Visar resultat för..."Jim Mooney"

No badge. No rules. Just guns, grit, and ghosts. DC s All-Star Western galloped where few comics dared: into the gray morality and stark drama of America s blood-soaked frontier. With haunted riders like El Diablo, brutal justice-dealers like Jonah Hex, and conflicted souls like outlaw Rick Wilson, this anthology served up taut, atmospheric stories full of loss, grit, and reckoning. Includes stories from Weird Western Tales #12 17; All-Star Western #2 8, #10 11; Super DC Giant #15; Tomahawk #130 140.

The Super Sons are back bigger, bolder, and in more trouble than ever in this action-packed complete collection! The sons of Superman and Batman are back for more high-stakes adventures across the DC Universe! In this complete collection, Jon Kent and Damian Wayne must outsmart their greatest enemies, from the villainous Kid Amazo to the sinister Rex Luthor and his Multiversal Injustice Army. Their friendship is tested like never before as they battle through interstellar prisons, uncover magical mysteries, and even race against time to save the Justice League all while staying one step ahead of their foes. This action-packed collection is a must-have for fans of dynamic duos, Multiversal mayhem, and the heartwarming bond between two of DC s youngest heroes! Collects Super Sons #15-16, Adventures of the Super Sons Super #1-12, Challenge of the Super Sons #1-7, and stories from Robin: 80th Anniversary 100-Page Special #1 and DC Terrors Through Time #1.

An introduction to Captain Marvel for the youngest superfans—featuring art by legendary Marvel artists Jim Mooney and Joe Sinnott, with Keith Pollard and Carmine InfantinoMeet the world’s greatest heroes, as drawn by the world’s greatest creators! From brilliant pilot to cosmic-powered Avenger, Captain Marvel is one of the mightiest super heroes in the universe! Fly high and soar among the stars with Carol Danvers while learning all about her abilities, skills, and friends in this bright and bold board book, with art from the classic comics. Vivid colors and three special gatefolds make for a fun-filled read that is perfect for the youngest kids and longtime Marvel fans alike.

Honorable Mention, Barnard Hewitt Award from the American Society for Theater ResearchExplores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

Honorable Mention, Barnard Hewitt Award from the American Society for Theater ResearchExplores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

Kara Zor-El soars into her very own DC Finest collection! In 'The Supergirl from Krypton,' Kara lands on Earth and discovers that she possesses all the same powers as her cousin, Superman. Inspired by her famous kin, Kara adopts a secret identity and uses her powers to help those in need. This inaugural volume contains Supergirl's appearances from 1959 to 1962 in the pages of ACTION COMICS #252-288, ADVENTURE COMICS #278, SUPERMAN #139-140 and #144, SUPERBOY #80, SUPERMAN'S GIRL FRIEND LOIS LANE #14 and #20, and SUPERMAN'S PAL, JIMMY OLSEN #40, #46, #51, and #57.

Making her comics debut in ACTION COMICS #252, from 1959, the Girl of Steel quickly became Superman's secret weapon in his battle for Truth, Justice and the American Way--and a key hero in the DC Universe. In this initial stories, Supergirl, like her cousin Superman a survivor of the planet Krypton, adjusts to life on Earth with her adoptive parents, the Danvers. The stories alternate between smalltown slice of life tales about boys who must be shown that magic can be real, Supergirl's own efforts to master her new powers, and time-travelling jaunts into the far future and past. Plus: How can Supergirl babysit a Superman who's been mysteriously transformed into an infant? Collects stories from ACTION COMICS #252-307.

AsSir Jackie Stewart states in his Foreword, “Pete Lyons was one of the bestjournalists in Formula 1 at the time I was racing.” Lyons himself writes thatwhen he became obsessed with motor racing, “It felt like my true road.” Thismemoir retraces his steps along that road, focusing on the days when he wroteabout and photographed the Can-Am sportscar series in his native America duringits finest period from 1966 to 1972, then switched to Formula 1 for four greatseasons from 1973 to 1976. Lyons witnessed Chaparral, Lola, McLaren and Porschecreate ever-more-monstrous Can-Am beasts to be tamed by the likes of Jim Hall,John Surtees, Bruce McLaren, Denny Hulme, Mario Andretti and Mark Donohue. Hiscameras, notebooks and typewriter also were there when Tyrrell, Lotus, McLarenand Ferrari were the dominant forces in Formula 1, with Jackie Stewart, EmersonFittipaldi, Niki Lauda and James Hunt the World Champion drivers. Immersed inthis golden age of racing, Lyons brought a unique blend of evocative descriptionand fastidious factual detail to his craft, putting his devoted readers at theheart of the action. This captivating memoir will transport you back to thosetimes.