This volume consists of a collection of studies which are based on papers presented at the symposium «Erlöst leben – oder sterben, um befreit zu werden?» (Zurich, May 2008), organized in honour of Peter Schreiner. It offers a selective overview of individual liberation as dealt with in Indian texts and rituals at different times. Starting from the two prominent approaches to this problem, namely, that of jīvanmukti (‘liberation in one’s lifetime’) and that of videhamukti (‘liberation beyond the body’), some important questions have to be considered: How has life been thought compatible with mokṣa? How have ‘life’ in the concept of the ‘liberated living’ and ‘death’ in the concept of the ‘disembodied liberated’ been conceived by philosophers, poets, religious thinkers, ritual practitioners and social activists?Coming from various disciplinary backgrounds – Indology, Religious Studies, Social Anthropology – the contributors explore these questions in the context of their particular fields of research. Through this multi-faceted approach, the volume presents an original and substantial analysis of an intriguing topic touching on many aspects of religious and secular life. The careful interpretation of the sources by a group of internationally renowned scholars leads to critical perspectives on some crucial developments in the history of Indian religion.

What role have translations from Hindi literary works played in shaping and transforming our knowledge about India? In this book, renowned scholars, translators and Hindi writers from India, Europe, and the United States offer their approaches to this question. Their articles deal with the political, cultural, and linguistic criteria germane to the selection and translation of Hindi works, the nature of the enduring links between India and Europe, and the reception of translated texts, particularly through the perspective of book history. More personal essays, both on the writing process itself or on the practice of translation, complete the volume and highlight the plurality of voices that are inherent to any translation.As the outcome of an international symposium held at the University of Lausanne, Switzerland, in 2008, India in Translation through Hindi Literature engages in the building of critical histories of the encounter between India and the «West», the use and impact of translations in this context, and Hindi literature and culture in connection to English (post)colonial power, literature and culture.

The reader is taken on a journey to Dolpo, one of Nepal’s remotest Tibetan enclaves with a large community that follow the Bon religion. The present ethnography regards the landscape of Dolpo as the temporary result of an ongoing cumulative cultural process that emerges from the interaction of the natural environment and the communities that inhabit it and endow it with meaning. Pilgrimage provides the key to structuring the book, which is based on anthropological research and the study of the textual legacy. Along the extensive and richly illustrated Bon pilgrimages through Dolpo, the various strands of the written and the oral, the local and the general, the past and present are unrolled step by step and woven into a pattern that provides a first insight into the partial shift from a landscape inhabited by territorial deities to a Bon landscape. In addition, it presents an overview of the main protagonists who discovered the sacred sites, opened pilgrimages, founded monasteries and disseminated the crucial Bon teachings. A number of well-known Tibetan figures emerge among these players thanks to translations of biographies that have survived in rare and unpublished manuscripts. This book sheds light on how Bon religion emerged in Dolpo and has remained alive.

The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations.

This volume consists of a collection of studies which are based on papers presented at the symposium «Erlöst leben – oder sterben, um befreit zu werden?» (Zurich, May 2008), organized in honour of Peter Schreiner. It offers a selective overview of individual liberation as dealt with in Indian texts and rituals at different times. Starting from the two prominent approaches to this problem, namely, that of jīvanmukti (‘liberation in one’s lifetime’) and that of videhamukti (‘liberation beyond the body’), some important questions have to be considered: How has life been thought compatible with mokṣa? How have ‘life’ in the concept of the ‘liberated living’ and ‘death’ in the concept of the ‘disembodied liberated’ been conceived by philosophers, poets, religious thinkers, ritual practitioners and social activists?Coming from various disciplinary backgrounds – Indology, Religious Studies, Social Anthropology – the contributors explore these questions in the context of their particular fields of research. Through this multi-faceted approach, the volume presents an original and substantial analysis of an intriguing topic touching on many aspects of religious and secular life. The careful interpretation of the sources by a group of internationally renowned scholars leads to critical perspectives on some crucial developments in the history of Indian religion.

What role have translations from Hindi literary works played in shaping and transforming our knowledge about India? In this book, renowned scholars, translators and Hindi writers from India, Europe, and the United States offer their approaches to this question. Their articles deal with the political, cultural, and linguistic criteria germane to the selection and translation of Hindi works, the nature of the enduring links between India and Europe, and the reception of translated texts, particularly through the perspective of book history. More personal essays, both on the writing process itself or on the practice of translation, complete the volume and highlight the plurality of voices that are inherent to any translation.As the outcome of an international symposium held at the University of Lausanne, Switzerland, in 2008, India in Translation through Hindi Literature engages in the building of critical histories of the encounter between India and the «West», the use and impact of translations in this context, and Hindi literature and culture in connection to English (post)colonial power, literature and culture.

The reader is taken on a journey to Dolpo, one of Nepal’s remotest Tibetan enclaves with a large community that follow the Bon religion. The present ethnography regards the landscape of Dolpo as the temporary result of an ongoing cumulative cultural process that emerges from the interaction of the natural environment and the communities that inhabit it and endow it with meaning. Pilgrimage provides the key to structuring the book, which is based on anthropological research and the study of the textual legacy. Along the extensive and richly illustrated Bon pilgrimages through Dolpo, the various strands of the written and the oral, the local and the general, the past and present are unrolled step by step and woven into a pattern that provides a first insight into the partial shift from a landscape inhabited by territorial deities to a Bon landscape. In addition, it presents an overview of the main protagonists who discovered the sacred sites, opened pilgrimages, founded monasteries and disseminated the crucial Bon teachings. A number of well-known Tibetan figures emerge among these players thanks to translations of biographies that have survived in rare and unpublished manuscripts. This book sheds light on how Bon religion emerged in Dolpo and has remained alive.

The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations.