Mark Ellis – författare

THE INSANELY GRIPPING AND CRITICALLY ACCLAIMED FOURTH INSTALMENT IN MARK ELLIS' DCI FRANK MERLIN SERIES'[A] stylish thriller' - Sunday Mirror'This exciting, very well plotted and historically evocative story drives forward to its gripping conclusion' - Euro Crime'A richly atmospheric, authentic, and suspenseful detective series' - Joseph Finder, New York Times bestselling author'A rollercoaster ride' - The Yorkshire Herald'So immaculately nuanced they genuinely feel like they belong in the cannon of mid-20th century thrillers . . . Another belter!' - Fiona Phillips'A truly spellbinding page turner that keeps you hooked right to the end' - Dorset Book Detective___________December 1941.On a bright Sunday morning in Hawaii, Japanese planes swoop down and attack the US naval base at Pearl Harbour. America enters the war and Britain no longer stands alone against Hitler.Conditions on the home front remain bleak. In a city pulverised by the Blitz, with rampant crime and corruption and overstretched police resources, life for Scotland Yard detective Frank Merlin continues as arduous as ever.In the week of Japan's aggression, the shattered body of beautiful film star Laura Curzon is found on the pavement beneath her Mayfair apartment, an apparent suicide. A mile away, the body of a strangled young girl is discovered in the rubble of a bombed-out building.Merlin and his team investigate, encountering fraudulent film moguls, philandering movie stars, depraved Satanists and brutal gangsters as they battle through a wintry London in pursuit of the truth.___________An excellent read by an author who clearly knows his subject . . . highly recommended - Alex J Book ReviewsSuspenseful and plot driven, this book keeps you on the edge of your seat throughout - Rachel Read ItA vivid and often surprising portrayal of wartime London - The Western MailVivid descriptions of the era provide ideal background for the charismatic and likeable Merlin - Buzz Magazine

Vividly atmospheric and brimming with suspense, Mark Ellis presents this insanely captivating wartime thriller of classic espionage.The third instalment in the Frank Merlin series, following on from Stalin's Gold. Previously published as Merlin at War.PRAISE FOR THE CRITICALLY ACCLAIMED DCI FRANK MERLIN SERIES:'A richly atmospheric, authentic, and suspenseful detective series' - Joseph Finder, New York Times bestselling author'So immaculately nuanced they genuinely feel like they belong in the cannon of mid-20th century thrillers . . . Another belter!' - Fiona Phillips'A truly spellbinding page turner that keeps you hooked right to the end' - Dorset Book Detective'Brimming with action . . . complex, addictive and highly entertaining . . . I cannot wait to read more books by Mark Ellis' - The Book Cosy Book Club'Brimming with authentic details . . . A compelling tale of crime fiction' - Foreword Reviews'A mammoth read with a Dickensian plethora of characters that I thoroughly enjoyed immersing myself in . . . meticulously researched . . . deliciously complex' - CARAMEROLLOVESBOOKS___________Violent deaths. French double agents. Daring fraud.DCI Frank Merlin sets out on his most complex case yet...War rages across Europe.France is under Nazi rule. Britain has its back to the wall.In London, Scotland Yard detective Frank Merlin investigates a series of disturbing events - a young girl killed in a botched abortion, a French emigré shot in a seedy Notting Hill flat, a mysterious letter written by a British officer recently gunned down in Crete.With action spanning Buenos Aires, New York, Cairo and occupied France, Merlin and his team are plunged into a dark world of espionage, murder, love and betrayal.

Previously published as Stalin's Gold.PRAISE FOR THE CRITICALLY ACCLAIMED DCI FRANK MERLIN SERIES:'A richly atmospheric, authentic, and suspenseful detective series' JOSEPH FINDER, NYT BESTSELLING AUTHOR'Masterly . . . compelling . . . one of the most attractive characters to emerge in recent detective-thriller fiction' ANDREW ROBERTS, SUNDAY TIMES BESTSELLING AUTHOR'Against the backdrop of Blitz-hit London, this stylish thriller sees Scotland Yard's Frank Merlin investigate a tangled conspiracy' SUNDAY MIRRORAs the Battle of Britain rages above, DCI Frank Merlin and his officers investigate the sudden disappearance of Polish RAF pilot Ziggy Kilinski - while battling the looting unleashed by the chaos and destruction of the Blitz.Unbeknownst to Merlin and his team, Russian spies have also been set loose on the city - instructed to retrieve Stalin's lost gold.Kilinski's fellow pilots, a disgraced Cambridge don, members of the Polish government in exile and a ruthless Russian gangster are amongst those caught up in Merlin's enquiries.Sweeping from Stalin's Russia to Civil War Spain, Hitler's Berlin to Churchill's London, a compelling story of treasure, treachery, and murder unfolds.

