Antonio Stramaglia – författare
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Major Declamations, Volume I
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Major Declamations, Volume II
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Major Declamations, Volume III
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Die Bibliotheca Teubneriana, gegründet 1849, ist die weltweit älteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Sämtliche Ausgaben werden durch eine lateinische oder englische Praefatio ergänzt.
Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen:
Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universität Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Università di Genova)Heinz-Günther Nesselrath (Georg-August-Universität Göttingen)Oliver Primavesi (Ludwig-Maximilians Universität München)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University)
Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfügbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die älteren Bände werden sukzessive ebenfalls als eBook bereitgestellt.Falls Sie einen vergriffenen Titel bestellen möchten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: Kerstin.Haensch@degruyter.com
Sämtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfügbar.
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Giovenale tra storia, poesia e ideologia
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Juvenal’s satire continues to fascinate his readers and to challenge scholars by the constant interplay of a strong poetical identity, a keen historical perception, and an irresoluble ideological tension. The essays collected in this volume pursue these three strands from different but complementary perspectives, aiming at a firmer assessment of the character, the oeuvre, and the background of Rome’s last great satirical poet.
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Juvenal’s satire continues to fascinate his readers and to challenge scholars by the constant interplay of a strong poetical identity, a keen historical perception, and an irresoluble ideological tension. The essays collected in this volume pursue these three strands from different but complementary perspectives, aiming at a firmer assessment of the character, the oeuvre, and the background of Rome’s last great satirical poet.
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At his sudden death in 1987, Håkanson left a number of unpublished scholarly works. A former volume in this series (2014) printed four essays on the pseudo-Quintilianic Major Declamations; one more has appeared elsewhere. The present volume contains a commentary on Book One of the Controversiae by Seneca the Elder.
After an introductory note by the editors, Michael Winterbottom offers a sympathetic appreciation of Håkanson’s life and scholarship. This is followed by a full bibliography of his publications. Håkanson’s own introduction deals with three key issues: Seneca’s sources and his use of memory; his method of composition; and the textual tradition of the excerpts from his work. Håkanson’s Teubner text (1989) of Controversiae I is subsequently reprinted. The core of the volume is Håkanson’s commentary, mostly – but not exclusively – devoted to textual elucidation. The volume closes with a bibliographical updating on the issues dealt with by Håkanson in the book, and an index locorum. With its keen insights and stimulating discussions, this publication appeals not only to scholars focussing on ancient rhetoric, but to anyone concerned with the culture of the Roman imperial era.
1 237 kr
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At his sudden death in 1987, Håkanson left a number of unpublished scholarly works. A former volume in this series (2014) printed four essays on the pseudo-Quintilianic Major Declamations; one more has appeared elsewhere. The present volume contains a commentary on Book One of the Controversiae by Seneca the Elder.
After an introductory note by the editors, Michael Winterbottom offers a sympathetic appreciation of Håkanson’s life and scholarship. This is followed by a full bibliography of his publications. Håkanson’s own introduction deals with three key issues: Seneca’s sources and his use of memory; his method of composition; and the textual tradition of the excerpts from his work. Håkanson’s Teubner text (1989) of Controversiae I is subsequently reprinted. The core of the volume is Håkanson’s commentary, mostly – but not exclusively – devoted to textual elucidation. The volume closes with a bibliographical updating on the issues dealt with by Håkanson in the book, and an index locorum. With its keen insights and stimulating discussions, this publication appeals not only to scholars focussing on ancient rhetoric, but to anyone concerned with the culture of the Roman imperial era.
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