Inspector Maigret – serie

'His artistry is supreme' John Banville'Sullenly, he got dressed. Why, whenever he was woken on a winter night like this, did the coffee have a particular taste? The smell of the apartment was different...his pipe, too, had a different taste.'Set against a high-profile hunt for the latest criminal gang to hit Paris, Maigret is determined to track down the murderer of a quiet crook for whom he cannot help feeling affection and respect.This novel has been published in a previous translation as Maigret and the Idle Burglar. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape.He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues.In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian.This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian

'Compelling, remorseless, brilliant' John Gray 'He had realized that it was her eyes as much as her vivacity that made her look so young. They were of a blue that was paler than the September sky over the sea and still had an expression of surprise, of wonderment'When a charming elderly widow appeals to him for help, Inspector Maigret travels to a seaside village in Normandy - uncovering a lost fortune and some poisonous family politics.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'His artistry is supreme' John Banville'You're a good soul, inspector, and when you're up against the second-rate criminals you get here in Paris, you're a crack policeman. But this business isn't for you. These guys play rough and they may hurt you. Just drop it! What concern is it of yours, anyway?'When Maigret learns that his hapless colleague Inspector Lognon is being menaced by some notorious American mobsters, he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This novel has been published in a previous translation as Inspector Maigret and the Killers.'A supreme writer . . . unforgettable vividness' Independent

'His artistry is supreme' John Banville Maigret wouldn't have admitted that what intrigued him most was the victim's face. All he had seen of it so far was one profile. Was it the bruises that gave her that sullen air? She looked like a bad-tempered little girl. Her combed-back brown hair was very smooth but naturally wavy. The rain had diluted her make-up a little and, instead of making her older or uglier, it made her younger and more appealing.Maigret and his fellow inspector Lognon find themselves trying to out-manoeuver each other when they investigate the case of a mysterious young woman whose new life in Paris is tragically cut short.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets.A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Death of a Harbour Master.'Compelling, remorseless, brilliant' John Gray'A supreme writer . . . unforgettable vividness' Independent

'The most addictive of writers' Observer 'High up in Montmartre, there was a festive atmosphere, people were crowding round the little tables where rosé wine was being served ... Yet a hundred metres further on, the little alleyways were deserted, and the killer might find it easy to pounce'Detective Chief Inspector Maigret is known for his infallible instinct, for getting at the truth no matter how complex the case, but when someone starts killing women on the streets of Montmartre, he finds himself confounded. In the sweltering Paris summer heat, with the city in a state of siege, Maigret hatches a plan to lure the murderer out ...'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

‘Acute psychological insight and a distinctive, spare, atmospheric style … Simenon ought to be spoken of in the same breath as Camus, Beckett and Kafka’ Independent on SundayThe death of a beloved former ambassador unearths disturbing truths in this classic novel featuring Simenon's literary legend ‘He had seldom been so perplexed by human beings. Would a psychiatrist, a teacher or a novelist … have been better placed to understand characters who had suddenly materialized from another century?’The violent death of a distinguished former ambassador, the Comte de Saint-Hilaire – an old man without political secrets or enemies – confounds Inspector Maigret, until a bundle of letters promises to uncover the tragic truth.'One of the greatest writers of the twentieth century' Guardian‘Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend’ Boyd Tonkin, The Times

The second book in the new Penguin Maigret series: Georges Simenon's devastating tale of misfortune, betrayal and the weakness of family ties, in a new translation by Anthea Bell.Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.The circumstances of Monsieur Gallet's death all seem fake: the name the deceased was travelling under and his presumed profession, and more worryingly, his family's grief. Their haughtiness seems to hide ambiguous feelings about the hapless man. In this haunting story, Maigret discovers the appalling truth and the real crime hidden behind the surface of lies.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Stonewalled and The Death of Monsieur Gallet.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging.On the edge of a forest: a man hanging from every branch.A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from François Villon's Ballade of the Hanged Men.On a trip to Brussels, Maigret unwittingly causes a man's suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself.This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret.'One of the greatest writers of the twentieth century' Guardian

