Chester Brown
E-bok
Engelska, 2025282 kr
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Beskrivning
Best known for his alternative comics, Chester Brown (b. 1960) is one of the most acclaimed and influential cartoonists of the last half century. This first biography provides a critical account of Brown’s life and career, highlighting his role in the evolving comics landscape and tracing his journey from self-publishing minicomics on the streets of Toronto to creating award-winning graphic novels.
Characterized by often minimalist art and unconventional themes, comics such as Yummy Fur, Ed the Happy Clown, I Never Liked You, Louis Riel, and Paying for It have consistently pushed boundaries and confronted taboos. Chester Brown offers unique insight into Brown’s creative process as well the scope of his work and its larger cultural contexts. Organized chronologically, the book provides a full account of the artist’s career, beginning with his failed attempts to break into superhero comics and ending with discussions of his most recent work, in which he blends autobiography with political views on sex work and religion.
The book also examines Brown’s extensive authorial revisions and considers how he has deployed both these and an increasingly voluminous amount of paratextual material in the service of creating a highly distinctive authorial persona that in turn cannot help but influence how we encounter and read his work. Chester Brown pulls back the curtain on this pioneering artist and emphasizes the inseparability of Brown’s art and life, including the myriad ways they have informed each other across the last four decades of comics history.
Characterized by often minimalist art and unconventional themes, comics such as Yummy Fur, Ed the Happy Clown, I Never Liked You, Louis Riel, and Paying for It have consistently pushed boundaries and confronted taboos. Chester Brown offers unique insight into Brown’s creative process as well the scope of his work and its larger cultural contexts. Organized chronologically, the book provides a full account of the artist’s career, beginning with his failed attempts to break into superhero comics and ending with discussions of his most recent work, in which he blends autobiography with political views on sex work and religion.
The book also examines Brown’s extensive authorial revisions and considers how he has deployed both these and an increasingly voluminous amount of paratextual material in the service of creating a highly distinctive authorial persona that in turn cannot help but influence how we encounter and read his work. Chester Brown pulls back the curtain on this pioneering artist and emphasizes the inseparability of Brown’s art and life, including the myriad ways they have informed each other across the last four decades of comics history.
