Visions of the American Press – serie
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5 produkter
5 produkter
Häftad, Engelska, 2005
273 kr
Skickas inom 5-8 vardagar
For ten years, Herbert J. Gans spent considerable time in four major television and magazine newsrooms, observing and talking to the journalists who choose the national news stories that inform America about itself. Writing during the golden age of journalism. Gans included such headline events as the War on Poverty, the Vietnam War and the protests against it, urban ghetto disorders, the assassinations of Martin Luther King Jr. and Robert F. Kennedy, and Watergate. He was interested in the values, professional standards, and the external pressures that shaped journalists' judgments. Deciding What's News has become a classic. A new preface outlines the major changes that have taken place in the news media since Gans first wrote the book, but it also suggests that the basics of news judgment and the structures of news organizations have changed little Gans's book is still the most comprehensive sociological account of some of the country's most prominent national news media. The book received the 1979 Theatre Library Association Award and the 1980 Book Award of the National Association of Educational Broadcasters. This is the first work to be published under the Medill School of Journalism's ""Visions of the American Press"" imprint, a new journalism history series featuring both original volumes and reprints of important classics.
Häftad, Engelska, 2005
265 kr
Skickas inom 5-8 vardagar
At her first press conference, Eleanor Roosevelt, uncertain of her role as hostess or leader, passed a box of candied grapefruit peel to the thirty-five women journalists. Nearly sixty years later, Hillary Clinton, an accomplished professional woman and lawyer, tried to mollify her critics by handing out her chocolate-chip cookie recipe. These exchanges tell us as much about the social - and political - roles of women in America as they do about the relation of the first lady to the press and the public. Looking at the personal interaction between each first lady from Martha Washington to Laura Bush and the mass media of her day, Maurine H. Beasley traces the growth of the institution of the first lady as a part of the American political system.
Häftad, Engelska, 2009
289 kr
Skickas
The Southern Press suggests that the South's journalism struck a literary pose closer to the older English press than to the democratic penny press or bourgeois magazines of the urban North. The Southern journalist was more likely to be a Romantic and an intellectual. The region's journalism was personal, colorful, and steeped in the classics. News was less important than narrative. Neither 'public' nor 'opinion' had much meaning in a racially segregated South. Paradoxically, it was this nonreformist literary tradition that produced liberal southern editors, from Henry Grady to Ralph McGill, who were viewed in the North as both explainers of and dissidents from the South.
Häftad, Engelska, 2008
265 kr
Skickas inom 5-8 vardagar
Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal examples of the genre provide ample context and background for the study of this style of journalism.
Häftad, Engelska, 2009
407 kr
Skickas inom 11-20 vardagar
The 'texts' of Russian artist and thinker Daniil Kharms (1905-1942) were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization - and, thus, thorough study or appreciation - through much of the twentieth century. This book, the first in English to view Kharms' oeuvre in its entirety, is also the first to offer a complete, inclusive, and coherent understanding of the overall project of this artist and writer now considered a major figure in the modernist canon of Europe. The book follows Kharms' development as a creative thinker, inquiring into the nature of Kharmsian nonsense, the ontological status of the OBERIU object, writing as performance, Kharms' gestural language, his 'language machines', and his ideas of order, number, infinity, and chance. Reading every paper trace (as well as extant memories) of Kharms' activities as part of a large project of world creation, Branislav Jakovljevic situates him in a twentieth-century effort - exemplified by Kafka, Beckett, Artaud, Malevich, and Khelbnikov, among others - to go beyond an interpretation of meaning circumscribed by rational and logical thought. Examining texts that could conceivably be called 'literary' as well as sketches, diagrams, hieroglyphs, photographs, and unclassifiable others, Jakovljevic's study is the first to provide a properly broad perspective on this creative thinker's farranging, far-reaching, and finally comprehensive achievement.