David Carroll – författare

'the growing good of the world is partly dependent on unhistoric acts' The greatest 'state of the nation' novel in English, Middlemarch addresses ordinary life at a moment of great social change, in the years leading to the Reform Act of 1832. Through her portrait of a Midlands town, George Eliot addresses gender relations and class, self-knowledge and self-delusion, community and individualism. Eliot follows the fortunes of the town's central characters as they find, lose, and rediscover ideals and vocations in the world. Through its psychologically rich portraits, the novel contains some of the great characters of literature, including the idealistic but naïve Dorothea Brooke, beautiful and egotistical Rosamund Vincy, the dry scholar Edward Casaubon, the wise and grounded Mary Garth, and the brilliant but proud Dr Lydgate. In its whole view of a society, the novel offers enduring insight into the pains and pleasures of life with others, and explores nearly every subject of concern to modern life:. art, religion, science, politics, self, society, and, above all, human relationships. This edition uses the definitive Clarendon text.

George Eliot's tale of a solitary miser gradually redeemed by the joy of fatherhood, Silas Marner is edited with an introduction and notes by David Carroll in Penguin Classics.Wrongly accused of theft and exiled from a religious community many years before, the embittered weaver Silas Marner lives alone in Raveloe, living only for work and his precious hoard of money. But when his money is stolen and an orphaned child finds her way into his house, Silas is given the chance to transform his life. His fate, and that of Eppie, the little girl he adopts, is entwined with Godfrey Cass, son of the village Squire, who, like Silas, is trapped by his past. Silas Marner, George Eliot's favourite of her novels, combines humour, rich symbolism and pointed social criticism to create an unsentimental but affectionate portrait of rural life.This text uses the Cabinet edition, revised by George Eliot in 1878. David Carroll's introduction is complemented by the original Penguin Classics edition introduction by Q.D. Leavis.Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of 'George Eliot', including The Mill on the Floss, Middlemarch, and Daniel Deronda.If you enjoyed Silas Marner, you might like Nathaniel Hawthorne's The Scarlet Letter, also available in Penguin Classics.'I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect ... which marks a classical work'Henry James

Often considered George Eliot's finest novel, Middlemarch is a masterpiece of literary realism. This is the first edition of the novel to be published with full critical apparatus since it appeared in 1871-2. It records all the variants in the main edition as well as many of the deletions in the manuscript. The introduction traces the history of composition, publication, and revision.

This book constitutes a critical investigation and rethinking of the grounds and possibilities of theory and the place and critical function theory can serve within various disciplines, notably history and aesthetics.

In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by both France and the Algerian National Liberation Front (FLN) and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence.By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries (West vs. East, Christian vs. Muslim, "us" vs. "them," good vs. evil), Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in The First Man. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror."

In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by both France and the Algerian National Liberation Front (FLN) and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence.By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries (West vs. East, Christian vs. Muslim, "us" vs. "them," good vs. evil), Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in The First Man. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror."

Journey into the world of Ayahuasca and healing.A mysterious and powerful plant medicine with curative powers that is drunk as a tea during a sacred ceremony, Ayahuasca has been known to change people's lives dramatically. But what was once a healing experience practiced only by Indigenous South Americans - and sought out by the adventurous few - has, in the past fifty years, become increasingly popular around the world.Hachumak, a Peruvian medicine man, has been practicing traditional healing arts in his country for more than twenty years. His unique approach is based on ritualistic simplicity and highlights the essence of the Art, which includes the borrowed forces from Nature. In this remarkable book, he shares his knowledge and experiences to broaden our understanding of this powerful medicine and protect it from misuse and exploitation.Whether you are among the uninitiated and curious, or a seasoned journeyer, you will gain a deeper understanding of what shamanism is and how and why it works, as well as its possibilities and limitations. Hachumak reveals his own path to becoming a shaman and explains how a well-crafted Ayahuasca ceremony unfolds when run by an experienced curandero. He describes in detail what to expect - both physically and psychologically - while under the guidance of the sacred plants.With Hachumak as our experienced and trusted guide, Journeying Through the Invisible offers a new and healing way of seeing ourselves and the world around us.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

Two versions of George Eliot, both influential, have emerged from the study of her life and work. One is the radical Victorian thinker, formidably learned in a whole range of intellectual disciplines; the other is the reclusive novelist, celebrating through her fiction the communal values which were being eroded in the modern world. This chronological study of the novels brings the two together and places her within the crisis of belief and value acted out in the mid-nineteenth century. George Eliot saw this crisis as one of interpretation, in a vivid, almost apocalyptic awareness that traditional modes of interpreting the world were breaking down irrevocably. This study shows how, in response, she redefined the nature of Victorian fiction, testing to the point of destruction a variety of Victorian myths, orthodoxies and ideologies in each of her novels.

Two versions of George Eliot, both influential, have emerged from the study of her life and work. One is the radical Victorian thinker, formidably learned in a whole range of intellectual disciplines; the other is the reclusive novelist, celebrating through her fiction the communal values which were being eroded in the modern world. This chronological study of the novels brings the two together and places her within the crisis of belief and value acted out in the mid-nineteenth century. George Eliot saw this crisis as one of interpretation, in a vivid, almost apocalyptic awareness that traditional modes of interpreting the world were breaking down irrevocably. This study shows how, in response, she redefined the nature of Victorian fiction, testing to the point of destruction a variety of Victorian myths, orthodoxies and ideologies in each of her novels.

This is the first book to provide a sustained critical analysis of the literary-aesthetic dimension of French fascism--the peculiarly French form of what Walter Benjamin called the fascist "aestheticizing of politics." Focusing first on three important extremist nationalist writers at the turn of the century and then on five of the most visible fascist intellectuals in France in the 1930s, David Carroll shows how both traditional and modern concepts of art figure in the elaboration of fascist ideology--and in the presentation of fascism as an art of the political. Carroll is concerned with the internal relations of fascism and literature--how literary fascists conceived of politics as a technique for fashioning a unified people and transforming the disparate elements of society into an organic, totalized work of art. He explores the logic of such aestheticizing, as well as the assumptions about art, literature, and culture at the basis of both the aesthetics and politics of French literary fascists.His book reveals how not only classical humanism but also modern aesthetics that defend the autonomy and integrity of literature became models for xenophobic forms of nationalism and extreme "cultural" forms of anti-Semitism. A cogent analysis of the ideological function of literature and culture in fascism, this work helps us see the ramifications of thinking of literature or art as the truth or essence of politics.

Stretching from Langholm in the east to Portpatrick in the west, with its dramatic landscape embracing hills, lochs and forests, Dumfries and Galloway occupies a large corner of south-west Scotland. Scratch just below the surface of this predominantly agricultural region, which nowadays also supports a steadily growing tourist industry, and you will unearth characters, places and events which have made an indelible impression over the past hundred years, as the tales in this book will demonstrate. Galloway can boast the oldest working theatre, the Theatre Royal in Dumfries, and also Scotland's highest village, Wanlockhead; while Kirkcudbright and its surrounding area witnessed the growth of a thriving artists community in the late nineteenth and early twentieth century. Tragedy on a large scale has struck the region more than once, as the Quintinshill rail disaster during the First World War testified, while the discovery of a sulphurous well in a small village transformed Moffat into the Cheltenham of Scotland. Illustrated with over fifty pictures, these and other fascinating stories can all be found in Ten Tales from Dumfries & Galloway.

Along with its rich history and spectacular scenery, Dumfries and Galloway is home to a great many curious and unusual buildings, objects and landscape features that have survived the centuries. This well-illustrated book is a guide to 100 of these remarkable sights, including Scotland’s highest village, the world’s narrowest hotel, and even the statue of a rhinoceros on top of a bus shelter. Dumfries & Galloway Curiosities will encourage readers to explore this area of south-west Scotland and perhaps make their own curious discoveries.

Charles Lamb (1775-1834) was a poet, critic and, above all, an essayist of great distinction.As the 250th anniversary of his birth approaches, Charles Lamb: Man and Brother First tells the story of a man beset by domestic responsibilities and family tragedy. He worked as a clerk at the East India House in the City of London for most of his adult life. Despite the physical and emotional demands heaped upon him, he succeeded in carving out a unique place for himself in English Literature.This biographical account not only delves into Lamb's literary accomplishments but also recounts the loving relationship between a brother and sister who spent their entire lives together, often in an atmosphere of considerable domestic uncertainty and upheaval.Charles Lamb: Man and Brother First is an exploration of both filial devotion and literary achievement, shedding light on his remarkable life.

Transforming Teacher Education offers an intimate, reflective account of the development of the renowned Team One teacher education program at Michigan State University. Over a ten-year period, Team One established a first-rate reputation as a beacon of progressive teacher education. In this book, the creators of Team One describe their ongoing efforts to nurture and sustain a teacher education program that could serve as a learning community for students, faculty, and administrators alike. The book weaves together diverse voices to provide a detailed portrait of the ongoing transformation of teachers and students as they learn together. At a time when traditional teacher education is coming under fire, this book presents a powerful vision of what teacher education could and should be and offers an impassioned rationale for engaging in the intellectually demanding work of professional teacher education.

It's Little Ant's first day at his new school! School is full of new people, things to do and lessons to learn, but it's all too scary for a little ant. Luckily, his teacher and friends are there to help on this new adventure! In this heartfelt and inspiring tale, even the smallest ant can be mighty enough to face his fears.