National Poetry - Böcker
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157 kr
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157 kr
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178 kr
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307 kr
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In this debut collection, Anna Journey invites the reader into her peculiar, noir universe nourished with sex and mortality. Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls—the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.
307 kr
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In her second collection, Idra Novey steps in and out of jails, courthouses, and caves to explore what confinement means in the twenty-first century. From the beeping doors of a prison in New York to cellos playing in a former jail in Chile, she looks at prisons that have opened, closed, and transformed to examine how the stigma of incarceration has altered American families, including her own. Novey writes of the expanding prison complex that was once a field and imagines what’s next for the civilians who enter and exit it each day.On BafflementWe drew a prison in the sand and it wouldn’t go away.Not even beneath the foam of the biggest waves.The torn leg of a starfish clung to the door.A piece of seaweed clung to the bars over the windows.The tide came in higher and we thought, So much for the prison.Somebody asked why did we draw that thing,And were we growing old watching it this way.We felt compelled to make love in the sand a few feet off.Then we drew another one, just to see if we’d make love again.
136 kr
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Carlo Rovelli, Italian physicist, says that "the world is not a collection of things, it is a collection of events." Poet Diane Louie thinks of prose poems as little events. They are happening and happenings. They draw on experience, image, metaphor, and all the properties of language to create little worlds-in-motion: spinning while orbiting, actively shifting our point of view.More genus than hybrid species, prose poems can straddle the obvious limits and less-obvious liberties of perception. This active characteristic of spanning and connecting is especially relevant in a time of cultural polarization. Marrying, even uneasily, the inquiries of science and spiritual longing can illuminate what they—and we—have in common: a desire to understand our presence in a universe that does not yield ultimate answers.
251 kr
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Extinction Theory is a collection of pseudoscience poems that try to provide rationales for some of life’s most salient mysteries. Where is God? What does it mean to belong? Who killed the dinosaurs? Kien Lam creates new worlds with new rules to better answer these perennial questions. His poetry is that of discovery, of looking at the world as if for the first time. Lam exposes the transitory and transcendent nature of things and how we find meaning.At the heart of this collection is also a cataloging of the smaller “extinctions” in life. Every passing moment is the death of something, and try as we might to recreate the feeling, it can never be the same. Maybe it’s a relationship. Maybe it’s a donut. It changes its shape as we juxtapose it against something new. Extinction Theory is as much about language as it is about the absence of language. Of English, of Vietnamese, and then of neither.
297 kr
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Survival Strategies is a love story wrapped in a reckoning. Arranged in three parts, this collection of poems follows a narrative arc.The speaker, who is returning to the Sonoran of her birth after many years away, takes us with her on a journey of enlightenment. In the course of the first section, "The Sunniest Place on Earth," we learn that the speaker has developed a deep hatred of the desert (a reflection of herself) due to the way she was treated and what she witnessed while being raised there. As we move through to part 2, "Estivate So You Don't Die," we see the speaker grappling with her past as a sensitive person amid the rugged realities of life in the Southwest. As this section closes, there is a long-form prose poem assembled as a mythopoetic fable titled, "The Mother and the Mountain," that explores her mother's childhood. This section brings revelation to some of what precedes it and reveals the speaker as the buttress of this family who, though an outsider, walks a path first laid by her mother. The final section is titled simply, "After," and as its title suggests, is a short set of poems that wrap up the arc and bring peace to our speaker as she comes to realize she never hated the desert, nor herself, as she is set free by the ocean of the Pacific Northwest.