National Poetry – serie

In this debut collection, Anna Journey invites the reader into her peculiar, noir universe nourished with sex and mortality. Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls—the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.

Written in narrow sections that blur the distinction between flash fiction and prose poetry, between memoir and meditation, Monograph veers from the elliptical to the explosive as it dissects the Gordian knot of a marriage’s intellectual, sexual, and domestic lives. Invoking Raymond Chandler, Pythagoras, Joan Didion, and Virginia Woolf as presiding spirits, Simeon Berry curates the negative space of each wry tableau, destabilizing the high seriousness of every lyric aside and slipping quantum uncertainty into the stark lineaments of loss.

Trébuchet is the much-anticipated follow-up to Danniel Schoonebeek’s debut book of poems, American Barricade, which was named one of 2014’s ten best books of poetry by Poets & Writers and hailed as a “groundbreaking first book that stands to influence its author’s generation” by Boston Review.The poems in Trébuchet—which takes its name from the catapult used to break down walls and barriers during medieval wars—are at once combative and incendiary, tackling contemporary politics in a more direct, personal way than Schoonebeek ever has before. Addressing gun violence, poverty, fascism, surveillance, white privilege, the protest movement, censorship, American history, torture, and net neutrality, Schoonebeek’s writing is marked by a unique use of slang and jargon, manipulation of white space, and precise rhythm on the page. His poems have been praised by many critics for their momentum, obsession with weird language, and the precision of their enjambments and end-stopped lines.Though American Barricade and Trébuchet speak to one another and map an evolving poetics, Schoonebeek’s second collection is a departure from the aesthetics and obsessions that defined his first, which was invested in the politics of family dynamics and the insistence in this country on obtaining power and wealth. If American Barricade was the book that wanted to kick open the door, Trébuchet is the book that wants to tear the door off its hinges.