Alex Tickell – författare

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. South and South East Asia has produced some of the most dynamic, experimental, and commercially successful English-language novels of the post-war period. This wide-ranging volume, which comprises specially commissioned chapters from critics working in the fields of postcolonial and global literature, covers key authors, national traditions, and major themes and genres, providing an unrivalled survey of the South and South East Asian anglophone novel. The Oxford History of the Novel in English: Volume 10. The Novel in South and South East Asia since 1945 employs a unique three-part structure covering South Asia, South East Asia, and 'cross-border' fictions and is the first work of its kind to provide a single comparative assessment of the novel across South and South East Asia, and in migrant lines of travel in and beyond these regions. Both an introduction and a scholarly resource, it covers internationally recognized novelists but also showcases forgotten, under-represented writers and their works. The volume provides comprehensive survey chapters on individual national traditions, comprising the anglophone novel of India, Pakistan, Sri Lanka, Bangladesh, Mainland China, Hong Kong, the Philippines, Malaysia, Singapore, and Myanmar. Its historical and geographical reach takes in late colonial fictions, war-novels of Korea and Vietnam, and autobiographical fictions of the Chinese Cultural Revolution; its formal scope spans multi-volume historical epics, political fictions, and graphic novels. The development of the South and South East Asian novel in English is further contextualized in chapters on publishing and book history, and new forms of genre fiction, making this volume an invaluable resource for students, researchers, and general readers.

How does Indian fiction imagine urban transformation? India's cities were once maligned as places of economic stasis and deprivation but in the era of the so-called New India (2000-present) centres like Delhi and Mumbai have been recast as 'engines of economic growth' and reshaped by prestige infrastructure. Yet the provision of core infrastructures for all remains a major challenge for urban governance. City Fictions is the first study of its kind to read anglophone Indian writing infrastructurally: by taking account of the centrality of water utilities, waste-processing, residential architecture, and road, rail, and telephonic networks in contemporary representations of urban citizenship. In a detailed, historicized account of India's changing cities City Fictions analyses selected literary works in relation to key governmental and political discourses: from early nationalist ideas of command-economy infrastructure and mid-century town planning to futuristic visions of the Heritage Cities, Smart Cities and new urban satellite developments. It also plots changing ideas about civic identity, shaped by the rise of a consumerist middle class and the consolidation of a popular Hindu majoritarian politics.In the process, City Fictions develops an interdisciplinary literary-critical approach that draws on eco-criticism, urbanism, and new materialism. Covering key fictions by Arundhati Roy, Aravind Adiga, Vikram Chandra, Raj Kamal Jha, and Githa Hariharan, as well as literary journalism by Katherine Boo and Saumya Roy, graphic fiction by Sarnath Banerjee, and television drama by Richie Mehta, this book shows how fiction discloses vital issues of collective rights, equality, and resourcing that are immanent in the infrastructure of India's cities.

In this book, leading scholars working on urban South Asia chart new forms of literature about contemporary Delhi.Incorporating original contributions by Delhi-based commentators and covering significant new themes and genres, it updates current critical understanding of how contemporary literature has registered the momentous economic and social forces reshaping India’s major cities. This timely volume responds not only to the contextual challenge of a Delhi transformed by economic liberalisation and commercial growth into a global megacity, but also to the emergent formal and generic changes through which this process has been monitored and critiqued in writing. The collection includes studies of the city as a disabling metropolis, as a space of marginal (electronic) text, as a zone of gendered spatiality and sexual violence, and as a terrain in which ‘urban villagers’ have been displaced by the growing city. It also provides close analyses of emerging genres such as urban comix, digital narratives, literary reportage, and city biography.Delhi: New Literatures of the Megacity will be of interest to students and researchers in disciplines ranging from postcolonial and global literature to cultural studies, civic history, and South Asian and urban studies. It was originally published as a special issue of the Journal of Postcolonial Writing.

On publication Arundhati Roy's first novel The God of Small Things (1997) rapidly became an international bestseller, winning the Booker Prize and creating a new space for Indian literature and culture within the arts, even as it courted controversy and divided critical opinion.This guide to Roy’s ground-breaking novel offers:an accessible introduction to the text and contexts of The God of Small Things a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays by Padmini Mongia, Aijaz Ahmad, Brinda Bose, Anna Clarke, Émilienne Baneth-Nouailhetas and Alex Tickell on The God of Small Things, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The God of Small Things and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Roy's text.

On publication Arundhati Roy's first novel The God of Small Things (1997) rapidly became an international bestseller, winning the Booker Prize and creating a new space for Indian literature and culture within the arts, even as it courted controversy and divided critical opinion.This guide to Roy’s ground-breaking novel offers:an accessible introduction to the text and contexts of The God of Small Things a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays by Padmini Mongia, Aijaz Ahmad, Brinda Bose, Anna Clarke, Émilienne Baneth-Nouailhetas and Alex Tickell on The God of Small Things, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The God of Small Things and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Roy's text.

In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.

In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.

In this book, leading scholars working on urban South Asia chart new forms of literature about contemporary Delhi.Incorporating original contributions by Delhi-based commentators and covering significant new themes and genres, it updates current critical understanding of how contemporary literature has registered the momentous economic and social forces reshaping India’s major cities. This timely volume responds not only to the contextual challenge of a Delhi transformed by economic liberalisation and commercial growth into a global megacity, but also to the emergent formal and generic changes through which this process has been monitored and critiqued in writing. The collection includes studies of the city as a disabling metropolis, as a space of marginal (electronic) text, as a zone of gendered spatiality and sexual violence, and as a terrain in which ‘urban villagers’ have been displaced by the growing city. It also provides close analyses of emerging genres such as urban comix, digital narratives, literary reportage, and city biography.Delhi: New Literatures of the Megacity will be of interest to students and researchers in disciplines ranging from postcolonial and global literature to cultural studies, civic history, and South Asian and urban studies. It was originally published as a special issue of the Journal of Postcolonial Writing.

This collection offers an essential, structured survey of contemporary fictions of South Asia in English, and includes specially commissioned chapters on each of the national traditions of the region.