Clarendon Edition of the Novels of George Eliot – serie
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6 produkter
6 produkter
3 125 kr
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A scholarly edition of Daniel Deronda by George Eliot. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
3 392 kr
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Often considered George Eliot's finest novel, Middlemarch is a masterpiece of literary realism. This is the first edition of the novel to be published with full critical apparatus since it appeared in 1871-2. It records all the variants in the main edition as well as many of the deletions in the manuscript. The introduction traces the history of composition, publication, and revision.
2 368 kr
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A scholarly edition of The Mill on the Floss by George Eliot. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
1 929 kr
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A scholarly edition of Felix Holt, The Radical by George Eliot. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
4 595 kr
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Romola, George Eliot's only historical novel, always occupied a special place in her own affections. Looking back at the end of her career, she remarked `I could swear by every sentence as having been written with my best blook'. Henry James called it `on the whole the finest thing she wrote'. Yet since its first appearance the novel has perplexed many of George Eliot's admirers by the range and density of its historical references. The Clarendon Edition, based on the original Cornhill serialization with emendations from later authoritative editions, traces and explains the allusions and provides a comprehensive account of the composition and publishing history of the novel: it confirms Romola as one of George Eliot's greatest artistic achievements.
5 026 kr
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The Clarendon edition of Adam Bede (1859) is the first critical edition of the work that established George Eliot's reputation. Its extensive textual apparatus lists manuscript and first edition variants from the copy-text, which is the corrected eighth edition of 1861 -- her last revision of the book. The introduction locates the genesis of the novel in Eliot's family history, her travels, and her reading of literature and biography, and describes the composition process, including her debate with the publisher John Blackwood about the suitability of the subject-matter for a family audience, as both author and publisher anticipated its appearing initially in Blackwood's Edinburgh Magazine. Using Blackwood's publication ledgers, it also establishes the details of the eleven complete or nearly complete resettings of the novel in Eliot's lifetime; and examines the author's revisions to a manuscript that is popularly, but erroneously, thought to have been little altered, giving detailed attention to the dialect in the context of more than 900 variants between manuscript and first edition.