Southwest Center Series - Böcker

A photograph of two men, cowboy-hatted and -booted and discreetly holding hands, is the departure point in a groundbreaking study on masculinity and homosexuality in Mexico. Just Between Us, an ethnography of intimacy and affection between men, explores the concept of masculine identity and homoeroticism, expressing the difficulties men face in maintaining their masculinity while expressing intimacy and affection.Using fieldwork from rural Sonora, Mexico, Guillermo Nuñez Noriega posits that men accept this intimacy outside gender categories and stereotypes, despite the traditional patriarchal society. This work contests homophobia and the heterosexual ideal of men and attempts to break down the barriers between genders.The photograph Nuñez Noriega uses to explore the shifting attitudes and perceptions of sexuality and gender provokes more questions than answers. Recognizing the societal regulations at play, the author demonstrates the existence in contemporary Mexico of an invisible regime of power that constructs and regulates the field of possibilities for men's social actions, especially acts of friendship, affection, and eroticism with other men. The work investigates ""modes of speaking"" about being a man, on being gay, on the implicit meanings of the words homosexual, masculine, trade, fairy, and others—words that construct possibilities for intimacy, particularly affective and erotic intimacy among men.Multiple variants of homoeroticism fall outside the dominant model, Nuñez Noriega argues, a finding that offers many lessons on men and masculine identities. This book challenges patriarchal definitions of sex, gender, and identity; it promotes the unlearning of dominant conventions of masculinity to allow new ways of being.

Ethnobiology holds a special place in the hearts and minds of many because of its dedication to celebrating the knowledge and values of some of the most distinctive cultural practices in some of the most distinctive places on Earth. Yet we live in a world of diminishing natural and linguistic diversity. Whether due to climate change or capitalism, homogeneity is trumping the once-resplendent heterogeneity all around us. In this important new collection, Gary Paul Nabhan puts forth a call for the future not only of ethnobiology but for the entire planet. He articulates and broadens the portfolio of ethnobiological principles and amplifies the tool kit for anyone engaged in the ethnobiosphere, those vital spaces of intense interaction among cultures, habitats, and creatures. The essays are grouped into a trio of themes. The first group presents the big questions facing humanity, the second profiles tools and methodologies that may help to answer those questions, and the third ponders how to best communicate these issues not merely to other scholars, but to society at large. The essays attest to the ways humans establish and circumscribe their identities not only through their thoughts and actions, but also with their physical, emotional, and spiritual attachments to place, flora, fauna, fungi, and feasts. Nabhan and his colleagues from across disciplines and cultures encourage us to be courageous enough to include ethical, moral, and even spiritual dimensions in work regarding the fate of biocultural diversity. The essays serve as cairns on the critical path toward an ethnobiology that is provocative, problem-driven, and, above all, inspiring.

. . . we move to the town of Aconchi on the Río Sonora, where the mission church once contained a life-sized crucifix with a black corpus, known both as Nuestro Señor de Esquipulas . . . and el Cristo Negro de Aconchi . . ." So describes well-known and beloved folklorist James S. Griffith as he takes us back through the decades to a town in northern Sonora where a statue is saved—and in so doing, a community is saved as well.In Saints, Statues, and Stories Griffith shares stories of nearly sixty years of traveling through Sonora. As we have come to expect through these journeys, 'Big Jim' - as he is affectionately known by many - offers nothing less than the living traditions of Catholic communities. Themes of saints as agents of protection or community action are common throughout Sonora: a saint coming out of the church to protect the village, a statue having a say in where it resides and paying social calls to other communities, or a beloved image rescued from destruction and then revered on a private altar. A patron saint saves a village from outside attackers in one story-a story that has at least ten parallels in Sonora's former mission communities. Details may vary, but the general narrative remains the same: when hostile nonbelievers attack the village, the patron saint of the church foils them.Griffith uncovers the meanings behind the devotional uses of religious art from a variety of perspectives-from artist to audience, preservationist to community member. The religious artworks transcend art objects, Griffith believes, and function as ways of communicating between this world and the next. Setting the stage with a brief geography, Griffith introduces us to roadside shrines, artists, fiestas, saints, and miracles. Full-color images add to the pleasure of this delightful journey through the churches and towns of Sonora.

