André Mesquita - Böcker
Visar alla böcker från författaren André Mesquita. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
498 kr
Tillfälligt slut
Sensuous biomorphic forms steeped in Brazilian history and culture Using materials such as bronze, concrete, stone and papier-mâché, Brazilian artist Erika Verzutti (born 1971) creates works that evoke animals and plants, landscapes and minerals, everyday items and objects from art history. This monograph spans her entire career since 2003.
487 kr
Tillfälligt slut
“Wool pictures” from a Brazilian folk artist known for her intricate and figurative tapestriesBrazilian artist Madalena Santos Reinbolt (1919–77) was known for her “wool pictures,” intricately embroidered tapestries evoking scenes and characters from her agropastoral past in the countryside of Bahia. This volume accompanies her posthumous solo show at MASP.
498 kr
Skickas inom 5-8 vardagar
An indigenous Yanomami artist translates the body art of his community into paper-based worksSheroanawe Hakihiiwe (born 1971) is an Indigenous Yanomami artist from the Venezuelan Amazon. His practice consists of minimal and abstract drawings inspired by the body paintings of his community, which he began producing in the 1990s after learning to make paper using native fibers.
386 kr
Skickas inom 5-8 vardagar
A sweeping look at the history of the artist collective whose graphic poster designs helped define the visual culture of AIDS activismGran Fury (1988–95) was a New York–based activist artist collective that emerged from ACT UP (AIDS Coalition to Unleash Power), an organization founded in 1987 to raise awareness about the HIV/AIDS crisis in the United States through political activism. Named for the vehicle favored by the New York City police, Gran Fury formed to summon a sense of collective indignation. The collective’s innovative graphic design campaigns were mobilized in ACT UP demonstrations to awaken the public to the disdain, neglect and silence of Ronald Reagan’s administration during the epidemic. The group produced posters, newspapers, stickers, photographs, videos and billboards that were circulated to transform perceptions about HIV/AIDS, interrogate ineffective public policies and underreported government data, interrupt misconceptions disseminated by the media, confront the morality of religious institutions, and alleviate the stigma and discrimination faced by people living with HIV/AIDS. They worked closely with other activist groups, including the Silence=Death Project, whose posters featuring a pink triangle came to be a defining visual of the AIDS crisis.This richly illustrated catalog is a comprehensive survey of the collective’s body of work. It includes unpublished essays, historical interviews, rare pamphlets, photographs and ephemera that altogether chart the development of a new visual language for effecting social change. Gran Fury: Art Is Not Enough is an indispensable reference for the study of the intersection of activism and the arts in the late 20th century.