'Compelling, remorseless, brilliant' John Gray What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after ten in the evening.But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.Inspector Maigret is standing in the pouring rain by a canal. A well-dressed woman, Mary Lampson, has been found strangled in a stable nearby. Why did her glamorous, hedonistic life come to such a brutal end here? Surely her taciturn husband Sir Walter knows - or maybe the answers lie with the crew of the barge La Providence.This novel has been published in previous translations as Lock 14 and Maigret Meets a Milord.'One of the greatest writers of the twentieth century' Guardian

The fifth book in the new Penguin Maigret series: Georges Simenon's gripping tale of small town suspicion and revenge, in Linda Asher's timeless translation.There was an exaggerated humility about her. Her cowed eyes, her way of gliding noiselessly about without bumping into things, of quivering nervously at the slight­est word, were the very image of a scullery maid accustomed to hardship. And yet he sensed, beneath that image, glints of pride held firmly in check. She was anaemic. Her flat chest was not formed to rouse desire. Nevertheless, she was strangely appealing, perhaps because she seemed troubled, despondent, sickly.In the windswept seaside town of Concarneau, a local wine merchant is shot. In fact, someone is out to kill all the influential men and the entire town is soon sent into a state of panic. For Maigret, the answers lie with the pale, downtrodden waitress Emma, and a strange yellow dog lurking in the shadows...Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as A Face for a Clue.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian

'Compelling, remorseless, brilliant' John Gray 'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.'Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?This novel has been published in previous translations as Maigret at the Crossroads and The Crossroad Murders.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'Just take a look,' Duclos said in an undertone, pointing to the scene all round them, the picture-book town, with everything in its place, like ornaments on the mantlepiece of a careful housewife . . . 'Everyone here earns his living. Everyone's more or less content. And above all, everyone keeps his instincts under control, because that's the rule here, and a necessity if people want to live in society.'When a French professor visiting the quiet, Dutch coastal town of Delfzjil is accused of murder, Maigret is sent to investigate. The community seem happy to blame an unknown outsider, but there are people much closer to home who seem to know much more than they're letting on: Beetje, the dissatisfied daughter of a local farmer, Amy van Elst, sister-in-law of the deceased and a notorious local crook.This novel has been published in a previous translation as Maigret in Holland.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian

'The father of contemporary European detective fiction' Ann Cleeves It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible.On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut.Sailors don't talk much to other men, especially not to policemen. But after Captain Fallut's body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean's voyage.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors' Rendezvous.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'Let's be clear that it's not your professionalism which I question. If you understand nothing, and I mean absolutely nothing, it's because from the very start you've been working with facts which had been falsified.'Maigret sets out to prove the innocence of a man condemned to death for a brutal murder. As his audacious plan to uncover the truth unfolds, he encounters rich American expatriates, some truly dangerous characters and their hidden motives.This novel has been published in previous translations as Maigret's War of Nerves and A Battle of Nerves.'Maigret emerges as a master of intuition and imagination, who moves in a world rendered intensely real in Simenon's incomparable prose' Christopher Hirst, Independent

The city of Simenon's youth comes to life in this new translation of this disturbing novel set in Liège, book ten in the new Penguin Maigret series.In the darkness, the main room is as vast as a cathedral. A great empty space. Some warmth is still seeps from the radiators. Delfosse strikes a match. They stop a moment to catch their breath, and work out how far they have still to go. And suddenly the match falls to the ground, as Delfosse gives a sharp cry and rushes back towards the washroom door. In the dark, he loses his way, returns and bumps into Chabot.Maigret observes from a distance as two boys are accused of killing a rich foreigner in Liège. Their loyalty, which binds them together through their adventures, is put to the test, and seemingly irrelevant social differences threaten their friendship and their freedom.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret at the "Gai-Moulin".'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'A radiant late afternoon. The sunshine almost as thick as syrup in the quiet streets of the Left Bank . . .there are days like this, when ordinary life seems heightened, when the people walking down the street, thetrams and cars all seem to exist in a fairy tale.'A story told by a condemned man leads Maigret to a bar by the Seine and into the sleazy underside of respectable Parisian life. In the oppressive heat of summer, a forgotten crime comes to light.Penguin is publishing the entire series of Maigret novels in new translations. This novel is a revised translation, previously published as The Bar on the Seine.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

