Oxford Approaches to Classical Literature – serie
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Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect. Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.
389 kr
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Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect. Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.
1 372 kr
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Ovid's Metamorphoses have been seen to mark the culmination of the classical epic tradition, and a revolutionary transferral of narrative interest from warfare to love and fantasy. This introduction considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham provides a stimulating introduction to this marvelous and complex poem, and to the traditions it drew on and inspired.
389 kr
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Ovid's Metamorphoses have been seen to mark a culmination of the classical epic tradition and a revolutionary transferral of narrative interest from warfare to love and fantasy. This introduction considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic and illusion. Elaine Fantham provides a stimulating analysis of this marvellous and complex poem, and the traditions it built on and inspired.
1 597 kr
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Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English.Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice -- usually detached, often ironic, always humane -- reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.
318 kr
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Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English.Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice -- usually detached, often ironic, always humane -- reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.
495 kr
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Plato's Symposium tells of a dinner party at a crucial point in Athenian history at which the guests decide that they will each in turn deliver a speech in praise of love. The humourous and brilliant work that follows points the way towards all Western thinking about love. The Symposium is also one of Plato's most sophisticated meditations on the practice of philosophy. This book introduces the literary and historical context of Plato's work, surveys and explains the arguments, and considers why Plato has cast this work in a highly unusual narrative form. A final chapter traces the influence of the Symposium from antiquity to the modern day. No knowledge of Greek or Greek philosophy is required.
1 412 kr
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Caesar's Civil War is an unfinished masterpiece. It was abandoned by an author who found himself living in a different world than that which saw its commencement. A snapshot of the late republic, it offers a vivid and detailed account of the troubled Roman empire near the turn to the common era. In it, Caesar recounts his break with the Senate and general Pompey and narrates the events of the nineteen months of civil war that followed. It ends after general Pompey's death, amidst the lead up to the Alexandrian war that initiated the next phase of the fight for Rome. The work shows the brilliance for which Caesar's oratory, like his generalship, was known. The primary topics covered in this introduction to Caesar's gripping history are the generic background of Caesar's commentarii or "Notebooks," his criteria for selection of material, the contemporary context of the civil war, the literary techniques employed, and the work's characterization and structure. General aids to the reader include maps to accompany the particular events discussed, a timeline of the civil war and of Caesar's life, explanation of technical terms, and a glossary.
442 kr
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Caesar's Civil War is an unfinished masterpiece. It was abandoned by an author who found himself living in a different world than that which saw its commencement. A snapshot of the late republic, it offers a vivid and detailed account of the troubled Roman empire near the turn to the common era. In it, Caesar recounts his break with the Senate and general Pompey and narrates the events of the nineteen months of civil war that followed. It ends after general Pompey's death, amidst the lead up to the Alexandrian war that initiated the next phase of the fight for Rome. The work shows the brilliance for which Caesar's oratory, like his generalship, was known. The primary topics covered in this introduction to Caesar's gripping history are the generic background of Caesar's commentarii or "Notebooks," his criteria for selection of material, the contemporary context of the civil war, the literary techniques employed, and the work's characterization and structure. General aids to the reader include maps to accompany the particular events discussed, a timeline of the civil war and of Caesar's life, explanation of technical terms, and a glossary.
2 209 kr
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Xenophon's Anabasis, or The Expedition of Cyrus, is one of the most exciting historical narratives--as well as the most important autobiographical work--to have survived from ancient Greece. It tells the story of Cyrus, a young and charismatic Persian prince, who in 401 BC enlisted more than ten thousand Greek mercenaries in an attempt to seize the vast Persian empire for himself. Cyrus was killed in a great battle, most of the Greek commanders subsequently fell victim to treachery, and an Athenian aristocrat by the name of Xenophon found himself in the unexpected position of taking charge and leading the Greeks from the vicinity of Babylon in modern Iraq back to the Greek cities in Turkey. This book both places the Anabasis in its historical and literary context and, by employing a variety of critical methods, opens up for the reader different ways of interpreting its major themes. Interrelated chapters investigate Xenophon's self-representation as a model leader, his possible didactic and apologetic purposes for writing, the generic expectations of his contemporary audience, the factual accuracy of the Anabasis, and the ways in which the gods are depicted as intervening in human affairs. This book unveils the literary artistry and narrative strategies that have gone into shaping one of the greatest survival stories of all time.
336 kr
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Xenophon's Anabasis, or The Expedition of Cyrus, is one of the most exciting historical narratives--as well as the most important autobiographical work--to have survived from ancient Greece. It tells the story of Cyrus, a young and charismatic Persian prince, who in 401 BC enlisted more than ten thousand Greek mercenaries in an attempt to seize the vast Persian empire for himself. Cyrus was killed in a great battle, most of the Greek commanders subsequently fell victim to treachery, and an Athenian aristocrat by the name of Xenophon found himself in the unexpected position of taking charge and leading the Greeks from the vicinity of Babylon in modern Iraq back to the Greek cities in Turkey. This book both places the Anabasis in its historical and literary context and, by employing a variety of critical methods, opens up for the reader different ways of interpreting its major themes. Interrelated chapters investigate Xenophon's self-representation as a model leader, his possible didactic and apologetic purposes for writing, the generic expectations of his contemporary audience, the factual accuracy of the Anabasis, and the ways in which the gods are depicted as intervening in human affairs. This book unveils the literary artistry and narrative strategies that have gone into shaping one of the greatest survival stories of all time.
