Creative Labour

ALAN MCKINLAY is Professor of Management at the School of Management and Languages, Heriott-Watt University, UK. He was previously at the universities of St. Andrews, Glasgow and Stirling. His main research interests are in reinterpreting business history using the work of Michel Foucault, and the long-run dynamics of work processes and regulatory institutions. His books include: Ford and the Human Resource (1994) (with Ken Starkey); Foucault, Management and Organisation Theory (1998).CHRIS SMITH is Professor of Organisational Studies at the School of Management, Royal Holloway University of London, UK. He was previously at the University of Aston, and has held visiting positions at the Universities of Hong Kong, Sydney, Wollongong and Griffith. His main research interests are in the sociology of professions, labour process theory, and the comparative analysis of work. He has been active in the organization of the International Labour Process Conference for many years, and has co-edited four books in the series. Other books include: Technical Workers (1987); Reshaping Work: The Cadbury Experience (1990) (with John Child and Michael Rowlinson); Engineering Labour (1996) (with Peter Meiksins); and Assembling Work: Remaking Factory Regimes in Japanese Multinationals in Britain (2005) (with Tony Elger); Remaking Management, between Global and Local (2008) (with Bredan McSweeney and Robert Fitzgerald). R>

'This is an illuminating, thought provoking and enjoyable collection of essays.' -Paul Brook, Manchester Metropolitan University

• PART I: THEORY AND OVERVIEWIntroduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlayCreative Labour: Contract, Content and Control; C.Smith& A.McKinlayFrom Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.WarhurstWorking in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.ChristophersonPART II: CREATIVE LABOUR AND PRACTICEFilm, Theatre and TelevisionStill a 'Perfect World for Capital'? K.Randle& N.CulkinI Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.StoyanovaBringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.EikhofMaking 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.QuinnPART III: NEW MEDIASituating New Media Production: San Francisco, 1995-2000; A.PrattBeyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.WolfThe Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.