Culture, Politics, and the Cold War – serie

This title presents a provocative historical analysis of early U.S. policy toward postcolonial Africa. In 1961, as President John F. Kennedy proclaimed the beginning of a 'Decade of Development', the United States embarked on its first coherent 'Africa' policy. Guided by the precepts of modernization theory, American policymakers, diplomats, academics, and Peace Corps volunteers were dispatched to promote economic growth and nation-building among the newly independent countries of sub-Saharan Africa. At the outset, Larry Grubbs shows, many of these 'secular missionaries' were no less sanguine about their prospects for success than were their Christian predecessors a century earlier. But before long their optimism gave way to disillusionment, as rosy forecasts of sustained development collided with African political realities and colonial economies based on single-commodity exports subject to global price fluctuations. In this book, Grubbs presents a cultural history of this ill-fated American campaign to modernize Africa during its first decade of independence. Drawing on government documents and contemporary press accounts as well as an extensive body of scholarship on U.S.- Africa relations, he exposes the contradictions at the core of a self-serving idealism that promised to 'win' the continent of Africa for the West in the context of the Cold War. While many Americans working in Africa considered themselves opponents of ethnocentrism, the modernization goals they served carried an ingrained, if unacknowledged, cultural and ideological sense of superiority and faith in American exceptionalism. Similarly, persistent myths about African backwardness and primitiveness continued to afflict U.S. policy, despite official pronouncements of confidence in the transformative power of Western expertise and can-do pragmatism in bringing African societies into the modern world. If the assumptions underlying U.S. policy toward Africa during the 1960s were simply relics of outmoded Cold War orthodoxies, that would be one thing. Unfortunately, Grubbs concludes, many of the same ideas imbue contemporary discussions of the ongoing 'crisis' in Africa, from the campaigns to 'Save Darfur' and stop the spread of AIDS to efforts to eliminate 'blood diamonds' and forgive African debts.

Traditional interpretations of the 1950s have emphasised how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those efforts at repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of television, on the Broadway stage, and from behind the scenes. By promoting superpower co-operation, decolonisation, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in representing America to the world. Ironically, the dissidents’ international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell American values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.

From the congressional debate over the “fall of China” to the drama of the Army–McCarthy hearings to the kitchen faceoff between Richard Nixon and Nikita Khrushchev, the political history of the early Cold War was long dominated by studies of presidential administrations, anti communism, and foreign policy. In Liberty and Justice for All? a group of distinguished historians representing a variety of disciplinary perspectives—social history, cultural history, intellectual history, labour history, urban history, women’s history, African American studies, and media studies—expand on the political history of the early Cold War by rethinking the relationship between politics and culture. How, for example, did folk music help to keep movement culture alive throughout the 1950s? How did the new medium of television change fundamental assumptions about politics and the electorate? How did American experiences with religion in the 1950s strengthen the separation of church and state? How did race, class, and gender influence the relationship between citizens and the state? These are just some of the questions addressed in this wide-ranging set of essays. In addition to volume editor Kathleen G. Donohue, contributors include Howard Brick, Kari Frederickson, Andrea Friedman, David Greenberg, Grace Elizabeth Hale, Jennifer Klein, Laura McEnaney, Kevin M. Schultz, Jason Scott Smith, Landon R. Y. Storrs, and Jessica Weiss.

Unlike earlier U.S. interventions in Latin America, the Reagan administration’s attempt to overthrow the Sandinista government of Nicaragua during the 1980s was not allowed to proceed quietly. Tens of thousands of American citizens organised and agitated against U.S. aid to the counterrevolutionary guerrillas, known as “contras.” Believing the Contra War to be unnecessary, immoral, and illegal, they challenged the administration’s Cold War stereotypes, warned of “another Vietnam,” and called on the United States to abide by international norms. A Call to Conscience offers the first comprehensive history of the anti–Contra War campaign and its Nicaragua connections. Roger Peace places this eight-year campaign in the context of previous American interventions in Latin America, the Cold War, and other grassroots oppositional movements. Based on interviews with American and Nicaraguan citizens and leaders, archival records of activist organisations, and official government documents, this book reveals activist motivations, analyses the organisational dynamics of the anti–Contra War campaign, and contrasts perceptions of the campaign in Managua and Washington. Peace shows how a variety of civic groups and networks—religious, leftist, peace, veteran, labour, women’s rights—worked together in a decentralised campaign that involved extensive transnational cooperation.

The Cold War forced scientists to reconcile their values of internationalism and objectivity with the increasingly militaristic uses of scientific knowledge. For decades, antinuclear scientists pursued nuclear disarmament in a variety of ways, from grassroots activism to transnational diplomacy and government science advising. The U.S. government ultimately withstood these efforts, redefining science as a strictly technical endeavor that enhanced national security and deeming science that challenged nuclear weapons on moral grounds ""emotional"" and patently unscientific. In response, many activist scientists restricted themselves to purely technical arguments for arms control. When antinuclear protest erupted in the 1980s, grassroots activists had moved beyond scientific and technical arguments for disarmament. Grounding their stance in the idea that nuclear weapons were immoral, they used the ""emotional"" arguments that most scientists had abandoned.Redefining Science shows that the government achieved its Cold War ""consensus"" only by active opposition to powerful dissenters and helps explain the current and uneasy relationship between scientists, the public, and government in debates over issues such as security, energy, and climate change.