis with a variety of historical, biographical, archival and visual materials, including nineteenth-century trade cards, original letters, and twentieth-century photographic portraits, the book offers readers a wide-ranging, interdisciplinary illumination of transatlantic modernism.

In the mid-1950s three unrecruited black basketball players, coached by a white former prison guard who had never before coached a college team, led a small Jesuit university in San Francisco to two national titles. The Dandy Dons describes for the first time how the unprecedented accomplishment of the Dons, led by coach Phil Woolpert and future hall-of-famers Bill Russell and K. C. Jones, paved the way for black talent in major college basketball and transformed the sport.James W. Johnson traces the backgrounds of the coach and players, chronicles the heart-stopping games on the road to the championships, and details the Dons' novel techniques: a more vertical game, more central defense, and intimidation as part of game strategy. He also gives a textured picture of life on an integrated basketball team amid a culture of racism and Jim Crow in mid-twentieth-century America.