American Music: New Roots – serie

Arthel ""Doc"" Watson (1923–2012) is arguably one of the most influential musicians Appalachia has ever produced. A musician's musician, Doc grew up on a subsistence farm in the North Carolina mountains during the Depression, soaking up traditional music and learning to play guitar even though he was blind. Rising to fame in the 1960s as part of the burgeoning folk revival scene, Doc became the face of traditional music for many listeners, racking up multiple Grammys and releasing dozens of albums over the course of his long career. Eddie Huffman tells the story of Doc's life and legacy, drawing on extensive interviews and hundreds of hours of archival research. In making the most comprehensive biography of Watson ever, Huffman gives us an affecting and informative portrait of the man they called Doc.Full of fascinating stories—from Doc's first banjo made from his grandmother's cat to the founding of MerleFest—this promises to be the definitive biography of the man and how he came to be synonymous with roots music in America and shows how his influence is still felt in music today.

Alice Gerrard, an award-winning and storied folk and bluegrass musician for over 50 years, is one of the notable few women in a heavily male genre. Custom Made Woman tells Gerrard’s story through the music, the folk festivals, the kids, and the relationships—both personal and professional—that defined her storied life and career. Her collaborations with Appalachian singer Hazel Dickens during the 1960s and 1970s were pivotal recordings during the decades after the American folk music boom of the midcentury; the duo produced four albums that have recently been rereleased by Rounder Records and Smithsonian Folkways. In addition to Dickens, Gerrard has worked with folks like Tommy Jarrell, Enoch Rutherford, Otis Burris, Luther Davis, and Matokie Slaughter, and founded The Old-Time Herald, based in Durham, North Carolina, serving as its editor-in-chief from 1987 until 2003.She’s also a lifelong documentarian of the folkways scene, and this book features nearly 100 rare photos—many never before seen—of key musicians, including Doc Watson, Bill Monroe, Hazel Dickens, Elizabeth Cotten, Mike Seeger, and more. In telling the story of her time as a player of traditional music, Gerrard gives us a deeply personal way to understand and appreciate a quintessentially American genre that has a long history and thrives to this day.