The saguaro, with its great size and characteristic shape - its arms stretching heavenward, its silhouette often resembling a human - has become the emblem of the Sonoran Desert of southwestern Arizona and northwestern Mexico. The largest and tallest cactus in the United States, it is both familiar and an object of fascination and curiosity.This book offers a complete natural history of this enduring and iconic desert plant. Gathering everything from the saguaro's role in Sonoran Desert ecology to its adaptations to the desert climate and its sacred place in Indigenous culture, this book shares precolonial through current scientific findings.The saguaro is charismatic and readily accessible but also decidedly different from other desert flora. The essays in this book bear witness to our ongoing fascination with the great cactus and the plant's unusual characteristics, covering the saguaro's history of discovery,place in the cactus family,ecology,anatomy and physiology,genetics, andethnobotany.The Saguaro Cactus offers testimony to the cactus's prominence as a symbol, the perceptions it inspires, its role in human society, and its importance in desert ecology.

In this refreshing collection, one of our best writers on desert places, Gary Paul Nabhan, challenges traditional notions of the desert. Beautiful, reflective, and at times humorous, Nabhan's extended essay 'The Nature of Desert Nature' reveals the complexity of what a desert is and can be. He passionately writes about what it is like to visit a desert and what living in a desert looks like when viewed through a new frame, turning age-old notions of the desert on their heads.Nabhan invites a prism of voices-friends, colleagues, and advisors from his more than four decades of study of deserts-to bring their own perspectives. Scientists, artists, desert contemplatives, poets, and writers bring the desert into view and investigate why these places compel us to walk through their sands and beneath their cacti and acacia. We observe the spines and spears, stings and songs of the desert anew. Unexpected. Surprising. Enchanting. Like the desert itself, each essay offers renewed vocabulary and thoughtful perceptions.The desert inspires wonder. Attending to history, culture, science, and spirit, Everything That Stings, Clings, or Sings celebrates the bounty and the significance of desert places.

This book offers an artistic depiction of O’odham lifeways through the paintings of internationally acclaimed O’odham artist Michael Chiago Sr. Ethnobiologist Amadeo M. Rea collaborated with the artist to describe the paintings in accompanying text, making this unique book a vital resource for cultural understanding and preservation. A joint effort in seeing, this work explores how the artist sees and interprets his culture through his art.A wide array of Chiago’s paintings are represented in this book, illustrating past and present Akimel O’odham and Tohono O’odham culture. The paintings show the lives and traditions of O’odham people from both the artist’s parents’ and grandparents’ generations and today. The paintings demonstrate the colonial Spanish, Mexican, and Anglo-American influences on O’odham culture throughout the decades, and the text explains how wells and windmills, schools, border walls, and nonnative crops have brought about significant change in O’odham life. The paintings and text in this book beautifully depict a variety of O’odham lifeways, including the striking Sonoran Desert environment of O’odham country, gathering local foods and cooking meals, shrines, ceremonies, dances, and more.By combining Chiago’s paintings of his lived experiences with Rea’s ethnographic work, this book offers a full, colorful, and powerful picture of O’odham heritage, culture, and language, creating a teaching reference for future generations.

Sabino Canyon, a desert canyon in the American Southwest near Tucson, Arizona, is enjoyed yearly by thousands of city residents as well as visitors from around the world. Picturing Sabino tells the story of the canyon’s transformation from a barely known oasis, miles from a small nineteenth-century town, into an immensely popular recreation area on the edge of a modern metropolis. Covering a century of change, from 1885 to 1985, this work rejoices in the canyon’s natural beauty and also relates the ups and downs of its protection and enjoyment.The story is vividly told through numerous historical photographs, lively anecdotes, and an engaging text, informed by decades of research by David Wentworth Lazaroff. Along the way the reader makes the acquaintance of ordinary picnickers as well as influential citizens who helped to reshape the canyon, while witnessing the canyon’s evolving relationship with its growing urban neighbor. The book will fascinate readers who are already familiar with Sabino Canyon, as well as anyone with an interest in local or regional history, or in historical photography.

Mexico’s Valleys of CuicatlÁn and TehuacÁn: From Deserts to Clouds provides an accessible and photographic view of the culture, history, and environment of an extraordinary region of southern Mexico. The Valleys of CuicatlÁn and TehuacÁn are lauded by botanists for their spectacular plant life--they contain the densest columnar cacti forests in the world. Recent archaeological excavations reveal them also to be a formative Mesoamerican site as well. So singular is this region that it is home to the TehuacÁn-CuicatlÁn Biosphere Reserve and a UNESCO World Heritage Site.Through firsthand experience and engaging prose, the authors provide a synthesis of the geology, ecology, history, and cultures of the valleys, showing their importance and influence as Mesoamerican arteries for environmental and cultural interchange through Mexico. It also reveals the extraordinary plant life that draws from habitats ranging from deserts to wet tropical forests.The authors, both experts in their respective fields, begin with a general description of the geography of the valleys, followed by an introduction to climate and hydrology, a look at the valleys’ often bewildering geology. The book delves into cultural and linguistic backgrounds of the valleys and discusses archaeological sites that that encapsulate the valleys’ fascinating history prior to the arrival of Europeans. The book concludes by describing the flora that makes the region so singular.

