Visar resultat för..."clowns"

När clownen Schnier kommer tillbaka till Bonn känner han det som om hans liv är förbi. Sedan hans älskade Marie lämnat honom är ingenting som förut: under cirkusturnéerna blandar han ihop hotell och järnvägs-stationer. Han och hans hustru levde som gifta tills trycket från den katolska omgivningen blev för stark och hon lämnade honom för att kunna överleva i den nya tyska efterkrigsdemokratin.

En clowns åsikter är en av Bölls märkligaste romaner där den skarpögde analytikern av efterkrigstidens Tyskland framträder som mest engagerad och skarp. Samtidigt är En clowns åsikter en kärleksroman där det kyrkan kallar köttslig lust skildras som det finaste en människa kan få vara med om.

Heinrich Böll (1917-1985) var en av efterkrigstidens mest framstående tyska författare. Under 70-och 80-talet var han aktiv i den tyska vänsterrörelsen och starkt kritisk till den katolska kyrkan. Hans mest kända verk, Katarina Blums förlorade heder har översatts till över trettio språk och filmatiserats av Volker Schlöndorff. 1972 tilldelades Böll nobelpriset i litteratur.

Lindskog Quality Classics är en serie utvalda klassiker gjorda med högsta kvalitet både vad beträffar innehåll och grafisk utformning. En clowns åsikter

From New York Times bestselling author Tony Hillerman comes another unforgettable mystery in which Leaphorn & Chee must race against the clock to solve two brutal murders.

“[Hillerman''s] clowns are . . . every bit as raucous, profane, and funny as Shakespeare''s."—New York Times Book Review

During a kachina ceremony at the Tano Pueblo, the antics of a dancing koshare fill the air with tension. Moments later, the clown is found bludgeoned to death, in the same manner a reservation schoolteacher was killed only days before.

Officer Jim Chee and Lieutenant Joe Leaphorn believe that answers lie in the sacred clown''s final cryptic message to the Tano people. But to decipher it, the two Navajo policemen may have to delve into closely guarded tribal secrets—on a sinister trail of blood that links a runaway, a holy artifact, corrupt Indian traders, and a pair of dead bodies.

Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!  

First there was the trouble at Saint Boneventure boarding school. A teacher is dead, a boy is missing, and a council woman has put a lot of pressure on Lieutenant Joe Leaphorn and Officer Jim Chee to find her grandson. Sitting on a rooftop watching sacred clowns perform their antics in a Pueblo ceremony, Chee spots the boy. Then, suddenly, the crowd is in commotion. One of the clowns has been savagely murdered. Without a single clue, Chee and Leaphorn must follow a serpentine trail through the Indian clans and nations, seeking the thread that links two brutal murders, a missing teenager, a band of lobbyists trying to put a toxic dump site on Pueblo land, and an invaluable memento given to the tribes by Abraham Lincoln in a fast-paced, flawless mystery that is Hillerman at his lyrical, evocative, spellbinding best.

When a developer asks Peter to assess a prime piece of Queensland real estate – the Pickersgill Peninsula Showgrounds – he jumps at the chance. It will give him time out from having to be with the family he loves. And it will take him back to his childhood home; to his parents, his twin sister, Pearl, and his brother, Gary, the TV weatherman.Over these few days, he will come to realise that sometimes when you go back to where you came from you find out how much you actually have, and how much you could lose. He just has to make his mind up, and listen to the advice that’s given by, of all people – the King of Hot Dogs. But will he?''For a novel that has so few pretensions, this is a skilfully constructed story that manages to be insightful, understated and very funny simultaneously'' - Sydney Morning Herald''William McInnes is insightful, thoughtful and funny. He has a flair for fiction as much as memoirs and non-fiction, as The Laughing Clowns will attest'' - The Daily Telegraph

The 1930s are routinely considered sound film''s greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade''s most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context.

While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today''s connoisseur of comedy. Even this book''s more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It''s a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).