Double Mountain Books Series - Böcker
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3 produkter
3 produkter
199 kr
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'An outstanding contribution to the historiography of the American West and likely will remain for a long time the definitive work on the Texas Panhandle' - Ernest Wallace. 'As one born in the region, Rathjen is sympathetic to it, but he is also understanding of it; there is little Chamber of Commerce stuff in his story' - Robert G. Athearn. The Texas Panhandleits eastern edge descending sharply from the plains into the canyons of Palo Duro, Tule, Quitaque, Casa Blanca, and Yellow House is as rich in history as it is in natural beauty. Long considered a crossroads of ancient civilizations, the twenty-six northernmost Texas counties lie on the southern reaches of the Great Plains, where numerous dry creek beds and the Canadian River have carved the region appropriately named the High Plains. Through these plains and their canyons, ancient peoples trailed game for the hunt. The Panhandle provided choice grazing lands for bison, and as the region became more familiar to ancient tribes, semipermanent camps marked the landscape. Yet when Coronado's conquistadores crossed the High Plains in search of fabled wealth and found sun-baked adobe instead of gold, they declared the region a wasteland. Likewise, the Republic of Texas found little use for their vast plains land considering settlement of the frontier far too dangerous. Not until the late-nineteenth century, as the U.S. Army waged war on the Comanches, Kiowas, and Cheyennes who lived there, did Panhandle tracts of frontier open to hard-bitten settlers who had to prove themselves as indomitable as they were land hungry. Departing from the premise that the Panhandle frontier 'is but a brush stroke on...[the] much larger canvas' of previous frontier histories, Rathjen challenges the work of Frederick Jackson Turner and Walter Prescott Webb, and proves that regional is by no means synonymous with provincial.
192 kr
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I and Claudie is a delightful and captivating novel about a couple of bungling but good-hearted con men who (barely) make their way across Texas over a two-year period in the 1930s. Their adventures, Anderson said, were in no sense autobiographical, but sometimes I am sorry they are not. The charming con men outwit lumbermen, oil men, and others, but are sometimes the victims themselves. Clint Hightower (the I in the title) is a smooth- talking maker of deals; Claudie Hughes, all 6'6"" of him, is his slower-of-mind sidekick who does all the real work and, often unwittingly, saves the day. The reader is both entertained and informed by the book. We learn much about Texas and Texans of the period. We learn about hurricanes along the coast, oil leasing and lumbering in East Texas, buried treasure in West Texas, the state fair in Dallas, the stockyards in Forth Worth, farming along the Brazos River, and more. The stories that make up the novel have been compared in style to O. Henrys classic tales. Several of them appeared in the venerable ""Atlantic Monthly"" before the book was published in 1951. It is one of A.C. Greens all time top 50. ""I and Claudie"" is a delightful book. One or two latter-day critics have termed it too ingenuous for our sophisticated age. Don't believe them. 'Clint Hightower would be right at home today in many an executive suite, with Claudie...waiting to take the fall for him' - A. C. Greene, ""The Fifty Best Books on Texas"".
158 kr
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As enigmatic and contradictory as far West Texas has always been, it is nevertheless surprising to learn that in 1925 its desert germinated a slender but vibrant shoot of the Harlem Renaissance. Isolated on the U.S.-Mexico border, far from any metropolitan African-American community or literary influences, Bernice Love Wiggins, a perceptive young poet, self-published her first, apparently only, book of poetry. One of only a handful of black writers in Texas in the 1920s and 1930s, Wiggins was contemporary with Langston Hughes, Countee Cullen, and Zora Neale Hurston and was among the first female African-American poets published in the United States. Just as the Harlem movement focused on experiences of black Americans who sought relief from racism and endeavored to build communities, ""Tuneful Tales"" gives voice to the many-sided black experience in remote El Paso. Whatever Wiggins may have known of her contemporaries more than half a continent away or of the movement itself may never be clear. Disappointingly, after her move to California in the early 1930s, the trail grows cold. Yet the composed young woman who gazes so wisely, if dreamily, from her high school photographs evoked her personae so compellingly in both timbre and substance that great folklorist and critic J. Mason Brewer proclaimed her the female Paul Laurence Dunbar. Ethiopia Speaks Lynched! Somewhere in the South, the Land of the Free, To a very strong branch of a dogwood tree. Lynched! One of my sons, When the flag was in danger they answered the call I gave them black sons, ah! yes, gave them all When you came to me. And Now Goodnight I have told you tuneful tales, Gathered from the hills and vales, Wheresoever mine own people chanced to dwell. If the tales have brought you mirth, Brought more laughter to the earth, It is well. Maceo Dailey is the director of the African American Studies Program of the University of Texas El Paso and a governors appointee to the Texas Council For The Humanities and Juneteenth Commission.