Stuart M Tave – författare

Jane Austen’s readers continue to find delight in the justness of her moral and psychological discriminations. But for most readers, her values have been a phenomenon more felt than fully apprehended. In this book, Stuart M. Tave identifies and explains a number of the central concepts across Austen’s novels—examining how words like “odd,” “exertion,” and, of course, “sensibility,” hold the key to understanding the Regency author’s language of moral values. Tracing the force and function of these words from Sense and Sensibility to Persuasion, Tave invites us to consider the peculiar and subtle ways in which word choice informs the conduct, moral standing, and self-awareness of Austen’s remarkable characters.

Through dreams and shadows and strangeness, through blinding charms and eye-opening counter-charms, through moments of mortification and laughter—thus Stuart M. Tave traces the journey of the lovers, clowns, and fairies who populate comedies from A Midsummer Night's Dream to Waiting for Godot. Tave avoids the pitfalls of theory, taking instead a close look at particular works to give us a sense of the relations between certain dramas and novels that are called comedies. The result is a wonderfully readable book that renews our delight in the enchanting possibilities of literature. A Midsummer Night's Dream, in its "perfection," is Tave's point of departure. Its characters fall neatly into the three groups of Tave's title and fulfill to perfection their functions of desire, foolishness, and power. From the magical concord of Shakespeare's resolution, Tave moves to works whose character face ever greater difficulties in reaching a happy conclusion. From Jonson and Austen to Chekhov and Beckett, he meets comedies on their own terms, illuminating the complex and individual genius of each. A masterpiece of practical criticism, Lovers, Clowns, and Fairies rediscovers the pleasure of reading comedies.

This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.