Anne Ferry - Böcker
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4 produkter
324 kr
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Although Paradise Lost is one of the greatest poems in the English language, it is also among the most difficult and intimidating, especially to unsophisticated readers. One of the most accessible critical studies of Paradise Lost—and one frequently recommended by those teaching Milton—is Anne Ferry's Milton's Epic Voice.
416 kr
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A Stanford University Press classic.
928 kr
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Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers' experiences of the poems.In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions—conceptual, spatial, temporal—that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist—in arranging, annotating, titling, and revising the poems—directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel's Songes and Sonettes, Thomas Percy's Reliques of Ancient English Poetry, and Francis Palgrave's The Golden Treasury.Part II asks how the poems most frequently included in anthologies get there: by what cultural situations, literary circumstances, and internal features. Examples include a group of Renaissance pastoral lyrics, three public poems of 1770, 1867, and 1955, and Elizabeth Bishop's narrative-descriptive poem "The Fish." Part III describes how poets themselves, as readers and compilers of anthologies, have used them, and how anthologies have contributed to the making of poems and the making of their reception. A Coda shows how T. S. Eliot wove certain of his writings into an imaginary anthology that figures his conception of tradition and the individual talent.
806 kr
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By Design is a study in the workings of conscious intention as evidenced in such elements of poetic design as rhyme, choice of title, the revision process, and the reinterpretation of a key word, figure, or narrative situation from earlier poems. Through a series of intensely scrutinized examples drawn from the Renaissance through the twentieth century, Anne Ferry celebrates the ever-changing vitality of the act of writing poems within the constraints, pressures, and urgings of history. In every instance, something startlingly and significantly new takes place because of the high degree of conscious awareness with which such poets as Sidney, Shakespeare, Herbert, Wordsworth, Stevens, Williams, Frost, Ashbery read one another—and, in some cases, themselves—exploring and reinterpreting one another's vocabularies and ways of working in order to carry out their designs.