John Paul Riquelme – författare

This Norton Critical Edition includes:Hans Walter Gabler’s acclaimed text of Joyce’s 1916 coming-of-age novel, accompanied by Gabler’s introduction and textual notes.Preface and revised and expanded explanatory annotations by John Paul Riquelme.Other writings by James Joyce closely related to A Portrait of the Artist as a Young Man, new to the Second Edition.Nine illustrations“Backgrounds and Contexts” including a wealth of materials, topically organised: “Political Nationalism: Irish History, 1798–1916”, “The Irish Literary and Cultural Revival”, “Religion” and “Aesthetic Backgrounds”.Twelve major critical assessments, seven of them new to the Second Edition.A chronology and a selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Gothic and Modernism establishes and interprets the significant presence and the transformations of the Gothic tradition at the dark heart of writing during the long twentieth century. Artfully introduced and collected by John Paul Riquelme, the essays-nine previously published in Modern Fiction Studies-reveal challenges to both realism and to optimistic Enlightenment attitudes in the narratives and the styles of writers ranging from Oscar Wilde and Virginia Woolf to Samuel Beckett, Octavia Butler, and Bret Easton Ellis. In examining nineteenth-century works and popular dark writing of the twentieth century, the contributors elucidate literary modernism's relationship to nineteenth-century Gothic traditions, effectively extending the chronological and conceptual boundaries of the former and challenging the propriety of the barrier between high and popular forms of literature. Through compelling readings of a range of modern works, they reveal the aestheticizing of the Gothic, its parodic, culturally critical tendencies, its relation to language, literary form, and time, and its response to technological threats and promises.From canonical modernism to more popular forms, such as detective fiction, science fiction, and pornohorror, this wide-ranging and accessibly written collection offers an overview of Gothic writing's persistent influence on modern works. Contributors: Penny Fielding, University of Edinburgh; Graham Fraser, Mount Saint Vincent University; Theodora Goss, Boston University; Ruth Helyer, University of Teesside; Susan Kollin, Montana State University; Patrick R. O'Malley, Georgetown University; John Paul Riquelme, Boston University; Charles J. Rzepka; Boston University; Paul K. Saint-Amour, University of Pennsylvania; Joseph Valente, University of Illinois