Fifteenth-Century Studies - Böcker

Latest volume of annual publication covering a variety of aspects of life in the fifteenth century.Fifteenth-Century Studies has appeared annually since its foundation in 1977 as the publication arm for the Fifteenth-Century Symposium, and aims to include essays on all aspects of life during the time, medicine, philosophy, painting, religion, science, history, ritual and custom, music, and poetry. It covers a period which defies consensus on various fundamental issues; indeed, some dispute that the fifteenth century can be regarded as part of themiddle ages, arguing that it is a time of transition to the modern age. Fifteenth-Century Studies takes no dogmatic view on the vexed questions the period presents, rather aiming to encourage a dispassionate assessment offifteenth-century life and literature, examining the preoccupations of those living in the period and attempting to identify the threads which bind the achievements of figures as diverse as Malory, Machiavelli, Copernicus, Caxton,Margery Kempe, Hans Holbein, Joan of Arc, and Christine de Pizan. There is also a wide-ranging review section.

Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenth century defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna,, and Humanism.Volume 27 is a special issue offering a selection of outstanding papers on violence that will interest students of medieval history and the early Renaissance, the humanities, art history, sociology, anthropology, and even the general reader. The articles highlight warfare and justice, violence in family and milieu (court, town, village,and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.Edelgard E. DuBruck is professor in theModern Languages Department at Marygrove College in Detroit; Yael Even is associate professor of Art and Art History at the University of Missouri, St. Louis.

15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section.Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés,Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

The focus of the volume, in addition to standard features such as the bibliographical update on 15th-c. theater, is on late-medieval authors as literary critics.Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenthcentury defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the verytenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna,, and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here.Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade.Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

New essays on topics from love and sexuality to physical handicaps, old age, good and bad fortune, women's virtues, art and literature, and the writing of manuscripts.Fifteenth-Century Studies has appeared annually since 1977. It publishes essays on all aspects of life in the 15th century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that defies consensus on fundamental issues. In this volume the standard synopsis of research on 15th-c. theater is followed by essays on reflection/meditation on love and sexuality, physical handicaps, old age, betrayal, and false accusations. Contributors investigate good and bad fortune and human reactions to it, as well as women's virtues. Essays deal with poetry, prose, and drama, while others explore art, looking at illuminations, fresco, and tapestry from the vantage point of hagiography and romance. Finally, there is an essay on scribes, codices, and manuscripts from the perspective of New Philology. Contributors: E. DuBruck, C. Azuela, D.E. Booton, L.V. Gerulaitis, R. Hyatte, S. Jefferis, V. Minet-Mahy, C. Politis, M.J. Seaman, E. I. Wade.Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

Essays on drama, late-medieval art, religious literature, and on Renaissance views of genius and madness.Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies has appeared annually since then. It offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. The 15th century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition, and a passage to modern times.The current volume opens with the customary survey of research on 15th-century drama. Graham A. Runnalls and Jesse Hurlbut present their extensive bibliography of French miracle plays and mysteries, a work accumulated over 25 years. Continuing on the topic of late-medieval art, Edelgard DuBruck offers a study of gesture within the miniatures of the Passion Isabeau (1398). Barbara I. Gusick analyzes healing and social reorientation in Christ's transformation of Zacchaeus in the York Cycle; Mark Trowbridge investigates the Cleveland St. John the Baptist, attributed to Petrus Christus. Finally, this year's entry by Leonardas V. Gerulaitis provides Renaissance views on genius and madness. A book review section concludes the volume.Edelgard E. DuBruck is Professor Emerita of Modern Languages at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Professor Emerita of Englishat Troy University-Dothan, Dothan, Alabama.

Annual volume of essays, focusing on the literary genres of drama, poetry, prose, and romance.Fifteenth-Century Studies offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. The standard survey of drama research leads off the present volume. Ten essays follow, involving France, Spain, Germany, England, and Finland. Essays deal with love poetry, laughter and manhood in Jehan de Saintré, a new dating of Sir Gawein and the Green Knight, German eschatological theater, portrayals of Christ's healing of the lame man on the York stage, translation during the Middle Spanish period, the end of the persecution of witches, and late medieval executioners. Book reviews and an index of volumes 21 through 30 conclude the volume.Contributors: Edelgard Dubruck, William Calin, Rocio Del Rio Fernandez, Leonardas Gerulaitis, Barbara Gusick, Sibylle Jefferis, Judy Kem, Hannele Kemettilä, Lynn T. Ramey, Carolyn King StephensEdelgard E. Dubruck is Professor Emerita at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Associate Professor at Troy State University Dothan.

Articles on drama, letter-writing, Arthurian romances, translation, mythology and folklore, print media, and Pizan, Sachs, Schedel, Chartier, and Henryson.The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies offers essays on diverse aspects of the fifteenth century, including liberal and fine arts, historiography, medicine, and religion. Following the standard opening article on the current state of fifteenth-century drama research, volume 33 offers essays investigating authors such as Christine de Pizan, Hans Sachs, Hartmann Schedel, Alain Chartier, and Robert Henryson. Genres and themes treated include drama, epistles of persuasion, late Arthurian romances, translations, mythology and folklore, print media, and art appreciation. Alternative interpretations are afforded by Franco Mormando's study of male nakedness and the Franciscans. Twelve book reviews round out the volume.Contributors: Edelgard E. DuBruck, Tracy Adams, Lidia Amor, Roció del Río Fernández, Leonardas Vytautas Gerulaitis, Jonathan Green, Christiane J. Hessler, Ashby Kinch, Franco Mormondo, Alessandra Petrina.Edelgard E. DuBruck is Professor Emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Professor Emerita of English atTroy University, Dothan, Alabama.

