Alex Houen - Böcker

Is terrorism's violence essentially symbolic? Does it impact on culture primarily through the media? What kinds of performative effect do the various discourses surrounding terrorism have? Such questions have not only become increasingly important in terrorism studies, they have also been concerns for many literary writers.This book is the first extensive study of modern literature's engagement with terrorism. Ranging from the 1880s to the 1980s, the terrorism examined is as diverse as the literary writings on it: chapters include discussions of Joseph Conrad's novels on Anarchism and Russian Nihilism; Wyndham Lewis's avant-garde responses to Syndicalism and the militant Suffragettes; Ezra Pound's poetic entanglement with Segregationist violence; Walter Abish's fictions about West German urban guerrillas; and Seamus Heaney's and Ciaran Carson's poems on the 'Troubles' in Northern Ireland. In each instance, Alex Houen explores how the literary writer figures clashes or collusions between terrorist violence and discursive performativity. What is revealed is that writing on terrorism has frequently involved refiguring the force of literature itself. In terrorism studies the cultural impact of terrorism has often been accounted for with rigid, structural theories of its discursive roots. But what about the performative effects of violence on discourse? Addressing the issue of this mutual contagion, Terrorism and Modern Literature shows that the mediation and effects of terrorism have been historically variable.Referring to a variety of sources in addition to the literature--newspaper and journal articles, legislation, letters, manifestoes--the book shows how terrorism and the literature on it have been embroiled in wider cultural fields. The result is not just a timely intervention in debates about terrorism's performativity. Drawing on literary/critical theory and philosophy, it is also a major contribution to debates about the historical and political dimensions of modernist and postmodernist literary practices.

Is terrorism's violence essentially symbolic? Does it impact on culture primarily through the media? What kinds of performative effect do the various discourses surrounding terrorism have? Such questions have not only become increasingly important in terrorism studies, they have also been concerns for many literary writers.This book is the first extensive study of modern literature's engagement with terrorism. Ranging from the 1880s to the 1980s, the terrorism examined is as diverse as the literary writings on it: chapters include discussions of Joseph Conrad's novels on Anarchism and Russian Nihilism; Wyndham Lewis's avant-garde responses to Syndicalism and the militant Suffragettes; Ezra Pound's poetic entanglement with Segregationist violence; Walter Abish's fictions about West German urban guerrillas; and Seamus Heaney's and Ciaran Carson's poems on the 'Troubles' in Northern Ireland. In each instance, Alex Houen explores how the literary writer figures clashes or collusions between terrorist violence and discursive performativity. What is revealed is that writing on terrorism has frequently involved refiguring the force of literature itself. In terrorism studies the cultural impact of terrorism has often been accounted for with rigid, structural theories of its discursive roots. But what about the performative effects of violence on discourse? Addressing the issue of this mutual contagion, Terrorism and Modern Literature shows that the mediation and effects of terrorism have been historically variable.Referring to a variety of sources in addition to the literature--newspaper and journal articles, legislation, letters, manifestos--the book shows how terrorism and the literature on it have been embroiled in wider cultural fields. The result is not just a timely intervention in debates about terrorism's performativity. Drawing on literary/critical theory and philosophy, it is also a major contribution to debates about the historical and political dimensions of modernist and postmodernist literary practices.

In The Meaning of Contemporary Realism (1957) Georg Lukács discussed how the power struggle of the Cold War made it all the more pressing for literary writers to present 'concrete potentialities' of individual character in novel ways. Powers of Possibility explores how American experimental writers since the 1960s have set about presenting exactly that while engaging with specific issues of social power. The book's five chapters cover a range of writers, literary genres, and political issues, including: Allen Ginsberg's anti-Vietnam War poems; LeRoi Jones/Amiri Baraka and Black Power theatre; William S. Burroughs's novels and the Space Programmes; Kathy Acker's fiction and Biopolitics; and Lyn Hejinian, Language poetry, and the Cold War. Each chapter examines how relations of character and social power were widely discussed in terms of potentiality: Black Power groups, for example, debated the 'revolutionary potential' of African Americans, while advances in the space programmes led to speculation about the evolution of 'human potential' in space colonies. In considering how the literary writers engage with such debates, Alex Houen also shows how each writer's approach entails combining different meanings of 'potential': 'possible as opposed to actual'; 'a quantity of force'; a 'capacity' or 'faculty'; and 'potency'. Such an approach can be characterised as a literary 'potentialism' that turns literary possibilities (including experiments with style and form) into an affective aesthetic force with which to combat or reorient the effects of social power on people. Potentialism is not a literary movement, Houen emphasises, so much as a novel concept of literary practice-a concept that stands as a refreshing alternative to notions of 'postmodernism' and the 'postmodern avant-garde'.

Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. It has been common for critics to argue that after the First World War many of the cultural and religious values associated with sacrifice have been increasingly rejected by writers and others. However, this volume shows that literature has continued to address how different conceptions of sacrifice have been invoked in times of war to convert losses into gains or ideals. While those conceptions have sometimes been rooted in a secular rationalism that values lost lives in terms of political or national victories, spiritual and religious conceptions of sacrifice are also still in evidence, as with the 'martyrdom operations' of jihadis fighting against the 'war on terror'.Each chapter presents fresh insights into the literature of a particular conflict and the contributions explore major war writers including Wordsworth, Kipling, Ford Madox Ford, and Elizabeth Bowen, as well as lesser known authors such as Dora Sigerson, Richard Aldington, Thomas Kinsella, and Nadeem Aslam. The volume covers multiple genres including novels, poetry (particularly elegy and lyric), memoirs, and some films. The contributions address a rich array of topics related to wartime sacrifice including scapegoating, martyrdom, religious faith, tragedy, heroism, altruism, 'bare life', atonement, and redemption.

Sacrifice and Modern War Writing presents the most extensive study to date of twentieth- and twenty-first-century war writing. Examining works by over 110 authors, Alex Houen surveys how war writing explores sacrifice in relation to major modern and contemporary conflicts, from the First World War to the War on Terror. Various conceptions of sacrifice are examined, including Christian, Jewish, Islamic, and secular. The discussion ranges across literary portrayals of multiple sacrificial practices, including ancient rituals of child sacrifice, martyrdom, scapegoating, and suicide bombing. Houen builds an innovative interdisciplinary approach to how war, sacrifice, and their representations interrelate, and a wide range of Anglophone literature is discussed, including novels, memoirs, short stories, essays, manifestoes, elegies, ballads, and lyric poetry. Whereas critics and theorists have tended to emphasize that war's reality exceeds any attempt to represent it, Houen contends that political, religious, and cultural frames of sacrifice have continued to play a significant part in shaping how war's reality is shaped and experienced. Those frames are inextricably tied to modes of representation, which include symbolism and mimesis. Sacrifice and Modern War Writing explores how sacrificial killing in war is itself riddled with symbolic transfigurations and mimetic exchanges, and it builds a fresh approach by arguing that the figurative and imaginative aspects of literary writing ironically become its very means of engaging closely with the reality of war's sacrifices. That approach also develops by using the literary analyses to critique and revise various prominent theories of sacrifice and war.

In The Meaning of Contemporary Realism (1957) Georg Lukács discussed how the power struggle of the Cold War made it all the more pressing for literary writers to present 'concrete potentialities' of individual character in novel ways. Powers of Possibility explores how American experimental writers since the 1960s have set about presenting exactly that while engaging with specific issues of social power. The book's five chapters cover a range of writers, literary genres, and political issues, including: Allen Ginsberg's anti-Vietnam War poems; LeRoi Jones/Amiri Baraka and Black Power theatre; William S. Burroughs's novels and the Space Programmes; Kathy Acker's fiction and Biopolitics; and Lyn Hejinian, Language poetry, and the Cold War. Each chapter examines how relations of character and social power were widely discussed in terms of potentiality: Black Power groups, for example, debated the 'revolutionary potential' of African Americans, while advances in the space programmes led to speculation about the evolution of 'human potential' in space colonies. In considering how the literary writers engage with such debates, Alex Houen also shows how each writer's approach entails combining different meanings of 'potential': 'possible as opposed to actual'; 'a quantity of force'; a 'capacity' or 'faculty'; and 'potency'. Such an approach can be characterised as a literary 'potentialism' that turns literary possibilities (including experiments with style and form) into an affective aesthetic force with which to combat or reorient the effects of social power on people. Potentialism is not a literary movement, Houen emphasises, so much as a novel concept of literary practice-a concept that stands as a refreshing alternative to notions of 'postmodernism' and the 'postmodern avant-garde'.

In recent years, terrorism has become closely associated with martyrdom in the minds of many terrorists and in the view of nations around the world. In Islam, martyrdom is mostly conceived as bearing witness to faith and God. Martyrdom is also central to the Christian tradition, not only in the form of Christs Passion or saints faced with persecution and death, but in the duty to lead a good and charitable life. In both religions, the association of religious martyrdom with political terror has a long and difficult history. The essays of this volume illuminate this historyfollowing, for example, Christian martyrdom from its origins in the Roman world, to the experience of the deaths of terrorist leaders of the French Revolution, to parallels in the contemporary worldand explore historical parallels among Islamic, Christian, and secular traditions. Featuring essays from eminent scholars in a wide range of disciplines, Martyrdom and Terrorism provides a timely comparative history of the practices and discourses of terrorism and martyrdom from antiquity to the twenty-first century. Dominic Janes is Reader in Cultural History and Visual Studies at Birkbeck, University of London. In addition to a spell as a lecturer at Lancaster University, he has been a research fellow at London and Cambridge universities. His latest book project is Queer Martyrdom from John Henry Newman to Derek Jarman. Alex Houen is Senior University Lecturer in Modern Literature in the Faculty of English, University of Cambridge, and Fellow of Pembroke College. He is author of Terrorism and Modern Literature, as well as various articles and book chapters on literature and political violence.