The Hemenway Southwestern Archaeological Expedition (1886–1889), directed by Frank Hamilton Cushing, was the first privately funded expedition to the American Southwest. This volume examines the expedition through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge, and the expedition artist, Margaret Magill—who was also Cushing’s sister-in-law. It also presents the first biographical treatment of Hodge, who became a major figure in early twentieth-century anthropology. The book’s first two sections chronicle the field operations of the expedition, while the third describes the long anthropological career of Hodge after the end of the expedition. Through deep research in primary and secondary sources and archival materials, the book details both the daily operations of the expedition and the growing romantic relationship between Hodge and Magill. For those interested in settlements in early Arizona and Zuni Pueblo, the book provides rare insights into the lives of both men and women, offering an intimate view of an enterprise that is now considered a foundation of Hohokam archaeology—even as it reveals deep love and persistent personal conflicts.

From the Pinacate lava fields and expansive dunes to the shores of the Gulf of California, the Gran Desierto is one of the hottest and driest places in the Western Hemisphere. Yet this region in the state of Sonora in northwestern Mexico embraces a remarkable number of habitats with a fascinating and surprisingly rich flora. This is the heart of the Sonoran Desert, still in a largely primordial state, in juxtaposition with the ravished wetlands of the once great RÍo Colorado. Flora of the Gran Desierto is the culmination of more than twenty-five years of research in this magnificent desert and delta by botanist Richard Felger. This comprehensive floristic study of more than 565 species of vascular plants features original diagnostic descriptions and innovative identification keys to the families, genera, and species. Particular attention has been devoted to taxa that are poorly known. Even weeds and their histories are treated in detail. Hundreds of illustrations by such eminent botanical artists as Lucretia Brezeale Hamilton, Matt Johnson, and Bobbi Angell will aid in the identification of plants. Common names of plants are given in English, Spanish, and O'odham. While emphasizing scientific accuracy, the book is written in an accessible style. Felger's observations and knowledge of plant ecology, geographic distribution, evolution, ethnobotany, plant variation and special adaptations, and the history of the region provides botanists, naturalists, ecologists, conservationists, and anyone else celebrating the desert with readable, interesting, and important information. With two of Mexico's newest biosphere reserves—the Pinacate and the Upper Gulf of California—this region is a keystone for desert conservation efforts. Its location linking vast preserves to the north makes this book especially useful for anyone interested in borderland studies and the Sonoran Desert. Flora of the Gran Desierto represents a most creative, definitive, and enthusiastic treatment of Sonoran Desert plant life and is highly relevant to ecological restoration in deserts and wetlands in arid places worldwide.

This stunning exploration of Seri (Comcaac) basket weaving reveals the resilience and creativity of the weavers as seen through the lens of documentary photographer David Burckhalter, who has spent five decades cultivating friendships and documenting Seri traditions, landscapes, and basketry in Sonora, Mexico.Blending striking photography with reflections from years as a trader and observer of Seri culture, Burckhalter traces the evolution of Seri basketry from a utilitarian craft to a celebrated art form. The book examines how Seri weavers have navigated the influences of the craft economy, outside forces like anthropologists, and changing traditions, while preserving their unique oral history and spiritual connections. With detailed insights into the artistry, labor, and legends surrounding Seri baskets, this work is a tribute to the resilience and creativity of Seri women, whose weaving continues to be passed on to future generations.Featuring more than two hundred color photographs and historic images, Baskets from the Seri Coast: Comcaac Weavers and Their Craft offers readers a visual feast that celebrates the intricate craftsmanship and cultural significance of a timeless art and the people who make it.

The Hemenway Southwestern Archaeological Expedition (1886–1889), directed by Frank Hamilton Cushing, was the first privately funded expedition to the American Southwest. This volume examines the expedition through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge, and the expedition artist, Margaret Magill—who was also Cushing’s sister-in-law. It also presents the first biographical treatment of Hodge, who became a major figure in early twentieth-century anthropology. The book’s first two sections chronicle the field operations of the expedition, while the third describes the long anthropological career of Hodge after the end of the expedition. Through deep research in primary and secondary sources and archival materials, the book details both the daily operations of the expedition and the growing romantic relationship between Hodge and Magill.For those interested in settlements in early Arizona and Zuni Pueblo, the book provides rare insights into the lives of both men and women, offering an intimate view of an enterprise that is now considered a foundation of Hohokam archaeology—even as it reveals deep love and persistent personal conflicts.