Visar resultat för..."Gaudeamus"

What if bed-hopping among university students was not just inevitable, but mandatory? A sexy radical girl, an over-sexed jock and an ancient professor of Ancient Greek discover that with the lights off, a serious attempt to end discrimination can also be a very dirty joke.

In this exuberant and touching portrait of youth, Eliade recounts the fictional version of his university years in late 1920’s Bucharest. Marked by a burgeoning desire to ‘suck out all the marrow of life’, the protagonist throws himself into his studies; engaging his professors and peers in philosophical discourse, becoming one of the founding members of the Student’s Union, and opening---up the attic refuge of his isolated teenage years as a hotspot for political debate and romantic exploration. Readers will recognize in these pages the joy of a life about to blossom, of the search for knowledge and the desire for true love. Already an accomplished writer as a young man, this follow-up to his Diary of a Short-Sighted Adolescent reveals a keen observer of human behaviour, a seeker of truth and spiritual fulfillment whose path would eventually lead him to become the ultimate historian of 20th-century religions.

This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.

This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.

This significant volume moves music-historical research in the direction of deconstructing the national grand narratives in music history, of challenging the national paradigm in methodology, and thinking anew about cultural traffic, cultural transfer and cosmopolitanism in the musical past. The chapters of this book confront, or subject to some kind of critique, assumptions about the importance of the national in the musical past. The emphasis, therefore, is not so much on how national culture has been constructed, or how national cultural institutions have influenced musical production, but, rather, on the way the national has been challenged by musical practices or audience reception.