Ardis Butterfield – författare
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14 produkter
14 produkter
E-bok
PDF, Engelska, 2009494 kr
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The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of''nation'' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d''Arc and by Shakespeare''s Henry V. She considers authorswriting in French, ''Anglo-Norman'', English, and the comic tradition of Anglo-French ''jargon'', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d''Orléans, as well as many lesser-known or anonymous works. Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that amodern understanding of what ''English'' might have meant in the fourteenth century cannot be separated from ''French'', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.
E-bok
Engelska, 2009494 kr
Läs direkt efter köp
The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of''nation'' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d''Arc and by Shakespeare''s Henry V. She considers authorswriting in French, ''Anglo-Norman'', English, and the comic tradition of Anglo-French ''jargon'', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d''Orléans, as well as many lesser-known or anonymous works. Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that amodern understanding of what ''English'' might have meant in the fourteenth century cannot be separated from ''French'', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.
Inbunden, Engelska, 2009
1 621 kr
Skickas inom 7-10 vardagar
The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of 'nation' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d'Arc and by Shakespeare's Henry V. She considers authors writing in French, 'Anglo-Norman', English, and the comic tradition of Anglo-French 'jargon', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d'Orléans, as well as many lesser-known or anonymous works. Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that a modern understanding of what 'English' might have meant in the fourteenth century cannot be separated from 'French', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.
Häftad, Engelska, 2013
699 kr
Skickas inom 7-10 vardagar
The Familiar Enemy re-examines the linguistic, literary, and cultural identities of England and France within the context of the Hundred Years War. During this war, two profoundly intertwined peoples developed complex strategies for expressing their aggressively intimate relationship. This special connection between the English and the French has endured into the modern period as a model for Western nationhood. Ardis Butterfield reassesses the concept of 'nation' in this period through a wide-ranging discussion of writing produced in war, truce, or exile from the thirteenth to the fifteenth century, concluding with reflections on the retrospective views of this conflict created by the trials of Jeanne d'Arc and by Shakespeare's Henry V. She considers authors writing in French, 'Anglo-Norman', English, and the comic tradition of Anglo-French 'jargon', including Machaut, Deschamps, Froissart, Chaucer, Gower, Charles d'Orléans, as well as many lesser-known or anonymous works. Traditionally Chaucer has been seen as a quintessentially English author. This book argues that he needs to be resituated within the deeply francophone context, not only of England but the wider multilingual cultural geography of medieval Europe. It thus suggests that a modern understanding of what 'English' might have meant in the fourteenth century cannot be separated from 'French', and that this has far-reaching implications both for our understanding of English and the English, and of French and the French.
Del 49 - Cambridge Studies in Medieval Literature
Poetry and Music in Medieval France
From Jean Renart to Guillaume de Machaut
Häftad, Engelska, 2009
665 kr
Skickas inom 7-10 vardagar
In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.
Del 49 - Cambridge Studies in Medieval Literature
Poetry and Music in Medieval France
From Jean Renart to Guillaume de Machaut
Inbunden, Engelska, 2003
1 709 kr
Skickas inom 7-10 vardagar
In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.
Inbunden, Engelska, 2023
1 635 kr
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This collection makes a new, profound and far-reaching intervention into the rich yet little-explored terrain between Latin scholastic theory and vernacular literature. Written by a multidisciplinary team of leading international authors, the chapters honour and advance Alastair Minnis's field-defining scholarship. A wealth of expert essays refract the nuances of theory through the medium of authoritative Latin and vernacular medieval texts, providing fresh interpretative treatment to known canonical works while also bringing unknown materials to light.
E-bok
PDF, Engelska, 2023404 kr
Läs direkt efter köp
E-bok
Engelska, 2023404 kr
Läs direkt efter köp
Häftad, Engelska, 2025
351 kr
Skickas inom 7-10 vardagar
This collection makes a new, profound and far-reaching intervention into the rich yet little-explored terrain between Latin scholastic theory and vernacular literature. Written by a multidisciplinary team of leading international authors, the chapters honour and advance Alastair Minnis's field-defining scholarship. A wealth of expert essays refract the nuances of theory through the medium of authoritative Latin and vernacular medieval texts, providing fresh interpretative treatment to known canonical works while also bringing unknown materials to light.
Häftad, Engelska, 2019
210 kr
Skickas inom 5-8 vardagar
Del 37 - Chaucer Studies
Chaucer and the City
Inbunden, Engelska, 2006
1 219 kr
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Essays exploring Chaucer's identity as a London poet and the urban context for his writings.Literature of the city and the city in literature are topics of major contemporary interest. This volume enhances our understanding of Chaucer's iconic role as a London poet, defining the modern sense of London as a city in history, steeped in its medieval past. Building on recent work by historians on medieval London, as well as modern urban theory, the essays address the centrality of the city in Chaucer's work, and of Chaucer to a literature and a language of the city. Contributors explore the spatial extent of the city, imaginatively and geographically; the diverse and sometimes violent relationships between communities, and the use of language to identify and speak for communities; the worlds of commerce, the aristocracy, law, and public order. A final section considers the longer history and memory of the medieval city beyond the devastations of the Great Fire and into the Victorian period.Dr ARDIS BUTTERFIELD is Reader in English at University College London.Contributors: ARDIS BUTTERFIELD, MARION TURNER, RUTH EVANS, BARBARA NOLAN, CHRISTOPHER CANNON, DEREK PEARSALL, HELEN COOPER, C. DAVID BENSON, ELLIOTKENDALL, JOHN SCATTERGOOD, PAUL DAVIS, HELEN PHILLIPS
Inbunden, Engelska, 2017
1 434 kr
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Inbunden, 2024
291 kr
Tillfälligt slut
Geoffrey Chaucer (c. 1340-1400) is celebrated as the father of English. Demonstrating for the first time that the English language had greatness and legitimacy, Chaucer's role in the rise of England's self-identity was immense. Yet there was more to Chaucer than national wordsmith. Clerk of the King's Works, and servant of the state, he lived in the seething streets and echoing alleyways of 14th century London. Through his works we hear the voices of everyday Londoners in a way that was not to be repeated until Pepys began his diary. This late medieval capital was a tense and febrile urban environment, convulsed by riot and climaxing in the shattering overthrow of a deserted king. It was also a city in constant and intimate contact with the continent. Chaucer travelled on court and diplomatic business right across Europe, and married a woman from the Low Countries. In this major new biography, the first for many years, Ardis Butterfield opens a window onto this pulsating city, placing the writer in vibrant context. She shows that Chaucer's major works, The Canterbury Tales and Troilus and Crysede, were not written in isolation from but in response to international ideas.London was an innovative capital at the centre of cultural and political events, populated by communities who were now encountering the daring new work of Dante, Petrarch and Boccaccio, written not in Latin but in these poets' own vernaculars.Far from being a narrowly national writer, Chaucer was cosmopolitan to the core, living, like modern-day Londoners, in one of the most exciting cities on earth.