Culture, Politics & the Cold War – Serie

Dissatisfied with traditional diplomatic and military interpretations, historians have been investigating the role that political culture played in shaping global conflicts. This text illuminates the political and cultural assumptions underlying US policies from World War II to the mid-1960s.

This biography of Betty Friedan traces the development of her feminist outlook from her childhood in Illinois to her marriage. Horowitz offers a reading of ""The Feminine Mystique"" and argues that the roots of Friedan's feminism run deeper than she has led us to believe. The links between the ""Popular Front"" of feminism of the ""Old Left"" and the ""New Left"" feminism of the 1960s is delineated, thereby casting doubt on the claims of novelty that many have made about social movements of the 1960s. He illuminates important details by mining everything from her papers while a student as Smith College, to her articles for the labour press. Horowitz advances the historiography with descriptions of women's experiences of left-wing politics and culture in the 1940s and 1950s and by limning Friedan's place within that context.

This work is a cultural history of the Vietnam War and its continuing impact upon contemporary American society. The author presents an investigation of how myths about the war evolved and why people depend on them to answer the confusing questions that have become the legacy of the war. Memories change and reconstruct the past, and in this text, the author argues that the American memory of Vietnam has left fact and experience behind so that what remains is myth and denial.

A timely reassessment of modernization theory and its international impact; Beginning in the 1950s, the theory of modernization emerged as the dominant paradigm of economic, social, and political develoment within the American foreign policy establishment. Purporting to explain the stages through which all nations pass on the road to industrial modernity, it provided a rationale for a broad range of cultural and political projects aimed at fostering Third World growth while simultaneously combating communism. But modernization theory was more than simply an expression of Cold War ideology. As the essays in this volume show, the ideal of modernization proliferated throughout the postcolonial world and across ideological lines in places as diverse as East Asia, Southern Africa, and South Asia. Indeed, it was embraced by all who shared the American enthusiasm for the increased production and higher standards of living promised by industrialization - enemies and allies alike. Situating modernization theory historically, Staging Growth avoids conventional chronologies and categories of analysis, particularly the traditional focus on conflicts between major powers. The contributors employ a variety of approaches - from economic and intellectual history to cultural criticism and biography - to shed fresh light on the global forces that shaped the Cold War and its legacies. Most of the pieces are comparative, exploring how different countries and cultures have grappled with the implications of modern development. At the same time, all of the essays address similar fundamental questions. Is modernization the same thing as Westernization? Is the idea of modernization universally valid? Do countries follow similar trajectories as they undertake development? Does modernization bring about globalization? In addition to the editors and Akira Iriye, contributors include Michael Adas, Laura Belmonte, Gregg Andrew Brazinsky, Christina Klein, J. Victor Koschmann, and Michael R. Mahoney.

An analysis of how culture, class and gender shaped American foreign policy during the Cold War. The author examines the institutions that shaped the members of the US foreign policy establishment, including all-male prep schools and Ivy-League universities.

This book addresses a central question about the Cold War that has never been adequately resolved. Why did the United States go to such lengths, not merely to ""contain"" the People's Republic of China, but to isolate it from all diplomatic, cultural, and economic ties to other nations? Why, in other words, was American policy more hostile to China than to the Soviet Union, at least until President Nixon visited China in 1972? The answer, as set out here, lies in the fear of China's emergence as a power capable of challenging the new Asian order the United States sought to shape in the wake of World War II. To meet this threat, American policy-makers fashioned an ideology that was not simply or exclusively anticommunist, but one that aimed at creating an integrated, cooperative world capitalism under U.S. leadership - an ideology, in short, designed to outlive the Cold War. In building his argument, James Peck draws on a wide variety of little-known documents from the archives of the National Security Council and the CIA. He shows how American officials initially viewed China as a ""puppet"" of the Soviet Union, then as ""independent junior partner"" in a Sino-Soviet bloc, and finally as ""revolutionary model"" and sponsor of social upheaval in the Third World. Each of these constructs revealed more about U.S. perceptions and strategic priorities than about actual shifts in Chinese thought and conduct. All were based on the assumption that China posed a direct threat not just to specific U.S. interests and objectives abroad but to the larger vision of a new global order dominated by American economic and military power. Although the nature of ""Washington's China"" may have changed over the years, Peck contends that the ideology behind it remains unchanged, even today.

In a substantial new afterword to his classic account of the collapse of American triumphalism in the wake of World War II, Tom Engelhardt carries that story into the twenty-first century. He explores how, in the aftermath of September 11, 2001, the younger George Bush headed for the Wild West (Osama bin Laden, ""Wanted, Dead or Alive""); how his administration brought ""victory culture"" roaring back as part of its Global War on Terror and its rush to invade Saddam Hussein's Iraq; and how, from its ""Mission Accomplished"" moment on, its various stories of triumph crashed and burned in that land.

Beginning where most histories of the Vietnam War end, ""Invisible Enemies"" examines the relationship between the United States and Vietnam following the American pullout in 1975. Drawing on a broad range of sources, from White House documents and congressional hearings to comic books and feature films, Edwin Martini shows how the United States continued to wage war on Vietnam ""by other means"" for another twenty-five years. In addition to imposing an extensive program of economic sanctions, the United States opposed Vietnam's membership in the United Nations, supported the Cambodians, including the Khmer Rouge, in their decade-long war with the Vietnamese, and insisted that Vietnam provide a ""full accounting"" of American MIAs before diplomatic relations could be established. According to Martini, such policies not only worked against some of the stated goals of U.S. foreign policy, they were also in opposition to the corporate economic interests that ultimately played a key role in normalizing relations between the two nations in the late 1990s. Martini reinforces his assessment of American diplomacy with an analysis of the ""cultural front"" - the movies, myths, memorials, and other phenomena that supported continuing hostility toward Vietnam while silencing opposing views of the war and its legacies. He thus demonstrates that the ""American War on Vietnam"" was as much a battle for the cultural memory of the war within the United States as it was a lengthy economic, political, and diplomatic campaign to punish a former adversary.

This is a wide-ranging critical assessment of the cultural impact of America's longest war.The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's ""The Other Side of Grief"" examines the often overlooked narratives - novels, short stories, memoirs, and films - that document the war's impact on the home front.In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their 'American War' to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war.The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.