Essays On World Literature

About the Author:Ismail Kadare is Albania’s best known novelist, whose name is mentioned annually in discussions of the Nobel Prize. He won the inaugural Man Booker International Prize in 2005; in 2009 he received the Príncipe de Asturias de las Letras, Spain’s most prestigious literary award, and in 2015 he won the Jerusalem Prize. In 2016 he was named a Commandeur de la Légion d'Honneur. James Wood has written of his work, "Kadare is inevitably likened to Orwell and Kundera, but he is a far deeper ironist than the first, and a better storyteller than the second. He is a compellingly ironic storyteller because he so brilliantly summons details that explode with symbolic reality." His last book to be published in English, The Traitor's Niche, was nominated for the Man Booker International. About the Translator:A native Albanian, Ani Kokobobo is assistant professor and director of Graduate Studies in the Department of Slavic Languages and Literatures at the University of Kansas where she teaches Russian literature and culture. She has published an edited volume, Russian Writers and the Fin de Siècle – The Twilight of Realism (Cambridge University Press, 2015), a monograph, Russian Grotesque Realism: The Great Reforms and Gentry Decline (Ohio State University Press, 2017), and another edited volume, Beyond Moscow: Reading Russia’s Regional Identities and Initiatives (Routledge, 2017).

“Ismail Kadare’s first and only collection of essays translated into English, this time directly from the Albanian originals written between 1985 and 2006, offers profound and highly personal meditations on canonical figures of world literary history…. In his indelibly humanist understanding of art, Kadare conceives of literature—the work of canonically great writers—as art that ‘cries with the world,’ seeking through letters to understand the uniquely and most deeply human: tragedy, violence, pain…. The ‘world’ of Kadare’s three essays on ‘world literature’ is a reflection of Albania’s ‘impossible drama’ on the global scale of human history, an observation at once parochial and profound, like the greatness of great art.”