Brings together some of the most highly regarded historians and literary critics of the American South to consider race, gender and texts through three centuries and from different vantage points.

This study addresses the question of why the troubling figure of Aunt Jemima has endured in American culture. The author traces the evolution of the mammy from her roots in Old South slave reality and mythology to Aunt Jemima's symbolic role in the Civil Rights movement.

Looking beyond white planters to the region as a whole, the author uncovers evidence of African-American enterprise, the advantages of tenancy in an unstable cotton market, and the dominance of foreign-born merchants in the area including many Chinese. It explores the many reciprocal relationships.

At 2:00 A.M. on August 28, 1955, fourteen-year-old Emmett Till, visiting from Chicago, was abducted from his great-uncle's cabin in Money, Mississippi, and never seen alive again. When his battered and bloated corpse floated to the surface of the Tallahatchie River three days later and two local white men were arrested for his murder, young Till's death was primed to become the spark that set off the civil rights movement. With a collection of more than one hundred documents spanning almost half a century, Christopher Metress retells Till's story in a unique and daring way. Juxtaposing news accounts and investigative journalism with memoirs, poetry, and fiction, this documentary narrative not only includes material by such prominent figures as Hodding Carter, Chester Himes, Eleanor Roosevelt, James Baldwin, Gwendolyn Brooks, Eldridge Cleaver, Bob Dylan, John Edgar Wideman, Lewis Nordan, and Michael Eric Dyson, but it also contains several previously unpublished works - among them a newly discovered Langston Hughes poem - and a generous selection of hard-to-find documents never before collected. Exploring the means by which historical events become part of the collective social memory, The Lynching of Emmett Till is both an anthology that tells an important story and a narrative about how we come to terms with key moments in history.

An African American folk saying declares, ""Our God can make a way out of no way...He can do anything but fail."" When Dianne Swann-Wright set out to capture and relate the history of her ancestors-African Americans in central Virginia after the Civil War-she had to find that way, just as her people had done in creating a new life after emancipation. In order to tell their story, she could not rely solely on documents from the plantation where her forebears had lived. Unlike the register of babies born, marriages made, or lives lost that white families' Bibles contained, ledgers recorded Swann-Wright's ancestors, as commodities. Thus Swann-Wright took another route, setting out to gather spoken words-stories, anecdotes, and sayings. What results is a strikingly rich and textured history of a slave community. Looking at relations between plantation owners and their slaves and the succeeding generations of both, A Way out of No Way explores what it meant for the master-slave relation to change to one of employer and employee and how patronage, work relationships, and land acquisition evolved as the people of Piedmont Virginia entered the twentieth century. Swann-Wright illustrates how two white landowners, one of whom had headed a plantation before the Civil War, learned to compensate freed persons for their labor. All the more fascinating is her study of how the emancipated learned to be free-of how they found their way out of no way.

An African American folk saying declares, ""Our God can make a way out of no way...He can do anything but fail."" When Dianne Swann-Wright set out to capture and relate the history of her ancestors-African Americans in central Virginia after the Civil War-she had to find that way, just as her people had done in creating a new life after emancipation. In order to tell their story, she could not rely solely on documents from the plantation where her forebears had lived. Unlike the register of babies born, marriages made, or lives lost that white families' Bibles contained, ledgers recorded Swann-Wright's ancestors, as commodities. Thus Swann-Wright took another route, setting out to gather spoken words-stories, anecdotes, and sayings. What results is a strikingly rich and textured history of a slave community. Looking at relations between plantation owners and their slaves and the succeeding generations of both, A Way out of No Way explores what it meant for the master-slave relation to change to one of employer and employee and how patronage, work relationships, and land acquisition evolved as the people of Piedmont Virginia entered the twentieth century. Swann-Wright illustrates how two white landowners, one of whom had headed a plantation before the Civil War, learned to compensate freed persons for their labor. All the more fascinating is her study of how the emancipated learned to be free-of how they found their way out of no way.

