Alison Fisher – författare

A major exploration of the work of American architect Bruce Goff, including the paintings, objects, and ephemera often overshadowed by his architectural legacy Celebrated as one of the most innovative American architects of the twentieth century, Bruce Goff (1904–1982) practiced an unbounded modernism that was deeply embedded in the Midwest and Great Plains. He is best known for idiosyncratic single-family homes in suburban and rural areas across the United States that explode with color and texture—as well as cellophane, coal, goose feathers, and sequins. Dubbed the “Michelangelo of kitsch,” Goff rejected the minimalist aesthetics of his midcentury contemporaries and forged an architecture of fantastical, yet real, invention.Expanding out from his distinctive architectural drawings, this groundbreaking study presents new research on the full breadth of Goff’s creative practice, from his wide-ranging personal collections and work in mixed-media bricolage to his lifelong engagement with painting and music. Thematic essays by curators and scholars explore Goff’s diverse influences including Native American art, science fiction, queer modernism, and East and Southeast Asian art and music. This richly illustrated book features many previously unpublished works by Goff as well as a new portfolio of architectural photography by artist Janna Ireland. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago(December 20, 2025–March 29, 2026)

An unprecedented exploration of the relationship between art, architecture, social history, and public policy in New York, Chicago, and Los Angeles in the 1960s and '70sAmerican cities underwent seismic transformations in the 1960s and '70s, from shifting demographics and political protests to reshaping through highways and urban renewal. Amid this climate of upheaval, photographers, architects, activists, performance artists, and filmmakers turned conditions of crisis into sites for civic discourse and artistic expression. The City Lost and Found explores photographic and cinematic responses to the changing fabric of New York, Chicago, and Los Angeles that contributed to a reconsideration of cities in popular media and urban policy during this period. This book raises timely questions about the role of art within the social, political, and physical landscape of cities.  Featuring contributions from more than 20 noted scholars in fields including art history, urban planning, architecture, and cultural studies, this is the first publication to address an important shift in photographic, cinematic, and planning practices based on close observations of streets, neighborhoods, and seminal events in the country’s three largest cities. Over 200 illustrations bring together works by major artists and newly rediscovered projects to complete this outstanding resource on the art and architectural production during these turbulent decades. Distributed for the Princeton University Art MuseumExhibition Schedule:The Art Institute of Chicago(10/26/14–01/11/15)Princeton University Art Museum(02/21/15–06/07/15)