"Mia Mochizuki’s newest book provides a fascinating methodological and bibliographic primer to Jesuit art, especially the role of print culture on the global stage. […] Her sections on context and resources offer excellent overviews of the basic literature, methodological approaches, and promising directions for studying Jesuit art." - Jeffrey Chipps Smith, University of Texas at Austin, in: Historians of Netherlandish Art Reviews, (February 2024)"A handbook-level review that comprises the classic, must-read texts, controversial tomes and essays, and the most up to date inquiries. […] Mochizuki’s book successfully assembles a macro history of Jesuit art through a wide array of signature pieces and material culture but, at the same time, without obsessing too much over their details. […] It provides a unique pathway to approaching the connected history of early modern art, a guidebook that should be provided to anyone interested in Jesuit art." - Wang Lianming, City University of Hong Kong, in: Archivum Historicum Societatis Iesu, Vol. 92, Fasc. 183 (2023-I), pp. 205–210"A book like this is enhanced by judicious use of images, reproduced clearly and when appropriate and possible in color. The author and the publisher merit praise for a large number of high-quality images." - Thomas Worcester S.J., Fordham University, in: The Catholic Historical Review, Vol. 109, No. 1 (Winter 2023), pp. 201–202"[...] an ideal interactive pedagogical tool for seminar settings [...]. Stunningly rendered, the fruit of years of painstaking archival work, wide-ranging research, and the arduous acquisition of permissions (as evidenced by all the names in the acknowledgements), the work, written during the Covid-19 pandemic, is destined to become a classic for Ignatian spirituality." - Eduardo C. Fernández, S.J., Jesuit School of Theology of Santa Clara University and the Graduate Theological Union, Berkeley, in: Theological Studies, Vol. 84, No. 4 (November 2023), pp. 745–746