Slovenian Literature Series – serie
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3 produkter
3 produkter
151 kr
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This collection of sharp, spare, occasionally absurd, cruel, touching miniatures addresses the fundamental difficulty we have in making the people we love understand what we want and need. Demonstrating that language and intimacy are as much barriers between human beings as ways of connecting them, Andrej Blatnik here provides us with a guided tour of the slips, misunderstandings, and blind alleys we each manage to fall foul of on a daily basis--no closer to understanding the motives of our families, friends, lovers, or coworkers than we are those of a complete stranger... or, indeed, our own. Partly parables, partly fairy tales, partly sketches for novels that will never be written, "You Do Understand" is a perfect comedy of errors--the errors of a species of talkers who've never learned how to listen.
194 kr
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I Saw Her That Night, a love story in time of war, is a novel about a few years in the life and mysterious disappearance of Veronika Zarnik, a young bourgeois woman from Ljubljana, sucked into the whirlwind of a turbulent period in history. We follow her story from the perspective of five different characters, who also talk about themselves, as well as the troubled Slovenian times before and during World War II; times that swallowed, like a Moloch, not only the people of various beliefs involved in historical events, but also those who lived on the fringes of tumultuous events, which they did not even fully comprehend—they only wanted to live. But “only” to live was an illusion: it was a time when, even under the seemingly safe and idyllic shelter of a manor house in Slovenia, it was impossible to avoid the rushing train of violence.
176 kr
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The protagonists of Suzana Tratnik’s short stories all share a sense of isolation on society’s margins. Whether non-participants in the mainstream, rebels against it, or its occasional victims, they’re well practiced at recognizing the herd instinct in action. From the six-year-old girl who discovers transgressive new games to play with her glamorous cousin from England; to a decidedly unusual schoolchild inventing a novel way of getting back at playground bullies; to young women who find their love interests drifting away, seduced by conventional notions of popularity and success; to a narrator who suddenly finds herself on no ordinary train trip through the heart of Slovenia-these are characters and stories that deftly and sardonically underscore the phantom nature of “normalcy” itself and the risks of its tyranny for dissenters and conformists alike.