1 432 kr
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Polybius' Histories is one of classical antiquity's great political narratives. Written in 40 books (of which only the first five are preserved in full), it originally set out to explain the dramatic rise of Rome in the half century from the war against Hannibal to the defeat and abolishment of the Macedonian kingdom in 167 BC. At a later stage, Polybius extended his coverage down to the Roman destruction of Carthage and Corinth in the year 146 BC. Although written in an ordinary Greek style, the work was composed with great care, clarity and skill, and provides a fascinating discourse on the politics of power. The author was himself a leading Greek politician and general who moved at ease among the most powerful men of the day and participated in many of the events that he describes. This volume provides an accessible introduction to this important work of classical literature. Beginning with an outline of its contents and organization, Brian McGing goes on to examine Polybius' theoretical approach to writing history and the careful artistry behind his work. Later chapters discuss Polybius' eventful life and how it affected his views on history and politics, and analyze the influential theorizing of book six of the Histories. In an epilogue, McGing chronicles the fate of Polybius' work after his death, from classical antiquity to the Renaissance to the American Revolution and up to the present. The volume includes detailed maps and a list of prominent persons.
327 kr
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Polybius' Histories is one of classical antiquity's great political narratives. Written in 40 books (of which only the first five are preserved in full), it originally set out to explain the dramatic rise of Rome in the half century from the war against Hannibal to the defeat and abolishment of the Macedonian kingdom in 167 BC. At a later stage, Polybius extended his coverage down to the Roman destruction of Carthage and Corinth in the year 146 BC. Although written in an ordinary Greek style, the work was composed with great care, clarity and skill, and provides a fascinating discourse on the politics of power. The author was himself a leading Greek politician and general who moved at ease among the most powerful men of the day and participated in many of the events that he describes. This volume provides an accessible introduction to this important work of classical literature. Beginning with an outline of its contents and organization, Brian McGing goes on to examine Polybius' theoretical approach to writing history and the careful artistry behind his work. Later chapters discuss Polybius' eventful life and how it affected his views on history and politics, and analyze the influential theorizing of book six of the Histories. In an epilogue, McGing chronicles the fate of Polybius' work after his death, from classical antiquity to the Renaissance to the American Revolution and up to the present. The volume includes detailed maps and a list of prominent persons.
1 157 kr
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The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.
318 kr
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The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.
2 209 kr
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Aristophanes is widely credited with having elevated the classical art of comedy to the level of legitimacy and recognition that only tragedy had hitherto achieved, and producing some of the most intriguing works of literature to survive from classical Greece in the process. Among them, Frogs has a unique appeal; written and performed in 405 BCE, the comedy won first prize in that year's Lenaea festival competition and was re-performed soon thereafter--a rare occurrence for comedies at the time. Frogs has been admired and quoted by readers and critics ever since, a testament to its timeless appeal; it remains among the most approachable of Aristophanes' plays, as well as perhaps the richest of all in insights it provides into ancient Greek cultural attitudes and values.Mark Griffith's study of the Frogs is the first single book to offer a reliable and sophisticated account of this play in light of modern notions of culture, performance, democracy, religion, and aesthetics. After placing the work in its original historical, cultural, and biographical context, Griffith goes on to underscore the originality of Frogs in relation to parallel developments in the tragedies of Aeschylus and Euripides, among others. He highlights the play's unique portrayal of the figure of Dionysus, the Eleusinian mystery cult, and the question of life after death. This title provides not only a detailed analysis of the play and a concise account of its reception, but also a succinct introduction to ancient Greek comedy, exploring the extraordinary range of theatrical conventions, moral and aesthetic assumptions, and religious beliefs that underlie the action of Aristophanes' play. The book provides an invaluable companion to Aristophanes and the theater of classical Greece for students and general readers alike.
415 kr
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Aristophanes is widely credited with having elevated the classical art of comedy to the level of legitimacy and recognition that only tragedy had hitherto achieved, and producing some of the most intriguing works of literature to survive from classical Greece in the process. Among them, Frogs has a unique appeal; written and performed in 405 BCE, the comedy won first prize in that year's Lenaea festival competition and was re-performed soon thereafter--a rare occurrence for comedies at the time. Frogs has been admired and quoted by readers and critics ever since, a testament to its timeless appeal; it remains among the most approachable of Aristophanes' plays, as well as perhaps the richest of all in insights it provides into ancient Greek cultural attitudes and values. Mark Griffith's study of the Frogs is the first single book to offer a reliable and sophisticated account of this play in light of modern notions of culture, performance, democracy, religion, and aesthetics. After placing the work in its original historical, cultural, and biographical context, Griffith goes on to underscore the originality of Frogs in relation to parallel developments in the tragedies of Aeschylus and Euripides, among others. He highlights the play's unique portrayal of the figure of Dionysus, the Eleusinian mystery cult, and the question of life after death. This title provides not only a detailed analysis of the play and a concise account of its reception, but also a succinct introduction to ancient Greek comedy, exploring the extraordinary range of theatrical conventions, moral and aesthetic assumptions, and religious beliefs that underlie the action of Aristophanes' play. The book provides an invaluable companion to Aristophanes and the theater of classical Greece for students and general readers alike.