A new translation of this gripping domestic tragedy, set in Simenon's very own neighbourhood.One by one the lighted windows went dark. The silhouette of the dead man could still be seen through the frosted glass like a Chinese shadow puppet. A taxi pulled up. It wasn't the public prosecutor yet. A young woman crossed the courtyard with hurried steps, leaving a whiff of perfume in her wake.Summoned to the dimly-lit Place des Vosges one night, where he sees shadowy figures at apartment windows, Maigret uncovers a tragic story of desperate lives, unhappy families, addiction and a terrible, fatal greed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Mystified and The Shadow in the Courtyard.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves He recalled his travelling companion's agitated sleep - was it really sleep? - his sighs, and his sobbing. Then the two dangling legs, the patent-leather shoes and hand-knitted socks . . . An insipid face. Glazed eyes. And Maigret was not surprised to see a grey beard eating into his cheeks.A distressed passenger leaps off a night train and vanishes into the woods. Maigret, on his way to a well-earned break in the Dordogne, is soon plunged into the pursuit of a madman, hiding amongst the seemingly respectable citizens of Bergerac.Penguin is publishing the entire series of Maigret novels in new translations. 'Compelling, remorseless, brilliant' John Gray'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense.The last time Maigret went home to the village of his birth was for his father's funeral. Now an anonymous note predicting a crime during All Souls' Day mass draws him back there, where troubling memories resurface and hidden vices are revealed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Goes Home.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves Maigret savoured the sensations of his youth again: the cold, stinging eyes, frozen fingertips, an aftertaste of coffee. Then, stepping inside the church, a blast of heat, soft light; the smell of candles and incense.The last time Maigret went home to the village of his birth was for his father's funeral. Now an anonymous note predicting a crime during All Souls' Day mass draws him back there, where troubling memories resurface and hidden vices are revealed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Goes Home.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves She wasn't an ordinary supplicant. She didn't lower her eyes. There was nothing humble about her bearing. She spoke frankly, looking straight ahead, as if to claim what was rightfully hers.'If you don't agree to look at our case, my parents and I will be lost, and it will be the most hateful legal error...'Maigret is asked to the windswept, rainy border town of Givet by a young woman desperate to clear her family of murder. But their well-kept shop, the sleepy community and its raging river all hide their own mysteries.This novel has been published in a previous translation as The Flemish Shop.'Compelling, remorseless, brilliant' John Gray'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets.A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Death of a Harbour Master.'Compelling, remorseless, brilliant' John Gray'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Lock at Charenton.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled.Maigret's peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Returns.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

‘Acute psychological insight and a distinctive, spare, atmospheric style … Simenon ought to be spoken of in the same breath as Camus, Beckett and Kafka’ Independent on Sunday In this classic novel, a woman’s fears for her safety lead Inspector Maigret to a Paris suburb where he uncovers appalling family secrets‘Barely twenty-eight years old. But it would be difficult to look more like an old maid, to move less gracefully…those black dresses…that ridiculous green hat!’For six months the dowdy Cécile has been coming to the police station, desperate to convince them that someone has been breaking into her aunt’s apartment. No one takes her seriously – until Maigret unearths a story of merciless, deep-rooted greed.'One of the greatest writers of the twentieth century' Guardian‘Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend’ Boyd Tonkin, The Times

‘Acute psychological insight and a distinctive, spare, atmospheric style … Simenon ought to be spoken of in the same breath as Camus, Beckett and Kafka’ Independent on SundayIn this classic novel, a dramatic case unfolds while Inspector Maigret is visiting colleagues in America ‘The FBI man was convinced, in short, that Maigret was a big shot in his own country but that here, in the United States, he was incapable of figuring out anything’Inspector Maigret is touring the United States to observe American policing methods, when a visit to a troubling coroner’s inquest in Arizona sparks a fascination with the story of a young girl and five airmen in the desert.'One of the greatest writers of the twentieth century' Guardian‘Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend’ Boyd Tonkin, The Times

The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape.He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues.In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian.This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century' Guardian