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This volume offers an in-depth and up-to-date exploration of lexical variation from sociolinguistic perspectives, addressing a notable gap in lexis-focused research within the field. Drawing on a wide array of examples from the English language, the collection showcases cutting-edge approaches to understanding how lexical variation operates across different social and linguistic contexts.Organised into three thematic sections, the book begins with a focus on contemporary developments in dialectology. The first section not only highlights regional and social variation in lexis but also offers critical insights into the methodological innovations shaping 21st-century dialect research. The second section highlights innovative perspectives emerging from corpus linguistics, wheras the final section examines lexical variation through the lens of social meaning, including contributions from third-wave variationist sociolinguistics. Together, these chapters argue for the significance of lexical analysis in sociolinguistic inquiry – both as a window into society and as a means of uncovering mechanisms of language variation and change.This collection will be a valuable resource for students, researchers, and scholars in language variation and change, dialectology, corpus linguistics, and sociolinguistics more broadly.

Exploring a collection of wondrous objects to understand the nineteenth-century desire to preserve the perfect momentCultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology.Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Foutch assesses the implications of attempts to fix animal life in the "perfect state." She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the "Perfect Man." Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Exploring a collection of wondrous objects to understand the nineteenth-century desire to preserve the perfect momentCultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology.Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Foutch assesses the implications of attempts to fix animal life in the "perfect state." She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the "Perfect Man." Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.