The relationship between Islamic law and international human rights law has been the subject of considerable, and heated, debate in recent years. The usual starting point has been to test one system by the standards of the other, asking is Islamic law ''compatible'' with international human rights standards, or vice versa. This approach quickly ends in acrimony and accusations of misunderstanding. By overlaying one set of norms on another we overlook the deeplycontextual nature of how legal rules operate in a society, and meaningful comparison and discussion is impossible.In this volume, leading experts in Islamic law and international human rights law attempt to deepen the understanding of human rights and Islam, paving the way for a more meaningful debate. Focusing on central areas of controversy, such as freedom of speech and religion, gender equality, and minority rights, the authors examine the contextual nature of how Islamic law and international human rights law are legitimately formed, interpreted, and applied within a community. They examine how thesefundamental interests are recognized and protected within the law, and what restrictions are placed on the freedoms associated with them.By examining how each system recognizes and limits fundamental freedoms, this volume clears the ground for exploring the relationship between Islamic law and international human rights law on a sounder footing. In doing so it offers a challenging and distinctive contribution to the literature on the subject, and will be an invaluable reference for students, academics, and policy-makers engaged in the legal and religious debates surrounding Islam and the West.

The relationship between Islamic law and international human rights law has been the subject of considerable, and heated, debate in recent years. The usual starting point has been to test one system by the standards of the other, asking is Islamic law ''compatible'' with international human rights standards, or vice versa. This approach quickly ends in acrimony and accusations of misunderstanding. By overlaying one set of norms on another we overlook the deeplycontextual nature of how legal rules operate in a society, and meaningful comparison and discussion is impossible.In this volume, leading experts in Islamic law and international human rights law attempt to deepen the understanding of human rights and Islam, paving the way for a more meaningful debate. Focusing on central areas of controversy, such as freedom of speech and religion, gender equality, and minority rights, the authors examine the contextual nature of how Islamic law and international human rights law are legitimately formed, interpreted, and applied within a community. They examine how thesefundamental interests are recognized and protected within the law, and what restrictions are placed on the freedoms associated with them.By examining how each system recognizes and limits fundamental freedoms, this volume clears the ground for exploring the relationship between Islamic law and international human rights law on a sounder footing. In doing so it offers a challenging and distinctive contribution to the literature on the subject, and will be an invaluable reference for students, academics, and policy-makers engaged in the legal and religious debates surrounding Islam and the West.

The relationship between Islamic law and international human rights law has been the subject of considerable, and heated, debate in recent years. The usual starting point has been to test one system by the standards of the other, asking is Islamic law 'compatible' with international human rights standards, or vice versa. This approach quickly ends in acrimony and accusations of misunderstanding. By overlaying one set of norms on another we overlook the deeply contextual nature of how legal rules operate in a society, and meaningful comparison and discussion is impossible.In this volume, leading experts in Islamic law and international human rights law attempt to deepen the understanding of human rights and Islam, paving the way for a more meaningful debate. Focusing on central areas of controversy, such as freedom of speech and religion, gender equality, and minority rights, the authors examine the contextual nature of how Islamic law and international human rights law are legitimately formed, interpreted, and applied within a community. They examine how these fundamental interests are recognized and protected within the law, and what restrictions are placed on the freedoms associated with them.By examining how each system recognizes and limits fundamental freedoms, this volume clears the ground for exploring the relationship between Islamic law and international human rights law on a sounder footing. In doing so it offers a challenging and distinctive contribution to the literature on the subject, and will be an invaluable reference for students, academics, and policy-makers engaged in the legal and religious debates surrounding Islam and the West.

