Adeline Masquelier – författare

For far too long, the Western world viewed Africa as unmappable terrain—a repository for outsiders’ wildest imaginings. This problematic notion has had lingering effects not only on popular impressions of the region but also on the development of the academic study of Africa. Critical Terms for the Study of Africa considers the legacies that have shaped our understanding of the continent and its place within the conceptual grammar of contemporary world affairs.  Written by a distinguished group of scholars, the essays compiled in this volume take stock of African studies today and look toward a future beyond its fraught intellectual and political past. Each essay discusses one of our most critical terms for talking about Africa, exploring the trajectory of its development while pushing its boundaries. Editors Gaurav Desai and Adeline Masquelier balance the choice of twenty-five terms between the expected and the unexpected, calling for nothing short of a new mapping of the scholarly field. The result is an essential reference that will challenge assumptions, stimulate lively debate, and make the past, present, and future of African Studies accessible to students and teachers alike.

For far too long, the Western world viewed Africa as unmappable terrain—a repository for outsiders’ wildest imaginings. This problematic notion has had lingering effects not only on popular impressions of the region but also on the development of the academic study of Africa. Critical Terms for the Study of Africa considers the legacies that have shaped our understanding of the continent and its place within the conceptual grammar of contemporary world affairs.  Written by a distinguished group of scholars, the essays compiled in this volume take stock of African studies today and look toward a future beyond its fraught intellectual and political past. Each essay discusses one of our most critical terms for talking about Africa, exploring the trajectory of its development while pushing its boundaries. Editors Gaurav Desai and Adeline Masquelier balance the choice of twenty-five terms between the expected and the unexpected, calling for nothing short of a new mapping of the scholarly field. The result is an essential reference that will challenge assumptions, stimulate lively debate, and make the past, present, and future of African Studies accessible to students and teachers alike.

Landlocked and with an economy reliant on subsistence agriculture, Niger often comes into the public eye only as example of deprivation and insecurity. Urban centers have become concentrated areas of unemployment filled with young men bored and idle, trying, against all odds, to find meaning where little is given. At the heart of Adeline Masquelier’s groundbreaking book is the fada—conversation groups where men gather to talk, play cards, listen to music, and drink tea. As a place where young men forge new forms of sociability and belonging outside the arena of work, the fada is an integral part of Niger’s urban landscape. By considering the fada as a site of experimentation, Masquelier offers a nuanced depiction of how young men in urban Niger engage in the quest for recognition and reinvent their own masculinity in the absence of conventional avenues to self-realization. In an era when fledgling and advanced economies alike are struggling to support meaningful forms of employment, this book offers a timely glimpse into how to create spaces of stability, respect, and creativity despite precarious conditions.

Landlocked and with an economy reliant on subsistence agriculture, Niger often comes into the public eye only as example of deprivation and insecurity. Urban centers have become concentrated areas of unemployment filled with young men bored and idle, trying, against all odds, to find meaning where little is given. At the heart of Adeline Masquelier’s groundbreaking book is the fada—conversation groups where men gather to talk, play cards, listen to music, and drink tea. As a place where young men forge new forms of sociability and belonging outside the arena of work, the fada is an integral part of Niger’s urban landscape. By considering the fada as a site of experimentation, Masquelier offers a nuanced depiction of how young men in urban Niger engage in the quest for recognition and reinvent their own masculinity in the absence of conventional avenues to self-realization. In an era when fledgling and advanced economies alike are struggling to support meaningful forms of employment, this book offers a timely glimpse into how to create spaces of stability, respect, and creativity despite precarious conditions.

Niger most often comes into the public eye as an example of deprivation and insecurity. Urban centers have become concentrated areas of unemployment filled with young men trying, against all odds, to find jobs and fill their time with meaningful occupations. At the heart of Adeline Masquelier’s groundbreaking book is the fada—a space where men gather to escape boredom by talking, playing cards, listening to music, and drinking tea. As a place in which new forms of sociability and belonging are forged outside the unattainable arena of work, the fada has become an integral part of Niger’s urban landscape. By considering the fada as a site of experimentation, Masquelier offers a nuanced depiction of how young men in urban Niger engage in the quest for recognition and reinvent their own masculinity in the absence of conventional avenues to self-realization. In an era when fledgling and advanced economies alike are struggling to support meaningful forms of employment, this book offers a timely glimpse into how to create spaces of stability, respect, and creativity in the face of diminished opportunities and precarity.  

In the small town of Dogondoutchi, Niger, Malam Awal, a charismatic Sufi preacher, was recruited by local Muslim leaders to denounce the practices of reformist Muslims. Malam Awal's message has been viewed as a mixed blessing by Muslim women who have seen new definitions of Islam and Muslim practice impact their place and role in society. This study follows the career of Malam Awal and documents the engagement of women in the religious debates that are refashioning their everyday lives. Adeline Masquelier reveals how these women have had to define Islam on their own terms, especially as a practice that governs education, participation in prayer, domestic activities, wedding customs, and who wears the veil and how. Masquelier's richly detailed narrative presents new understandings of what it means to be a Muslim woman in Africa today.

