Alice Kim - Böcker

The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.

Long Term Offenders, or LTOs, is the state's term for those it condemns to effective death by imprisonment. Often serving sentences of sixty to eighty years, LTOs bear the brunt of the bipartisan embrace of mass incarceration heralded by the "tough on crime" agenda of the 1990s and 2000s. Like the rest of the United States' prison population--the world's highest per capita--they are disproportionately poor and non-white. The Long Term brings these often silenced voices to light, offering a powerful indictment of the prison-industrial complex from activists, scholars, and those directly surviving and resisting these sentences. In showing the devastation caused by a draconian prison system, the essays also highlight the humanity and courage of the people most affected. This striking collection of essays gives voice to people both inside and outside prison struggling for liberation, dismantles claims that the "tough on crime" agenda and LTO sentencing keep us safe, and reveals the white supremacism and patriarchy upon which the prison system rests. In its place, the contributors propose a range of far-reaching reforms and raise the even more radical demand of abolition, drawing on the experience of campaigns in the United States and beyond.

The voices of those experiencing life in the long term are often not heard. This collection of essays and personal stories from the people most impacted by long-term incarceration in Statesville Prison bring light to the crisis of mass incarceration and the human cost of excessive sentencing. Compelling, moving narratives from those most affected by the prison industrial complex make a compelling case that death by incarceration is cruel and unusual punishment. Implemented in the 1990’s and 2000’s harsh sentencing policies, commonly labeled “tough on crime,” became a bipartisan political agenda. These policies had real impacts on families and communities, particularly as they caused the removal of many non-white and poor individuals from cities like Chicago.The Long Term brings into the light what has previously been hidden, a counter-narrative to the tough on crime agenda and an urgent plea for a more humane criminal justice system. The book is a critical contribution to the current debate around challenging the mass incarceration and ending mandatory sentencing, especially for non-violent offenders.