Founded by white males, the interracial cooperation movement flourished in the American South in the years before the New Deal. The movement sought local dialogue between the races, improvement of education, and reduction of interracial violence, tending the flame of white liberalism until the emergence of white activists in the 1930s and after. Thomas Jackson (Jack) Woofter Jr., a Georgia sociologist and an authority on American race relations, migration, rural development, population change, and social security, maintained an unshakable faith in the "effectiveness of cooperation rather than agitation." Race Harmony and Black Progress examines the movement and the tenacity of a man who epitomized its spirit and shortcomings. It probes the movement's connections with late 19th-century racial thought, Northern philanthropy, black education, state politics, the Du Bois-Washington controversy, the decline of lynching, the growth of the social sciences, and New Deal campaigns for social justice.

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial character - its tonal ambivalence - symbolizes the 'distortion of reality' induced by the Magic Potion. As Schoenberg wrote, the chord of the augmented sixth stands 'on the fringes of tonality'. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author includes a straightforward introduction to the augmented sixth and its theoretical background.

How can you maximize your students learning as they engage in mathematics? What does the latest research reveal about developing mathematically strong and engrossing math instruction?Reimagining the Mathematics Classroom presents a comprehensive systems approach to examining mathematics teaching. It synthesizes and illustrates current research on the essential elements of mathematics teaching and learning, unpacking each component the classroom physical space; mathematical discourse, tasks, assessments; and families and communities and providing concrete practical strategies and tools teachers can apply directly to their work. In addition, tips on using technology to assess and enhance learning are embedded throughout the book.Reimagining the Mathematics Classroom delivers proven techniques and real classroom examples written or videotaped to address these and other important questions and concerns with which teachers grapple:How can I encourage collaborative problem solving during group work?How do I establish norms, routines, and ground rules for group and whole-class math discourse?How can I build on existing textbook problems to make them more rigorous, relevant, and accessible?What technologies help elicit and extend students mathematical thinking?How do I assess students in their development of knowledge of procedures, concepts, and mathematical practices?How can I transform parental involvement to collaborative partnerships and joint engagement?Reimagining the Mathematics Classroom is a resource to explore individually, to share with a colleague, or to discuss as part of a study group. Professional development tools, such as those described below, are woven throughout the text, with supplementary materials (math problem worksheets, conversational prompts, purposeful questions, videos, and so forth available on NCTM s More4U website.Classroom cases in each chapter provide real-life scenarios of the research-based practices and guiding principles articulated in the chapter. Math examples from a range of grade levels focus on concepts that students have traditionally struggled to understand conceptually. Cases include reflection questions to guide in the analysis and implementation of these ideas in your own teaching practice. Every chapter ends with a bulleted list of strategies to help you follow through on that chapter's main theme in your own classroom.Reimagining the Mathematics Classroom is as practical as it is inspirational. It is sure to be a valuable addition to your professional library.

'A real page-turner...juicy enough to devour in one sitting, you'll immediately want to order the next in the series.' DAILY MAIL'Detective fiction at its best and a real treat' PHIL CRAIGThe first instalment in the Frank Merlin series. Previously published as Prince's Gate.When a brilliant emigré scientist is killed by a hit-and-run driver and the body of an American embassy is washed up in the Thames, DCI Frank Merlin and his team are called to investigate.Merlin's investigations soon ruffle feathers at the Foreign Office - the American ambassador, Joseph Kennedy, is a well-known supporter of appeasement, and has gained many powerful and influential friends in the pursuit of a negotiated peace settlement with Hitler.The death of yet another embassy employee leads Merlin deep into the seedier quarters of wartime London, until his investigations are hampered by interfering superiors fearful of disrupting international relations. As Merlin is drawn into a web of secrets, what will the truth cost him - and Britain?PRAISE FOR THE CRITICALLY ACCLAIMED DCI FRANK MERLIN SERIES:'This is to my shame the first Mark Ellis book I've read. If the others evoke a vanished London so impressively, are graced with such complex plots and deep characterisation, and, above all, are written so well I shall have to read them all.' THE TIMES'Masterly . . . compelling . . . one of the most attractive characters to emerge in recent detective-thriller fiction' ANDREW ROBERTS, SUNDAY TIMES BESTSELLING AUTHOR'Against the backdrop of Blitz-hit London, this stylish thriller sees Scotland Yard's Frank Merlin investigate a tangled conspiracy' SUNDAY MIRROR'A richly atmospheric, authentic, and suspenseful detective series' JOSEPH FINDER, NEW YORK TIMES BESTSELLING AUTHOR'Unputdownable' ROBERT LYMAN'An intriguing, masterly juggling of an intricate plot and an enviable command of detail.' JOHN LAWTON'Extraordinarily atmospheric and compelling...a wonderfully intelligent and complex story' CHRIS LLOYD, HWA Gold Crown Award winner.'...historical noir at its best. Mark Ellis's talents as a writer are many; finely embroidered plotting, a meticulously researched historical context and place, and rounded characters whose lives and capers become real for a reader' GARY DONNELLY'An atmospheric, compelling evocation of war-torn London in the wake of the Blitz, where DCI Frank Merlin fights against a tidal wave of crime' GEOFFREY WANSELL, Crime and Thriller Reviewer, DAILY MAIL'A historically astute, skilfully developed crime drama.' KIRKUS REVIEWS

