Fairleigh Dickinson University Press Series in Modernism & the Avant-Garde – serie
Visar alla böcker i serien Fairleigh Dickinson University Press Series in Modernism & the Avant-Garde. Handla med fri frakt och snabb leverans.
2 produkter
2 produkter
1 312 kr
Skickas inom 5-8 vardagar
Marginal to Mainstream: French Modernism Between the Wars traces the near-miraculous progress of modern art in France in the first half of the twentieth century. Before World War I, it was a marginal phenomenon, largely absent from the museums and bought and sold by a handful of second-string dealers; by the early 1950s it had been canonized as the representative form of the epoch. The triumph of modernism, and the simultaneous establishment of Paris as the crucible of modern art, were not the products of a coherent policy but of a stumbling and spasmodic process. France was the leading democratic nation in Europe, and it wanted its art to reinforce its prestige on the international stage, but no-one could agree how best to achieve this. Toby Norris shows how, amidst the policy squabbles and in-fighting of representative government, France fumbled its way toward an art of democracy and in the process helped install modern art as the house style of democratic capitalism.
Modernity Must Drive
The Motor Car, Material Cultures, and British Modernisms
Inbunden, Engelska, 2025
1 486 kr
Skickas inom 10-15 vardagar
A collection of essays delving into the textual representations and history of British and Irish car culture.Modernity Must Drive focuses on British and Irish literature from the first half of the twentieth century, exploring modernist accounts of the motor car according to its layered cultural significance. Engaging with prose by Bowen, Joyce, Rhys, Woolf, Waugh, and others, the volume complicates a reading of the automobile as merely a metaphor for “the new.” Instead, chapters historicize the complexities of motoring as it is situated in the overlaps between tradition and innovation. The collection comprises readings of the motor car as a lived object, where writers trace experiences of modernity through luxury marques, war-time ambulances, motoring guides, race cars, and roads. In a series of interdisciplinary essays, based in literary and cultural studies, the authors employ new materialist and decolonizing approaches, providing new insights into the social forces that affected individual uses of technology and the modernists who responded to the driving force of machines.