Angela D. Sims – författare

Writing across theological disciplines, nine African American women scholars reflect on what it means to live as responsible doers of justice. With some classic essays and some contributions published here for the first time, each chapter in this new volume in the Library of Theological Ethics series presents analytical strategies for understanding the story of womanist scholarship in the service of the black community.The Library of Theological Ethics series focuses on what it means to think theologically and ethically. It presents a selection of important and otherwise unavailable texts in easily accessible form. Volumes in this series will enable sustained dialogue with predecessors though reflection on classic works in the field.

The late Katie Geneva Cannon was the founder of womanist ethics. Her work continues to generate new explorations of womanist moral thought. In this volume, leading womanist ethicists and theologians come together to continue Cannon’s work in four critical areas: justice, leadership, embodied ethics, and sacred texts. The goal is to continue Cannon’s pursuit of a world of inclusivity and hope, while realistically analyzing the discrimination, disenfranchisement, and systemic hatred that stand as obstacles to the world.Contributors include Emilie Townes, Shawn Copeland, Eboni Marshall Turman, Angela Sims, Paula Parker, Nikia Robert, Alison Gise Johnson, Vanessa Monroe, Faith B. Harris, Stacey Floyd-Thomas, Melanie Jones, Renita Weems.

Lynched chronicles the history and aftermath of lynching in America. By rooting her work in oral histories, Angela D. Sims gives voice to the memories of African American elders who remember lynching not only as individual acts but as a culture of violence, domination, and fear. Lynched preserves memory even while it provides an analysis of the meaning of those memories. Sims examines the relationship between lynching and the interconnected realities of race, gender, class, and other social fragmentations that ultimately shape a person's - and a community's - religious self-understanding. Through this understanding, she explores how the narrators reconcile their personal and communal memory of lynching with their lived Christian experience. Moreover, Sims unearths the community's truth that this is sometimes a story of words and at other times a story of silence. Revealing the bond between memory and moral formation, Sims discovers the courage and hope inherent in the power of recall. By tending to the words of these witnesses, Lynched exposes not only a culture of fear and violence but the practice of story and memory, as well as the narrative of hope within a renewed possibility for justice.