"A magnificent volume! It offers brand new perspectives on body politics and identity or subjectivity formation in the post-colonial world." —Dorothy Ko, Barnard CollegeWhile there is widespread interest in dress and hygiene as vehicles of cultural, moral, and political value, little scholarly attention has been paid to cross-cultural understandings of dirt and undress, despite their equally important role in the fashioning of identity and difference. The essays in this absorbing and thought-provoking collection contribute new insights into the neglected topics of bodily treatments and transgressions. In detailed ethnographic studies from around the world, the contributors recast assumptions about filth and nakedness, exploring how various forms of transgression associated with the body's surface are drawn up into relations of power and inequality. They demonstrate imaginatively how body surfaces are powerfully mobilized in the making and unmaking of moral worlds.

Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In Prayer Has Spoiled Everything Adeline Masquelier offers an account of how this phenomenon intervenes-sometimes subtly, sometimes dramatically-in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization. To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums share, transform, and contest a rapidly changing reality, threatened by Muslim hegemony and financial hardship. She explains how the spread of Islam has provoked irreversible change in the area and how prayer-a conspicuous element of daily life that has become virtually synonymous with Islamic practice in this region of west Africa-has thus become equated with the loss of tradition. By focusing on some of the creative and complex ways that bori at once competes with and borrows from Islam, Masquelier reveals how possession nonetheless remains deeply embedded in Mawri culture, representing more than simple resistance to Islam, patriarchy, or the state. Despite a widening gap between former ways of life and the contradictions of the present, it maintains its place as a feature of daily life in which villagers participate with varying degrees of enthusiasm and approval. Specialists in African studies, in the anthropology of religion, and in the historical transformations of colonial and postcolonial societies will welcome this study.

Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In Prayer Has Spoiled Everything Adeline Masquelier offers an account of how this phenomenon intervenes-sometimes subtly, sometimes dramatically-in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization. To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums share, transform, and contest a rapidly changing reality, threatened by Muslim hegemony and financial hardship. She explains how the spread of Islam has provoked irreversible change in the area and how prayer-a conspicuous element of daily life that has become virtually synonymous with Islamic practice in this region of west Africa-has thus become equated with the loss of tradition. By focusing on some of the creative and complex ways that bori at once competes with and borrows from Islam, Masquelier reveals how possession nonetheless remains deeply embedded in Mawri culture, representing more than simple resistance to Islam, patriarchy, or the state. Despite a widening gap between former ways of life and the contradictions of the present, it maintains its place as a feature of daily life in which villagers participate with varying degrees of enthusiasm and approval. Specialists in African studies, in the anthropology of religion, and in the historical transformations of colonial and postcolonial societies will welcome this study.

Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In Prayer Has Spoiled Everything Adeline Masquelier offers an account of how this phenomenon intervenes—sometimes subtly, sometimes dramatically—in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization.To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums share, transform, and contest a rapidly changing reality, threatened by Muslim hegemony and financial hardship. She explains how the spread of Islam has provoked irreversible change in the area and how prayer—a conspicuous element of daily life that has become virtually synonymous with Islamic practice in this region of west Africa—has thus become equated with the loss of tradition. By focusing on some of the creative and complex ways that bori at once competes with and borrows from Islam, Masquelier reveals how possession nonetheless remains deeply embedded in Mawri culture, representing more than simple resistance to Islam, patriarchy, or the state. Despite a widening gap between former ways of life and the contradictions of the present, it maintains its place as a feature of daily life in which villagers participate with varying degrees of enthusiasm and approval.Specialists in African studies, in the anthropology of religion, and in the historical transformations of colonial and postcolonial societies will welcome this study.

Attention to the body is an exciting emerging dimension of anthropological research. A collection of diverse conversations contributed by a global team of scholars, this Handbook is a state-of-the-field survey of the anthropology of the body, revealing dialogues between anthropological traditions that inform the study of the body. A focus on the body has animated subfields such as the anthropology of religion, medical anthropology, and the anthropology of performance, and rekindled interest in kinship and materiality. Chapters are organized around six central themes - flesh, motion, formation, knowledge, management, and entanglement - giving readers a holistic sense of the diverse analytical possibilities within the anthropology of the body. Showing the unique combinations that material and metaphorical aspects of the body take across different ethnographic and epistemic contexts, this Handbook is essential reading for students and scholars of social, cultural, and medical anthropology.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments. In 1899, Thorstein Veblen coined the phrase ‘conspicuous consumption’ to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen’s crude denunciation of material extravagance finds echoes in media exposés about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity. The essays in Conspicuous Consumption in Africa put Veblen’s concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa’s projects of modernity, and their global lineages and legacies. In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies – South African society in particular.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments. In 1899, Thorstein Veblen coined the phrase ‘conspicuous consumption’ to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen’s crude denunciation of material extravagance finds echoes in media exposés about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity. The essays in Conspicuous Consumption in Africa put Veblen’s concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa’s projects of modernity, and their global lineages and legacies. In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies – South African society in particular.