Library of the Written Word - The Industrial World – serie
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2 produkter
2 produkter
Del 7 - Library of the Written Word - The Industrial World
Dutch Messengers: A History of Science Publishing, 1930-1980
Inbunden, Engelska, 2008
2 634 kr
Skickas inom 5-8 vardagar
In this pioneering work, based upon interviews with many of the surviving protagonists, Cornelis ('Cees') Andriesse tells the story of the role that Dutch publishing houses played in the rise of English language commercial science publishing after the Second World War, that was preceded by the decline of science publishing in German. Using the existing literature as well as many privately held archival sources, the author follows the fortunes of the leading publishers, Martinus Nijhoff, Elsevier and North Holland while also briefly discussing smaller houses like Dr. W. Junk and Reidel. The book contains lively portraits of the main characters involved and will no doubt stimulate further research and discussion of the role of publishing in the history of science. The authors’ main thesis that successful publishing requires a strong, fruitful partnership between an academic publisher and an academic editor, will no doubt convince most readers. This is a great book on the most productive friendships and partnerships in the history of science publishing.
Del 44 - Library of the Written Word - The Industrial World
Art Periodical Culture in Late Imperial Russia (1898-1917)
Print Modernism in Transition
Inbunden, Engelska, 2015
2 629 kr
Skickas inom 5-8 vardagar
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.