New essays on a wide variety of topics from poetry to dress to violence to a recipe collection.The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Following the customary opening article on the current state of fifteenth-century drama research, essays treat such topics as poetry as a source for illustrated German prose, the St. Edith picture cycle in Salisbury, the flourishing of French history; and Spanish schools of translators. Other essays treat poems from the Gruuthusesongbook; Louis XI and pilgrim's dress, Robert Henryson's Moral Fabilles, violence in English romances, Jews' presence through absence in Vicente Ferrer's Sermons, and Conrad Buitzruss's recipe collection in Manuscript Clm 671 (Munich). Book reviews conclude the volume.Contributors: Edelgard E. DuBruck, James H. Brown, Mary Dockray-Miller, Jean Dufournet, Rocío del Río Fernández, Bas Jongenelen and Ben Parsons, Jennifer Lee, JohnMarlin, Ilan Mitchell-Smith, Daniel Salas-Días, Elizabeth I. Wade-Sirabian.Edelgard E. DuBruck is Professor Emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama.

Annual volume of essays treating topics ranging from physical impairment to narrative afterlife and time.The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiestreats diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 35 addresses topics including physical impairments as depicted in surgical handbooks printed in Germany and as reflected through eyeglasses for the blind (a therapy proposed by French vernacular poets); literary constructions of women in de Meun's Cité des Dames and in hagiographic legends of Spain; the evolution of the Order of theGarter as dramatized in Shakespeare; serious elements in French farces; the festival context of Villon's Pet-au-Deable; Boethius in the late Middle Ages; A Revelation of Purgatory and Chaucer's Prioress; Piers Plowman in one British Library manuscript; and narrative afterlife and time in Henryson's Testament of Cresseid. Book reviews conclude the volume.Contributors: Milagros Alameda-Irizarry, Chiara Benati, EdelgardE. DuBruck, Rosanne Gasse, Chelsea Honeyman, Noel Harold Kaylor Jr., James N. Ortego II, E. L. Risden, Julie Singer, Geri L. Smith, Martin W. Walsh. Matthew Z. Heintzelman is Curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Minnesota; Barbara I. Gusick is Professor Emerita of English at Troy University Dothan; Martin W. Walsh is Head of the Drama Program at the University of Michigan's Residential College.

Annual collection on diverse aspects of the fifteenth century, with an emphasis on manuscripts and manuscript culture.The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion.Essays within this thirty-sixth volume treat a wide range of topics: the importance of manuscript culture as reflected in Cárcel de amor; the wanderings of René d'Anjou and Olivier de la Marche as reflected in literary texts; the art of compiling in Jean de Bueil's Jouvencel; a diplomatic transcription of Princeton MS153 (reception and compilation practices of the Rose); historical approaches in the chronicles of Jean le Bel and Jean Froissart; the Fairfax Sequence in Bodleian MS Fairfax 16; anticlerical critique in the Croxton Playof the Sacrament; the Chester cycle of mystery plays; the conquering Turk in Carnival Nürnberg: Hans Rosenplüt's Des Turken Vasnachtspil; and Tolkien's eucatastrophe and Malory's Morte Darthur. Book reviews conclude the volume.Contributors: Ethan Campbell, Emily C. Francomano, D. Thomas Hanks, Jr., Theodore K. Lerud, John Moreau, Gerald Nachtwey, Mariana Neilly, Marco Nievergelt, Michelle Szkilnik, Martin W. Walsh.Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama; Matthew Z. Heintzelman is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John'sUniversity, Collegeville, Minnesota.

Annual collection on diverse aspects of the fifteenth century, emphasizing literary topics with essays on French, German, English, Gaelic, and Middle Scots.The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion.Volume 37 includes articles on René d'Anjou and authorial doubling in the Livre du Coeur d'Amour épris; tradition and innovation in popular German song poetry from Oswald von Wolkenstein to Georg Forster; the role of sacred images in Capgrave's Life of Saint Katherine; milieu, John Strecche, and the Gawain-poet; Gaelic, Middle Scots, and the question of ethnicity in three Scottish flytings; William Caxton's translations of Aesop; the visualization of information in Conrad Buitzruss's compendium; and Gilles de Rais and his modern apologists. Book reviews conclude the volume.Contributors: Albrecht Classen, Nicholas Ealy, Richard Garrett, Rosanne Gasse, Janice McCoy, Jacqueline Murdock, Ben Parsons, Carolyn King Stephens, Elizabeth Wade-Sirabian.BARBARA I. GUSICK is Professor Emerita of English at Troy University, Dothan, Alabama; MATTHEW Z. HEINTZELMAN is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Collegeville, Minnesota.