In recent years, terrorism has become closely associated with martyrdom, in the minds of many terrorists and in the view of nations around the world. Islam contains manifold concepts of martyrdom, some of which link ''bearing witness'' to faith and God. Martyrdom is also central to the Christian tradition, not only in the form of Christ's Passion or saints faced with persecution and death, but in the duty to lead a good and charitable life. In both religions, the association of religious martyrdom with political terror has a long and difficult legacy. The essays of this volume illuminate these legacies--following, for example, Christian martyrdom from its origins in the Roman world, to the experience of the deaths of ''terrorist'' leaders of the French Revolution, to parallels in the contemporary world--and explore historical parallels in Islamic, Christian, and secular traditions. Featuring essays from eminent scholars in a wide range of disciplines, Martyrdom and Terorrism provides a timely comparative history of the practices and discourses of terrorism and martyrdom from antiquity to the twenty-first century.

This multidisciplinary edited volume explores how the spread of the 'War on Terror' has entwined matters of state sovereignty and states of war into mutually affecting relations. Pre-emptive attacks on terrorist groups in ‘rogue’ states, ‘outsourcing’ of state militancy and the mutable state of armed conflict required to wage a ‘hybrid war’ have increasingly been issues for the War on Terror. Moreover, such measures have seen the spread of this war to countries such as Israel, Russia, Ethiopia, and Uganda, all of whom have justified their own attacks in other nation-states as a war of ‘self-defence’ against terrorism. States of War since 9/11 offers a timely, innovative analysis of how the War on Terror has taken on different modes of militancy and militarisation in spreading to different nation-states and regions. Featuring a multidisciplinary line-up of eminent contributors, the book ranges in reference from the early stages of the war up to France’s 2013 intervention in Mali. Part One examines the various modes of war and militarisation that have been employed in particular nation-states, including Afghanistan, Russia and Chechnya, and Israel and Palestine. Part Two examines how the war’s innovations have more generally involved ‘just war theory’, biopolitics and sovereignty, networked battlespace, new military urbanism, citizenship, homeland security and surveillance. Overall, this book offers a fresh insight into how states have attempted to secure their own bounds by extending the boundaries of war itself. This book will be of much interest to students of critical terrorism studies, foreign policy and IR in general.

This book considers how 'affect', the experience of feeling or emotion, has developed as a critical concept within literary studies in different periods and through a range of approaches. Stretching from the classical to the contemporary, the first section of the book, 'Origins', considers the importance of particular areas of philosophy, theory, and criticism that have been important for conceptualizing affect and its relation to literature. Includes ancient Greek and Roman philosophy, eighteenth-century aesthetics, Marxist theory, psychoanalysis, queer theory, and postcolonial theory. The chapters of the second section, 'Developments', correspond to those of the previous section and build on their insights through readings of particular texts. The final 'Applications' section is focused on contemporary and future lines of enquiry, and revolves around a particular set of concerns: media and communications, capitalism, and an environment of affective relations that extend to ecology, social crisis, and war.

This multidisciplinary edited volume explores how the spread of the 'War on Terror' has entwined matters of state sovereignty and states of war into mutually affecting relations. Pre-emptive attacks on terrorist groups in ‘rogue’ states, ‘outsourcing’ of state militancy and the mutable state of armed conflict required to wage a ‘hybrid war’ have increasingly been issues for the War on Terror. Moreover, such measures have seen the spread of this war to countries such as Israel, Russia, Ethiopia, and Uganda, all of whom have justified their own attacks in other nation-states as a war of ‘self-defence’ against terrorism. States of War since 9/11 offers a timely, innovative analysis of how the War on Terror has taken on different modes of militancy and militarisation in spreading to different nation-states and regions. Featuring a multidisciplinary line-up of eminent contributors, the book ranges in reference from the early stages of the war up to France’s 2013 intervention in Mali. Part One examines the various modes of war and militarisation that have been employed in particular nation-states, including Afghanistan, Russia and Chechnya, and Israel and Palestine. Part Two examines how the war’s innovations have more generally involved ‘just war theory’, biopolitics and sovereignty, networked battlespace, new military urbanism, citizenship, homeland security and surveillance. Overall, this book offers a fresh insight into how states have attempted to secure their own bounds by extending the boundaries of war itself. This book will be of much interest to students of critical terrorism studies, foreign policy and IR in general.