This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts.
KATHRYN STARKEY is Assistant Professor at the University of North Carolina, USA.
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'Together, these essays give an excellent overview of the state of the art by sampling these scholars' main concerns. They furnish proof that work on the German Middle Ages has much to offer to cultural studies as a whole.' - Times Literary Supplement 'This collection of essays...ought to play an important part in bridge-building between European and Anglo-American scholarship in medieval literary studies.' - Medieval Studies
Innehållsförteckning
Introduction: Visual Culture in the Middle Ages PART I: NEW VISIONS IN MEDIEVAL STUDIES Word and Image as a Research Field: Sound Methodologies or Just a Fashionable Trend?; N.H.Ott PART II: INTERMEDIALITY Writing Speech-Image: The Concurrence of Signs; J.Muller The Shield as a Poetic Screen: Early Blazon and the Visualisation of Medieval German Literature, 1150-1300; H.Wandhoff Intermediality in the Middle Ages: Representations of Writing in the Illustrated Epic; U.Ernst PART III: RETHINKING MANUSCRIPT CULTURE Images at the Interface: Orality, Literacy and the Pictoralization of the Roland Material; J.Rushing Visualizing Performance?: Of Music, Word and Manuscripts; V.Mertens PART IV: SPIRITUAL VISIONS The 'Handwritings of Humanity': Johannes Tauler on Hildegard of Bingern's Liber Scivias; J.F.Hamburger Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama; N.Largier PART V: WORD, IMAGE, AND TECHNOLOGY Logos and the Press: Christ in the Wine Press and the Development of Printing; H.Wenzel From God's Word to Emblem: Justifying the Printed Word; T.Cramer Contributor Notes