'A must-read for murder mystery lovers' DAILY MAIL'Ellis conjures up an immersive, authentic world in this evocative series' FINANCIAL TIMES'Gripping...expertly combining a crime mystery with a wartime thriller....a potent mix which has produced this excellent novel' ALEX GERLIS***BEST CRIME FICTION NOVEL 2025 - BLOODY BARNES CRIME FESTIVAL******AN ASPECTS OF CRIME BOOK OF THE YEAR*** London. Spring 1943. While Europe continues to suffer under the iron fist of Nazi occupation, Britain remains battered but unbowed.DCI Frank Merlin, already contending with a booming wartime crime wave in the capital, is confronted with a baffling case: the brutal murder of a respected doctor.Following a puzzling trail that leads him into the hidden corners of clubland - and which appears to be linked to the disappearance of both British and American officers - Merlin must untangle a dark web of shocking secrets.'A beach read that will make your holiday' DAILY MIRROR'An outstanding historical mystery, with richly described period detail, vivid characters, and a great detective in Frank Merlin' JOSEPH FINDER, NEW YORK TIMES BESTSELLING AUTHOR'A pitch perfect example of a police procedural' ASPECTS OF CRIME'An immersive and authentic-seeming tale of criminality in WWII London. I can't wait to read the rest!' ROBERT J. LLOYD'A gripping mystery with a wartime setting so redolent that you wonder where your ration book is. A great read!' DOUGLAS SKELTON'Very well paced and plotted, ably written and with a good cast. Richly deserves to do well' THE CRITIC'A truly remarkable historical mystery series' TOM MEAD'A lead character with a deep well of integrity together with a hugely evocative portrait of WWII London make this compelling and absorbing historical crime fiction' TIM SULLIVAN'Well paced and intriguing murder mystery...well drawn characters that jump off the page...Ellis has really made his mark as a crime writer' ASPECTS OF HISTORY'A terrific book with pace, colour and drama aplenty. DCI Merlin is turning into one of the great literary detectives' PHIL CRAIG'Fantastic...Merlin is a really authentic, interesting and attractive character...the way in which Ellis creates the context of wartime London is really superb.' ROBERT LYMAN'Quite how Ellis stays in control of the twists and turns, manages his cast of characters, and unravels the knots and tangles of the plot are nothing short of miraculous' SHOTS MAGAZINE'A satisfying read for anyone who likes a World War Two whodunit' HISTORICAL NOVEL SOCIETYPraise for Mark Ellis:'This is to my shame the first Mark Ellis book I've read. If the others evoke a vanished London so impressively, are graced with such complex plots and deep characterisation, and, above all, are written so well I shall have to read them all.' THE TIMES'Masterly . . . compelling . . . one of the most attractive characters to emerge in recent detective-thriller fiction' ANDREW ROBERTS, SUNDAY TIMES BESTSELLING AUTHOR'Against the backdrop of Blitz-hit London, this stylish thriller sees Scotland Yard's Frank Merlin investigate a tangled conspiracy' SUNDAY MIRROR'An atmospheric, compelling evocation of war-torn London in the wake of the Blitz, where DCI Frank Merlin fights against a tidal wave of crime' GEOFFREY WANSELL, Crime and Thriller Reviewer, DAILY MAIL'Unputdownable' ROBERT LYMAN'Mark Ellis delivers diamonds - an intriguing, masterly juggling of an intricate plot and an enviable command of detail.' JOHN LAWTON'Extraordinarily atmospheric and compelling... a wonderfully intelligent and complex story' CHRIS LLOYD, HWA Gold Crown Award winner.'...historical noir at its best. Mark Ellis's talents as a writer are many; finely embroidered plotting, a meticulously researched historical context and place, and rounded characters whose lives and capers become real for a reader' GARY DONNELLY

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial character - its tonal ambivalence - symbolizes the 'distortion of reality' induced by the Magic Potion. As Schoenberg wrote, the chord of the augmented sixth stands 'on the fringes of tonality'. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author includes a straightforward introduction to the augmented sixth and its theoretical background.

