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2 produkter
698 kr
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The first book to recover the Indigenous aesthetic principles that guided how artists of the Aztec Empire created precious artFor the Nahua people of the Aztec Empire, precious things such as feathers, stones, and gold—known in the Nahuatl language as tlazohtli—were central to their understanding of the material world and their place in it. Flickering Creations reconstructs the Indigenous Nahua genre of precious art, revealing the aesthetic concepts that informed how artists worked with these vibrant, living, and emotionally compelling materials.In this beautifully illustrated book, Allison Caplan presents new readings of major works of the Aztec Empire, drawing on Nahuatl alphabetic and glyphic writings to show how Nahuas of the fifteenth and sixteenth centuries possessed their own art theory. She traces how key principles of precious art—tonalli (solar animacy), ixnezcayotl (appearance), *xiptli (skin), and nechihchihualiztli (assemblage)—indelibly shaped surviving masterpieces of feather, turquoise mosaic, and cast gold. Bridging art history, anthropology, linguistics, and literary studies, Caplan demonstrates how the creation and reception of exquisite works of precious art centered on activating and dynamically transforming their relationships to one another, their makers, their audience, and the wider world.Providing a model for engaging with Indigenous material culture on its own terms, Flickering Creations shows how this previously unrecognized body of theory unveils entirely new dimensions of artistry and meaning in Nahua art.
156 kr
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This issue reconstructs the integrated roles of real and symbolic birds and their feathers in ancient and colonial Mesoamerican and trans-Atlantic societies. The contributors-who include biologists, historians, and art historians-combine ethnohistoric methodologies with the physical sciences to analyze pictorial and native-language sources, archival documents, chronicles, feather artworks, and specimens in natural history collections. Contributors explore the semiotics of feathers, highly valued as part of local and imperial economies, in ritual regalia and featherworks. The issue also sheds light on how the shipment of indigenous featherworks and actual birds-both living and stuffed-brought American birds and indigenous knowledge of them into contact with Europe. By foregrounding indigenous knowledge and value systems, the contributors reexamine the significance of birds and feathers in constructions of the natural world, philosophy and religion, society and economics, and artistic practice.Contributors: Allison Caplan, Martha Few, LeÓn GarcÍa Garagarza, James Maley, John McCormack, Iris Montero Sobrevilla, Lisa Sousa