SUNY series, Simone Weil Studies – serie

Simone Weil is one of the major religious writers of the twentieth century. Hers is a unique blend of spiritual experience, social concern, and philosophical theory. She had marvelous command of the Western philosophical tradition, yet she also had profound insights into Oriental philosophies.Since its publication in France, Veto's book has been considered by most scholars as the standard work on Simone Weil. Now this important book is available in English. It is the only available reconstruction of the entire philosophy of Simone Weil. It operates out of the perspective of the spiritual concerns of her maturity, yet it never fails to return to the issues and the positions of the early texts. It carries out the reconstruction according to some major philosophical themes, but gives its due share to the French thinkers' social and political preoccupations as well. The book is erudite, yet simple, written in a clear, concise and yet often eloquent language.

Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age.This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy.Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

Situates Weil's writing within the French literary tradition, and recognizes her as a master stylist.Simone Weil created a memorable œuvre remarkable for its lucid, striking, and seemingly transparent prose. Aphoristic and impersonal in tone, it is the instrument of a master stylist. The first to recognize Weil's achievement as a writer, this book situates her work within the French literary tradition, showing its affinities with Pascal and Baudelaire, and acknowledges its kinship to the works of poets and writers of her generation, notably the poets René Char and Marina Tsvetaeva. The parallel between Weil's concept of decreation and the impersonality of the speaker in her prose is shown ultimately to be related to her will to surpass the boundaries of the written page in her drive to self-immolation. Close reading of passages from her notebooks, several short texts, and a proposal for front-line nurses addressed to the Free French illustrates the forces and influences at work in her writing.

This book covers the main aspects of Simone Weil's thought, drawing on her life where it is relevant for understanding her ideas. It is the fruit of many years engagement with scholars and scholarship on Weil in America, France, and the United Kingdom. The philosophical bases of her social and political thought, of her analysis of the natural world, and of her spiritual journey, as found in Plato, Epictetus, and Kant are uncovered.The authors are especially concerned with controversial aspects of Weil's life and thought: they offer an additional dimension to her understanding of the supernatural; they correct Rowan Williams' misunderstanding of her account of preferential love; and argue against Thomas Nevin's attempt to marginalize her as another example of Jewish self-hatred. The book also presents and assesses the new evidence for Weil's baptism.

Simone Weil's supernaturalist interpretations of tragedy challenge not only the philosophical skepticism but also the religious rationalism characteristic of the modern age.This book boldly points out a supernaturalist alternative to contemporary, post-structuralist literary theory. This study of classical tragic drama offers a sacralizing impetus to secular discussions of literature. The book's Platonic premises and its grounding in the transcendental outlook of the religious traditions furnish a sacred illumination. Religious mystery and the cross of Christ both overshadow and deepen philosophical approaches to literary criticism, including theories of tragedy.Simone Weil's conception of tragic art, rooted in a mystical Christian metaphysics, offers original insight into the nature of tragedy. In contradiction of the prevailing secular outlook, Weil regards classical tragedy as a sacred art form. Tragic masterpieces evoke not the chaotic or irrational, as modernist interpreters hold, but rather a good which is absolute

Situates Weil's writing within the French literary tradition, and recognizes her as a master stylist.Simone Weil created a memorable œuvre remarkable for its lucid, striking, and seemingly transparent prose. Aphoristic and impersonal in tone, it is the instrument of a master stylist. The first to recognize Weil's achievement as a writer, this book situates her work within the French literary tradition, showing its affinities with Pascal and Baudelaire, and acknowledges its kinship to the works of poets and writers of her generation, notably the poets René Char and Marina Tsvetaeva. The parallel between Weil's concept of decreation and the impersonality of the speaker in her prose is shown ultimately to be related to her will to surpass the boundaries of the written page in her drive to self-immolation. Close reading of passages from her notebooks, several short texts, and a proposal for front-line nurses addressed to the Free French illustrates the forces and influences at work in her writing.