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the ''evolution'' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the ''terrible dissonance'' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as ''poignantly expressive''. J. S. Bach considered an occurrence of the chord in one of his forebear''s motets ''remarkably bold''. During Bach''s composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a ''signpost'' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart''s Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin''s Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer''s strikingly original harmonic experiments. Wagner''s much-analyzed ''Tristan Chord'' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord''s mercurial

For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the ''evolution'' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the ''terrible dissonance'' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as ''poignantly expressive''. J. S. Bach considered an occurrence of the chord in one of his forebear''s motets ''remarkably bold''. During Bach''s composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a ''signpost'' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart''s Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin''s Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer''s strikingly original harmonic experiments. Wagner''s much-analyzed ''Tristan Chord'' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord''s mercurial

Create your own illustrated world with The Everything Guide to Writing Graphic Novels!Watchmen. V for Vendetta. A History of Violence. The Sandman. 300. You’ve read them, you’ve loved them, and now you want to write and illustrate them. The Everything Guide to Writing Graphic Novels is your shot at the big time. Whether you want to go as dark as Sin City, as funny as Bone, or as poignant as Maus, this book shows you how to do it all. You’ll learn how to: -Develop memorable characters -Create intricate storylines -Illustrate, lay out, and design panels that pop -Letter your dialogue -Market and promote your work It’s all here for you. Professional graphic novelists Mark Ellis and Melissa Martin Ellis show you the ropes of the industry and how to make your graphic novel matter. They help you to take the ideas out of your head and put them onto the page. Lavishly illustrated with more than 100 drawings, this guide also features full-color examples of Mark Ellis’s distinctive graphic style. Dramatic? Humorous? Off-beat? With pen in hand, it’s up to you. A whole universe of characters and volumes of stories are waiting to be created—now give them life!

A young girl goes from being the victim of a kidnapping to being a hero in this story that has wizards, dragons, elves, and other fantastic creatures.

Vividly atmospheric and brimming with suspense, Mark Ellis presents this insanely captivating wartime thriller of classic espionage.The second instalment in the Frank Merlin Series, following on from Princes Gate. Previously published as Stalin''s Gold.PRAISE FOR THE CRITICALLY ACCLAIMED DCI FRANK MERLIN SERIES:

''A richly atmospheric, authentic, and suspenseful detective series'' - Joseph Finder, New York Times bestselling author''So immaculately nuanced they genuinely feel like they belong in the cannon of mid-20th century thrillers . . . Another belter!'' - Fiona Phillips''A truly spellbinding page turner that keeps you hooked right to the end'' - Dorset Book Detective''Brimming with action . . . complex, addictive and highly entertaining . . . I cannot wait to read more books by Mark Ellis'' - The Book Cosy Book Club''Brimming with authentic details . . . A compelling tale of crime fiction'' - Foreword Reviews''A mammoth read with a Dickensian plethora of characters that I thoroughly enjoyed immersing myself in . . . meticulously researched . . . deliciously complex'' - CARAMEROLLOVESBOOKS___________As the Battle of Britain rages above, DCI Frank Merlin and his officers investigate the sudden disappearance of Polish RAF pilot Ziggy Kilinski - while battling the looting unleashed by the chaos and destruction of the Blitz. Unbeknownst to Merlin and his team, Russian spies have also been set loose on the city - instructed to retrieve Stalin''s lost gold. Kilinski''s fellow pilots, a disgraced Cambridge don, members of the Polish government in exile and a ruthless Russian gangster are amongst those caught up in Merlin''s enquiries. Sweeping from Stalin''s Russia to Civil War Spain, Hitler''s Berlin to Churchill''s London, a compelling story of treasure, treachery, and murder unfolds.