Gender Trouble (häftad)
Format
Häftad (Paperback (B Format))
Språk
Engelska
Serie
ROUTLEDGE CLASSICS
Antal sidor
272
Utgivningsdatum
2006-01-01
Upplaga
New e.
Förlag
Taylor & Francis Ltd
Medarbetare
Author
Illustrationer
black & white illustrations
Dimensioner
200 x 130 x 20 mm
Vikt
300 g
Antal komponenter
1
Komponenter
421:B&W 5.06 x 7.81 in or 198 x 129 mm Perfect Bound on White w/Matte Lam
ISBN
9780415389556
Gender Trouble (häftad)

Gender Trouble

Feminism And the Subversion of Identity

Häftad Engelska, 2006-01-01
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Arguing that traditional feminism is wrong to look to a natural notion of the female, or indeed of sex or gender, this book questions the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. It considers gender as a reiterated social performance rather than the expression of a prior reality.
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Recensioner i media

'Rereading this book, as well as reading it for the first time, reshapes the categories through which we experience and perform our lives and bodies. To be troubled in this way is an intellectual pleasure and a political necessity.' - "Donna Haraway"

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Innehållsförteckning

Preface (1999); Preface (1990); ONE - SUBJECTS OF SEX/GENDER/DESIRE: I. Women as the Subject of Feminism; II. The Compulsory Order of Sex/Gender/Desire; III. Gender: The Circular Ruins of Contemporary Debate; IV. Theorizing the Binary, the Unitary and Beyond; V. Identity, Sex and the Metaphysics of Substance; VI. Language, Power and the Strategies of Displacement; TWO - PROHIBITION, PSYCHOANALYSIS, AND THE PRODUCTION OF THE HETEROSEXUAL MATRIX: I. Structuralism's Critical Exchange; II. Lacan, Riviere, and the Strategies of Masquerade; III. Freud and the Melancholia of Gender; IV. Gender Complexity and the Limits of Identification; V. Reformulating Prohibition as Power; THREE - SUBVERSIVE BODILY ACTS: I. The Body Politics of Julia Kristeva; II. Foucault, Herculine, and the Politics of Sexual Discontinuity; III. Monique Wittig - Bodily Disintegration and Fictive Sex; IV. Bodily Inscriptions, Performative Subversions; CONCLUSION - FROM PARODY TO POLITICS