Brings together some of the most highly regarded historians and literary critics of the American South to consider race, gender and texts through three centuries and from different vantage points.

This study addresses the question of why the troubling figure of Aunt Jemima has endured in American culture. The author traces the evolution of the mammy from her roots in Old South slave reality and mythology to Aunt Jemima's symbolic role in the Civil Rights movement.

Looking beyond white planters to the region as a whole, the author uncovers evidence of African-American enterprise, the advantages of tenancy in an unstable cotton market, and the dominance of foreign-born merchants in the area including many Chinese. It explores the many reciprocal relationships.

At 2:00 A.M. on August 28, 1955, fourteen-year-old Emmett Till, visiting from Chicago, was abducted from his great-uncle's cabin in Money, Mississippi, and never seen alive again. When his battered and bloated corpse floated to the surface of the Tallahatchie River three days later and two local white men were arrested for his murder, young Till's death was primed to become the spark that set off the civil rights movement. With a collection of more than one hundred documents spanning almost half a century, Christopher Metress retells Till's story in a unique and daring way. Juxtaposing news accounts and investigative journalism with memoirs, poetry, and fiction, this documentary narrative not only includes material by such prominent figures as Hodding Carter, Chester Himes, Eleanor Roosevelt, James Baldwin, Gwendolyn Brooks, Eldridge Cleaver, Bob Dylan, John Edgar Wideman, Lewis Nordan, and Michael Eric Dyson, but it also contains several previously unpublished works - among them a newly discovered Langston Hughes poem - and a generous selection of hard-to-find documents never before collected. Exploring the means by which historical events become part of the collective social memory, The Lynching of Emmett Till is both an anthology that tells an important story and a narrative about how we come to terms with key moments in history.

An African American folk saying declares, ""Our God can make a way out of no way...He can do anything but fail."" When Dianne Swann-Wright set out to capture and relate the history of her ancestors-African Americans in central Virginia after the Civil War-she had to find that way, just as her people had done in creating a new life after emancipation. In order to tell their story, she could not rely solely on documents from the plantation where her forebears had lived. Unlike the register of babies born, marriages made, or lives lost that white families' Bibles contained, ledgers recorded Swann-Wright's ancestors, as commodities. Thus Swann-Wright took another route, setting out to gather spoken words-stories, anecdotes, and sayings. What results is a strikingly rich and textured history of a slave community. Looking at relations between plantation owners and their slaves and the succeeding generations of both, A Way out of No Way explores what it meant for the master-slave relation to change to one of employer and employee and how patronage, work relationships, and land acquisition evolved as the people of Piedmont Virginia entered the twentieth century. Swann-Wright illustrates how two white landowners, one of whom had headed a plantation before the Civil War, learned to compensate freed persons for their labor. All the more fascinating is her study of how the emancipated learned to be free-of how they found their way out of no way.

An African American folk saying declares, ""Our God can make a way out of no way...He can do anything but fail."" When Dianne Swann-Wright set out to capture and relate the history of her ancestors-African Americans in central Virginia after the Civil War-she had to find that way, just as her people had done in creating a new life after emancipation. In order to tell their story, she could not rely solely on documents from the plantation where her forebears had lived. Unlike the register of babies born, marriages made, or lives lost that white families' Bibles contained, ledgers recorded Swann-Wright's ancestors, as commodities. Thus Swann-Wright took another route, setting out to gather spoken words-stories, anecdotes, and sayings. What results is a strikingly rich and textured history of a slave community. Looking at relations between plantation owners and their slaves and the succeeding generations of both, A Way out of No Way explores what it meant for the master-slave relation to change to one of employer and employee and how patronage, work relationships, and land acquisition evolved as the people of Piedmont Virginia entered the twentieth century. Swann-Wright illustrates how two white landowners, one of whom had headed a plantation before the Civil War, learned to compensate freed persons for their labor. All the more fascinating is her study of how the emancipated learned to be free-of how they found their way out of no way.