Shelley Puhak – författare

The speaker in Shelley PuhaksHarbingeris no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form. Nicole SealeyA stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole SealeyFrom Portrait of the artist, gaslit to Portrait of the artists ancestors to Portrait of the artist reading a newspaper, the poems in Harbingerreflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity.Portrait of the artist as a young man has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making artand making an artistis a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms?With its surprising insights,Harbinger,the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux.

National Bestseller“A well-researched and well-told epic history. The Dark Queens brings these courageous, flawed, and ruthless rulers and their distant times back to life.”--Margot Lee Shetterly, New York Times-bestselling author of Hidden FiguresThe remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule. Brunhild was a foreign princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet-in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport-these two iron-willed strategists reigned over vast realms, changing the face of Europe. The two queens commanded armies and negotiated with kings and popes. They formed coalitions and broke them, mothered children and lost them. They fought a decades-long civil war-against each other. With ingenuity and skill, they battled to stay alive in the game of statecraft, and in the process laid the foundations of what would one day be Charlemagne''s empire. Yet after the queens'' deaths-one gentle, the other horrific-their stories were rewritten, their names consigned to slander and legend. In The Dark Queens, award-winning writer Shelley Puhak sets the record straight. She resurrects two very real women in all their complexity, painting a richly detailed portrait of an unfamiliar time and striking at the roots of some of our culture''s stubbornest myths about female power. The Dark Queens offers proof that the relationships between women can transform the world.

A vivid double biography of two fearless early medieval queens. ''Brings the Merovingian empire to thrilling, bewildering, horrifying life'' Helen Castor ''Restores two half-forgotten and much-mythologized queens to their proper place in medieval history'' Dan Jones ''Fredegund and Brunhild have finally found a worthy champion'' Literary ReviewBrunhild was a Visigothic princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet – in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport – these two iron-willed strategists reigned over vast realms for decades, changing the face of Europe. After Brunhild''s and Fredegund''s deaths, however, their stories were rewritten, their names consigned to slander and legend. From the tangled primary evidence of Merovingian sources, award-winning writer Shelley Puhak weaves a gripping and intricate tale, its characters driven by ambition, lust and jealousy to acts of treachery and murderous violence. The Dark Queens resurrects these two women in all their complexity, painting a richly detailed portrait of a shadowy era and dispelling some of the stubbornest myths about female power.

A vivid double biography of two fearless early medieval queens. 'Brings the Merovingian empire to thrilling, bewildering, horrifying life' Helen Castor 'Restores two half-forgotten and much-mythologized queens to their proper place in medieval history' Dan Jones 'Fredegund and Brunhild have finally found a worthy champion' Literary ReviewBrunhild was a Visigothic princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet – in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport – these two iron-willed strategists reigned over vast realms for decades, changing the face of Europe. After Brunhild’s and Fredegund’s deaths, however, their stories were rewritten, their names consigned to slander and legend. From the tangled primary evidence of Merovingian sources, award-winning writer Shelley Puhak weaves a gripping and intricate tale, its characters driven by ambition, lust and jealousy to acts of treachery and murderous violence. The Dark Queens resurrects these two women in all their complexity, painting a richly detailed portrait of a shadowy era and dispelling some of the stubbornest myths about female power.